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The human experience of being drawn into a cult full of deep, dark secrets and the emotional toll it weighs upon you is front and centre in Sagebrush and that’s what made this two-hour experience stand out to me. The slow pace is entirely purposeful, allowing you to soak up each moment and learn more about those who believed in Father James room to be understood, to be heard and ultimately, to be mourned.
LEGO DC Super Villains delivers good, clean, accessible family fun with recognisable comic book villains getting up to mischief. If you’re a fan of the LEGO games, rest assured, this is another fantastic, content filled entry into the series. It’s not the best entry point for new comers and has a few technical niggles but for those in its target demographic, it’s a real hit.
But, get past those gripes and there is a competent, strongly put together first-person sneaker in there. Realised in some of the most beautiful locations to date, alongside a constant in game narrative with a ragtag team that is as adaptive to the change as you are, there is depth to Exodus.
Just when it begins to become nearly too overwhelming, though, it’s all over. GRIS is undoubtedly a compact experience, but one that needs to be experienced, either on Switch or PC (though it’s worth mentioning whilst it looks terrific in handheld mode, GRIS really should be experienced docked on a big screen). Whether it be the spectacular soundtrack or well, the spectacular visuals, GRIS tells a story that is tragic and uplifting, emotionally fuelled and near-perfect in its execution.
Despite the faff and taint of shady modern practices, it is still a competent and well worked fighter. The length of moves and tricks at hand, as well as the wealth of extra skills to learn is staggering, coupled with a very strong roster of new and old favourites. Combat has been reworked and tweaked to suit a faster fight system, and there is enough customisation to suit most kinds of playstyle for each character. Push aside the flaws and embrace it for the legacy that Mortal Kombat has created for itself.
Bridging the gap between the visual novel and the anime series, Steins;Gate Elite is a sublime refresh of the beloved game.
It’s intense, searing with tension and absolutely nerve-shredding, whilst telling a hugely powerful story that hit me hard a few times over. There’s a tremendous depth in this game that I wasn’t expecting, but I’m so glad it’s there. It makes you care for this brother and sister duo who are doing everything they can to stay alive in impossible circumstances, and given everything you’ve had to put them through to reach some kind of other side, you want to see them succeed. Every free moment I had was given to this game, I had to know how it all ended. Amicia and Hugo deserved my time.
Katana Zero is simply a very easy recommendation. From the utterly perfect mechanics tweaked to an inch of their life to the visuals, the overarching story and inner conflict of your highly skilled protagonist and his external relationships with the world around him, counteracting with the hyper-violence he calls his work, the game finds a delicate balance between ridiculously stylish action and the more subtle downbeat moments that really bring out some wonderful character development.
Blood & Truth is a game that is leading the charge in smart, player centric, accessible and enjoyable VR games design. From the comfort of my couch, I’ve been made to feel like a highly skilled soldier for 5 whole hours (and more, thanks to the time trials now available), pulling off impossible feats while requiring just the right amount of effort to keep me immersed without making me feel like a passenger.
Mini-Mech Mayhem isn’t the most innovative use of VR and it lacks a local multiplayer mode but these are small gripes with another exemplary, smartly designed and impeccably implemented title from Futurlab.
My Friend Pedro has more than lived up to my expectations and I’m absolutely thrilled that there’s yet another utterly brilliant Devolver Digital title out there in the world. It’s hilarious, ridiculous and has a fair number of ‘punch-the-air’ moments that very few games can pull of with the same style as My Friend Pedro.
The whole package is just as near damn perfect as you could possibly ask for. This has gone straight on the list of my Game of the Year Contenders.
Nowhere Prophet is a stylish, slickly designed deck building adventure that’s one of the best in class. Combining narrative ties to the cards/Followers you collect has the surprising side effect (or maybe, desired effect?) to make you actually care about those brave enough to join you on this death road across a desert world where as they’d just be a culmination of numbers to use then discard in other games of this ilk.
Horace is a very, very good game. A humour filled but emotionally charged plot delivered via beautiful and well-paced cut scenes, some of the most gorgeous pixel released this year, a smorgasbord of pop culture references and mini-games and a hand crafted feel to the platforming, as if everything has been placed with care and attention, combine into one of the most surprising games of 2019.
It’s easy to pick up, it’s difficult to master and offers badass bosses at the end of each world whilst sword-fighting robot viruses intent on taking over an old lady’s computer to a synthwave soundtrack blasting over beautifully designed neon-infused levels.
It’s quintessentially pinball, and whether or not that appeals to you effectively means you’re either in or out before you’ve even seen a trailer. But what’s on offer here is beyond anything I was expecting, and Zen Studios’ previous iterations of their pinball mastery to shame. The sheer detail and love that’s gone into Star Wars Pinball is unparalleled, and as a Star Wars fan those little moments that they’ve added just to make people like me smile has really elevated this entire game. This entire pinball game.
Control deserves its plaudits. A singular boss battle, offering a significant difficulty spike in an otherwise exemplary paced game, and a map that’s confusing at times are tiny blemishes on an otherwise astonishing game.
Yooka-Laylee and the Impossible Lair is one of the biggest surprises of the year and an absolute must-play. Rare are back. Wait. Playtonic have arrived. There we are.
There’s no shortage of top down, pixel art, fantasy roguelike’s out there vying for your attention and many of them are enjoyable. It’s a genre I’ve spent far too much time with over the past few years so the thought of playing another was daunting when I first got my hands on Children of Morta. The thought of re-treading the same ground for hours, something of a staple for this genre, had put me off. I couldn’t have been more wrong about this game though. It’s visuals, narrative originality, the vast array of content and the sheer amount of polish that’s on display here has shown me that Dead Mage and 11 Bit Studios have created the roguelike to end all roguelikes, combining the best of the genre in a package which feels familiar yet refreshingly fast moving.
If you enjoyed the challenge that Cuphead, Sundered and all the others bring, then Valfaris is your next port of call. If you aren’t a fan of hard as nails throwbacks to older games, you may not like this. Or if you sit somewhere in between, you cannot go wrong with the heaviest, metal-est platform action game going.