Cubed3's Reviews
It is a shame that Autonauts has a notable bug that rapidly reduced enjoyment and led to a premature end of the game. The style and concept are well executed, allowing many approaches to completing progression goals that are so numerous completionists will be in heaven. Creating and replacing tools as they break is an acceptable part of the game, but constantly having to stop and start robots in their actions because of an inexplicable error loses the whole automated process that is central to Autonauts' functionality.
Underwhelming is what perfectly describes Flynn: Son of Crimson, whish is a shame, as the pixel art is top-notch (even if its forgettable) and there are no mechanical flaws to talk about. Sadly, this just isn't enjoyable, with the almost child-friendly difficulty and repetitive gameplay making it hard to remain invested throughout.
There are some routes and plotlines in Olympia Soiree that stand amongst the best Idea Factory! has put out, but the price for entry is just too high. There's some beautiful art showcased here, and some memorable moments, and each person in the audience will find a bachelor that fits them… but it's hard going. The deluge of exposition, and dragging slow start makes it a slog to get to these points. This combined with the overly edgy "bad endings" tarnishes the experience as a whole.
Death end re;Quest is making its mark on Nintendo Switch with a fine balance of cute anime style graphics to temper the exceedingly malevolent and gruesome violence that truly is necessary for the plot. By the time the end game approaches a melancholic air descends because time is almost up for the beloved Shina and her sweet smile. Replayability is a must for completionists who want to encounter every clue in the game, and also for those who love the very screwed up universe in World Odyssey. Apart from occasional confusion on story progression, there are minimal negative aspects, with difficulty levels making lesser skilled players able to enjoy the intricately layered plot and higher skilled players able to sink their teeth into the complex battle mechanics.
There's plenty of deeply flawed RPGs from the late '90s/early '00s that actually people love despite their problems, to the point that it's almost a tradition of sorts. Arx Fatalis is one of those flawed pieces of software, which, like Morrowind, Gothic, and Fallout, has plenty of issues, but manages to be entertaining in its own special way. Having said that, it's probably one of the most problematic of the bunch. Try it out if a fan of the genre, if only to get a taste of its sweet, sweet atmosphere and strong immersion. Just be prepared to get a bit of bitter disappointment as well.
An intriguing plot coupled with a focus on questioning morality and who is truly an enemy, Akiba's Trip: Hellbound and Debriefed brings the original story to a new generation of gamers. Bugs, the lack of autosave which does seem a little odd for a remaster and some clunky game mechanics aside, there are easily over twenty hours of game time in the fairly realistic portrayal of Tokyo's Akihabara region. Replay value for those who played the original will vary depending on nostalgia feel, but a second playthrough is highly appealing for completionists and those who want to make different choices in their gameplay since supporting a faction does influence in the end story.
There is a simplicity to Deiland: Pocket Planet that may be too basic both in terms of how actions are done, and how little there is to explore on the tiny planet for some, but it is perfect as a before bed or generally relaxing game for others with easy to pick up game mechanics and clear objectives for each quest.
Rekt! High Octane Stunts is a very lightweight stunt game. The casual play style, and easy to grasp controls, make it a decent option for children. There is very little penalty for failure, and the package is dense with unlockable content. It is a humble, often boring, yet endearing title that is easy on the eyes. The most challenging quality within, is playing for long sessions. Rekt!'s style is only enjoyable in short bursts and anything more than two hours will make players enter an existential fugue state.
On one hand there are 4 great games in Sonic Origins, all are well cherished by Sonic fans, and are games that are considered some of the best in the Sonic franchise. Players might not even notice some of the glitches if they have never played Sonic, some long-time veterans might not even encounter them, but then on the other hand, these games, which have been out on the market for 25 years or more, cost a premium price with so many bugs and glitches present. Anniversary mode, Story mode and Mission mode will certainly be a refreshing change of pace for those that have completed these games dozens of times and it's fun while it lasts, but the package falls short by not including more than previous collections.
Capcom Fighting Collection presents a slightly bemusing package, given that half of the content is Darkstalkers and seven of these titles are in the two Capcom Arcade Stadium games. Cyberbots feels oddly out of place with its mecha-style gameplay, as does Super Puzzle Fighter II Turbo, but that's hardly a complaint; it just feels like the overall product could have been bolstered by more of Capcom's rich fighting game history, of which there is plenty to choose from. This is a great way to dive into the fan favourite Darkstalkers franchise, in particular, though, and seeing games previously exclusive to arcades, like Red Earth, make their way to consoles for the first time is a pleasure.
Little Nightmares II delivers a terrible experience. Terrible has retained the connotation of something bad, but it can also mean inspiring fear, dread, and awe. It's clear that's what Tarsier Studios was going for: an experience in delving through a terrible darkness. That experience is not terrifying, not scary, but creeping disquiet. An unsettling experience. Best of all though, that experience is memorable. Those who have the opportunity to experience this best version should do so. The world and its presentation are huge highlights, and this gives a shine of polish to enhance that. It's just a shame it clocks in at such a short runtime, and leaves so many questions left unanswered. Even heading back to see it all still offers a short playtime. The world of Little Nightmares deserves a third entry to explain it all, hopefully, one day it will get one.
Take away the frustrating tutorial and newcomers stand a chance of liking Farm Manager 2022, that is if they can get to grips with the, at times, illogical menu system whose navigation is critical to gameplay and can put up with the occasional ridiculously long loads. It is a real shame that it took such little time to turn a beloved simulation into a highly unenjoyable experience, not letting the game's positive aspects of running a farm and managing all aspects shine as bright as they should have.
The incredible story twists in Asdivine Kamura have a 'wow' factor; whenever they occur both more mystery is added to the plot and to some extent everything makes more sense. They keep coming even after the final fight, proving that the story is not over until the credits roll. There are multiple endings to unlock which extends the replayability, and whether an ending is truly happy or sad is dependent on individual interpretation. It is a solid entry in both the Asdivine series and KEMCO's game library.
As a huge fan of the original series, there is a lot of style drawn from it. The action is fast and looks good, and seeing the characters in another format is a great surprise. Some caution is warranted as the price tag is hefty and the lack of cross-play between PlayStation and PC might shorten the game's lifespan. While not nearly as tactical as PVP was due to its 3D plane, now condensed down to its 2D linear combat, it's a fun romp and the gallery/glossary of the lore is appreciated. In the end, as good as this game is, it's more of a reminder how much better DFO is.
Time has been kind to Primordia with the past decade only highlighting just how unique, surreal, and grippingly atmospheric Wormwood Studios' inaugural title actually was and still is. While playing a point-and-click with a controller will never be as fluid as using a mouse and keyboard, the control scheme translates relatively well to Nintendo Switch and the ability to quickly check everything that can be interacted with on-screen all but removes the need for random examination. Wormwood's storytelling in particular deserves praise for blending surreal lore and a horrific premise together into an engaging narrative with multiple endings. Every bit of world-building just makes the plot richer and better contextualises gameplay. Wadjet Eye Games have done point-and-click fans a favour by porting Primordia over to Switch. Don't miss out on one of the genre's highest highs.
All told, AI: THE SOMNIUM FILES: nirvanA Initiative is a worthy sequel to the 2019 original. While some elements of the story don't always fit with the cast of characters, the core of the narrative keeps players invested throughout. The new somniums are very well designed in both pace and aesthetic, making them each feel unique. The additional hints and difficulty options are welcome, too, for those who want them. Virtual Reality sequences do well to add to the gameplay outside of somniums themselves, providing some great variety. This science fiction mystery thriller is certainly worth a look for fans of Zero Escape and visual novels in general.
Clearly a budget title, even looking past some of the obvious flaws like the laughably bad voice acting or the older console generation looking characters, the core game itself - fighting - leaves a lot to be desired. Enemies largely are punching bags with annoyingly large HP pools, but the game is unforgiving with how long there is between being able to save. Ultra Age had some clear potential but it really needed its quality spread across all aspects, the bad parts drag the rest of it down making it largely passable.
It is sad to give a rating this low to a game with this much potential. The UI in Hero's Hour is often problematic, and the graphics are just too basic to understand what is happening. Furthermore, there is a very heavy 'rush' element to the game rather than the more plodding pace of older games. If the graphics were better, some balance problems ironed out, and the UI was fixed, this would be an easy game to recommend to strategy players by a wide margin.
There is little in Magnum Lord that stands out as good or interesting. The story segments are mildly amusing, as well as a few of the characters, but the plot goes nowhere fast, and the rest of the game is hard to enjoy. Combat oscillates between two second stomps to five minute plus long slogs, all the while being far more boring than it might look. The entire other 'half' beyond the visual novel segments is laughably bad in the design and the game does little to separate itself from either better or more unique JRPGs currently out.
Samurai Warriors 5 is a minimised musou that's been stripped back to its most fundamental parts. Perhaps this deconstruction was meant to revitalise interest in the genre, but it sadly leaves it feeling flat and mediocre. Omega Force hasn't forgotten how to make a musou, though; that much shines through in the combat which at times shows flickers of promise. There's just not enough to see and do here, and it becomes repetitive far too quickly. This, coupled with the fluctuating Nintendo Switch performance, makes it difficult to recommend.