There are so many things wrong with Redfall; every element feels plagued by poor decision-making. The visuals are dated and buggy, the story is paper-thin and filled with annoying archetypes, and the gameplay is floaty, unsatisfying, and generic. Don’t even get me started on the atrocious AI, which can’t even make its way around basic objects. If Redfall was truly developed by the Arkane Studios I love so much; it must have been under difficult circumstances. Rarely do games like this exist without low budgets, tons of studio interference, and short development cycles. I don’t blame Arkane, and nobody should, but Microsoft needs to rethink their entire strategy if this is what we can expect from their AAA exclusives going forward. Keep the casket closed for this one.
Live A Live delivers where a remaster should. The visuals feel like a modern but faithful reinterpretation of classic pixel art, the music is as essential as ever, and the combat still holds weight. Elements of the storytelling and presentation are dated, and I would have liked to have seen some new content or bonus behind-the-scenes features, but despite all that, Live A Live remains a fun JRPG that is essential for fans of the old classics and their retro trappings.
Tears of the Kingdom is the game that everyone made BOTW out to be and then some. The NES was released in 1983 in Japan, and since then, Nintendo has been a standard-setter in the gaming industry, and Tears of the Kingdom shows that even forty years later, nobody can do it better.
Ghostwire Tokyo: Spider’s Thread may be a free update, but it is integral to taking a good game towards something truly great. The few additions to combat genuinely help the game flow, and new missions and a roguelite mode are just the icing on the cake. Tango Gameworks is dedicated to making Ghostwire a worthwhile game, and it won’t be long before it sits in a similar cult classic spot as The Evil Within 2. I hope that Ghostwire gets a sequel one day because it is one of many titles on the cusp of something extraordinary, but it just needs a little more room to grow.
The Bunker does many things right, from its intricate level design to its rich atmosphere, but the overbearing adherence to horror eventually makes it wear on the senses. Being isolated in a pitch-black bunker with only a murderous beast as company can run you down quickly, and The Bunker never lets up. It is soaked in tension, worships at the altar of making you squirm, and does it with a smile. While this is appealing, it is a lot to manage, and this is a game for horror fans with a masochistic streak. Find the best pair of headphones, sit in the dark, and get your creative thinking cap on, because The Bunker is a survival horror experience to rival the best in recent memory. When it all comes together, when your back is against the wall, gun drawn with a single bullet left, and the beast is bearing at you down a dark hallway, that is when this game sings. In those moments, it reaches the heights of the genre greats and its progenitor.
BG3 is a highwater mark for choice-driven RPGs and the new standard to which basically every other major RPG will be compared. I feel bad for Starfield at this point and for game developers in general. Larian Studios has set the bar incredibly high. Still, I hope other publishers will see it as an example to let developers have time and creative freedom to make incredible games without all the bloated live service and microtransaction bullshit. Also, you can play this game in four-player online co-op or even split-screen locally on a single PC, and in this day and age, that may be one of the most impressive features in BG3. If you love RPGs, you owe it to yourself to play this game.