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Starfield emerges as a familiar addition to Bethesda's repertoire, offering an expansive but ultimately safe journey through the cosmos. While the game does attempt to delve into profound themes and presents an open-ended narrative structure, it still adheres to Bethesda's tried-and-true formula, failing to break new ground in the action-RPG genre.
Frictional should be commended for at least trying something a bit different when compared to their previous offerings. As the studio continued to evolve and iterate on their linear experiences, there is a hope that they will continue to learn and iterate on this idea of a semi-open world horror experience. Perhaps in a few years' time we will see Frictional create a title that again hits the highs of Soma but with the added freedom to explore and experiment in the game world. It would be nice to look back in a few years at The Bunker as being a steppingstone to something greater, but right now it's hard to see it as anything other than a short, "merely ok" game from a studio that has crafted much more compelling releases in the past.
After Us manages to deliver an experience that is largely enjoyable despite its flaws. Loose gameplay mechanics, framerate hiccups, and superfluous combat encounters are mostly offset by solid environmental storytelling, a poignant message, fantastic soundtrack work, and almost rock-solid performance and visuals.
Maneater is one of those rare titles that shows a lot of potential but ultimately just fails to deliver. The game is not "bad" per se, but it's not one I would be quick to recommend. As for the game as it stands right now, I would wait for a sale.
Journey for Elysium is a game that does not quite offer enough challenge for puzzle fanatics nor does it quite offer enough pure exploration for fans of "walking sims." It's not bad but it never really excels in any meaningful way.
Last Year: The Nightmare delivers a well-crafted gameplay experience that ultimately comes up short on content.
Windjammers is a blast from the past, for both better and for worse.
At its worst, Agents of Mayhem is an extremely watered down Crackdown and at its best it's a moderately watered down Saints Row experience. The game's positives just aren't enough to make up for the rest of the game's shortcomings.(...) With so many better alternatives out there, some of them even made by Volition themselves already, there just isn't much of a reason to choose Agents of Mayhem.
Through the Woods is a terrific atmospheric adventure title held back from true greatness by some disappointing character work and voice acting. I quite enjoyed my journey through the unquestionably unique environments and I would like to think that I learned a few things about Norse mythology along the way. This game took a chance with its focus on combining an atmospheric horror game with Norse mythology and it paid off for the most part. The price point and lack of "in your face" scares may push away many consumers, but the style and gameplay scored some high marks for my personal gaming tastes. For their first offering, Antagonist shows off a ton of promise and I would love to see what they bring to the table in the future.
Kingdom Come: Deliverance is so full of issues that it's hard to sit here and tell you that it's worth the $60 (USD) price they're asking. I would strongly suggest that you wait a few months to see what sort of shape the game is in at that point in time.
As the hours wore on, my love affair with We Happy Few began to chip away as more and more bugs and gameplay shortcomings popped up. The real saving graces for the game lie in its concept, story, and setting.
Rory McIlroy PGA Tour for the PlayStation 4 takes about one step forward and two steps back when compared to previous entries in the franchise. It's a game that looks and plays well but it's also a game that feels light on content. This entire package is then tied together with one of the most horrendous menu interfaces in recent memory. To put is simply: The game feels unfinished.
Bound by Flame initially seems like the type of game you would get if you threw some of the engaging and interesting game elements from The Witcher franchise in with the brutal difficulty of the Dark Souls series. In theory, this sounds like a gamer's dream come true. In execution, at least in the case of Bound by Flame, the end result leaves a lot to be desired.
White Night is a curious game, even if it's a bit predictable. With its references to two distinct genres, where unexpected twists and turns are welcome and interesting, it instead plays it safe. The game's big redeeming qualities are its style and presentation but without much in the way of story and gameplay to complete the package. If nothing else, your morbid curiosity may help you to see this one through to the end.
High on Life 2 is a must-have for fans of the original. It expands upon the original in several key areas while adding some decent innovations and twists to feel fresh. However, performance woes hamper the fun at times.
The base game still holds up wonderfully and the expansion offers what is essentially much more of the same sort of experience with a few caveats. Performance woes and overly difficult boss encounters aside, Shadow of the Erdtree should be a must-buy for anybody that enjoyed the base game experience who craves more.
Crime Boss makes a very compelling argument in its favor. Is the game perfect now? No, not by any stretch of the imagination. The single player may as well not even exist and is good for maybe a brief look out of morbid curiosity. The online multiplayer, on the other hand, is very fun.
The Outer Worlds: Spacer's Choice Edition offers plenty of new, next-gen visual eye candy with a substantial hit to performance. The small upgrade cost is an easy choice for console players coming from last-gen hardware, but PC owners may find it a tougher pill to swallow. Note: The extended issues with the PC version were not known to us during the review process of the PS5 version.
Though a little unpolished in places, High on Life surprises with its fast-paced combat, enhanced traversal upgrades, and yes, even its humor. This game from Rick and Morty creator Justin Roiland won't be for everyone, but it's an easy recommend for anybody that enjoys a vulgar, humorous romp infused with DOOM-style combat.