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Despite not completely lacking in fun, MADO MONOGATARI: Fia and the Wondrous Academy stops short of doing anything interesting with its academy life sim elements or its dungeon crawling. Try-hard 'funny' dialogue waffles for too long, academy activities is largely messing around in menus, and dungeons are one-note and house the same enemies and traps that don't offer a true challenge. If this is your very first dungeon crawler and you're under the age of twelve, you might find enough fun to get you to the end, but for everyone else, this one will likely lie unfinished on the shelf after the first five hours.
The King is Watching is a satisfying, if slightly homogeneous, tetris-like roguelite base builder. While it struggles a bit with variety and uneven meta-progression, its gaze mechanic is a simple and clean hook that, alongside a creative setting and range of kings, makes for an almost comforting building manager run after run. The only problem is, that may not be enough to steal player's gaze away from the wealth of other roguelikes it's competing with this year.
Based on the impressive visuals and soundtrack, I wish I had a better time with Atomic Owl. I love a good roguelike platformer as much as the next person, but without carefully executed roguelike random elements, Atomic Owl is just a platformer where you start from the beginning after every game over. This tested my patience as I powered through the same levels, again and again, after every failure. Atomic Owl also currently has too many issues with frequent crashes, buggy boss fights, and poor design to merit a recommendation to anyone but the most tolerant of platformer fans.
While there are certainly some areas where Tales of the Shire shines, like its highly engaging cooking mechanics, the package as a whole is lacking the polish to be a real winner. There was clearly a lot of love put into the game, and hopefully, with future patches, the performance issues will be resolved. For now, though, I am still longing for the rolling green hills of the Shire, because this game didn't quite scratch that itch.
Dead Take is a solid adventure for the FMV genre that provides an eerie and moody atmosphere set in the Hollywood hills. What's there is an intriguing exploration of the powers that be and the dog-eat-dog nature of the film industry, and how it can consume people. It may not contain the deepest or most complex puzzle, nor does it make replayability easy for optional objectives, but you don't stay for that. What you're there for is the stellar performances; the likes of Ben Starr, Neil Newbon, Laura Bailey and more giving it their utmost all to deliver you a sufficiently chilling horror experience. There are horrors in that mansion, and though not all in there may delight, it's a worthwhile and memorable jaunt behind Hollywood's closed doors.
As an overall package, Stronghold Crusader: Definitive Edition just doesn't tickle me like the first game does. A less captivating band of characters and an unwillingness to lean as firmly into history as its rivals did both back in the day and at present just make for a tonally too strange entity for me to have truly vibed with. It's a very fine game, but one that disappointed me. Maybe 20 years of anticipation was just bound to do that.
Super Mario Party Jamboree Nintendo Switch 2 Edition + Jamboree TV introduces a collection of fun new rule sets, but is brought down a bit due to the camera and microphone games that, for a title released in 2025, should work better than they do. That said, slapping your live reactions into your Mario Party games adds an undeniable layer of goofy entertainment that the series is known for.
Developers Messhof have created a cycling utopia with Wheel World; they've created a universe that celebrates the art of cycling and includes a pumping soundtrack to go along with it. It's a game that I'm honestly surprised hasn't been made sooner, due to how prevalent cycling is as a mode of transport and how cyclists love their bikes and the freedom they give them. This is one that I would recommend to my non-gamer cycling mates, as it's so easy to pick up and will provide them with an immersive world that I know they'd just love to be a reality.
Wuchang: Fallen Feathers doesn't exactly rewrite the soulslike gameplay design, but I honestly think it brings enough to the table to justify itself. With its fantastic Impetus Repository levelling system, I was able to build and rebuild Wuchang however I liked and fully explore its complex and flexible combat system. Admittedly, some mechanics are somewhat of a mixed bag, ranging from the delightful Skyborn Might resource which rewards aggressive play, to the more annoying Inner Madness feature that makes the player character a bit more of a glass cannon than I would have liked. Overall, however, those looking for a deep new soulslike to get stuck into, Wuchang: Fallen Feathers is pretty damn great.
With the release of PATAPON 1+2 Replay comes vibrant and wonderful flashbacks to a colourful, vibrant, arcade-y and, most importantly, fun, era of games that don't really exist anymore. It was a joy for me to visit these games for the first time, and I'm finally well invested in the majesty and magic of the RTS and rhythm fusion harmony that the franchise is known for. With how grandiose and exciting the battles get with their devotion to music and busy, frantic chaos that explode across the screen, I'd be hard-pressed to find any fan, new or old, who doesn't find joy here, smiling like a huge dork as your units chant and stomp across the world. Though there's still the oddball of funk, including some poor tutorialisation in the first game and real brick wall moments that require grind, I'm glad PATAPON is back in a largely unaffected package. Players should jump right into this here nostalgia-infused release. The water's fine, and you'll be remembering the Patapons' spirit songs for years to come.
Shadow Labyrinth is such a fascinating reinvention of PAC-MAN that completely changes the concept of what a PAC-MAN game can be. It's a completely unapologetic, brutal reimagining that fully commits to this vision. It pays off in its best moments, whether you're fighting a huge boss or weaving through some difficult platforming, but the punishing early game and confusing design choices really weigh it down. It's far from the most flawless Metroidvania, but if you can stomach the difficulty, it's a compelling new PAC-MAN experience.
For an independent studio's debut game, Luto strongly delivers on Broken Bird Games' ethos of delivering deep narrative experiences that reflect both their passion for video games but also great stories.
Tony Hawk's Pro Skater 3 + 4 sticks the landing with a clean kickflip and a modern twist. Iron Galaxy may have sanded off some of THPS4's open-ended charm, but what's left is a fine-tuned tribute to skateboarding. With excellent controls, deeper creation tools, and a diverse music and character roster (shoutout to our Aussie legends), the game is accessible and ridiculously fun. Even with a few bails, Tony Hawk's Pro Skater 3 + 4 proves the Birdman's legacy can still shred.
A brutal, lightning-paced take on the point-and-click adventure, The Drifter stands confidently among the greats of Australian horror fiction. Building a uniquely unsettling atmosphere with its chilling prose and narration, it presents a compelling supernatural mystery that will satisfy any adventure game fan. With gorgeous pixel art, killer voice acting, a soundtrack full of bangers, and an engaging gameplay loop, The Drifter is a home-grown triumph.
I'm so glad Kaname Date is back. No Sleep for Kaname Date is such an enjoyable romp through the familiar world that refines the formula, confidently adding escape sequences that fit so naturally into the gameplay loop you'd think that they've always been there. While the story and mystery don't completely hold up throughout, the character interactions and pure personality of the cast more than make up for it. For AITSF fans, it's an absolute must-play. For newcomers to the series, it's a compelling reason to dive into the series from the start.
Smashing and crashing his way to a new generation, Donkey Kong is well and truly back with Donkey Kong Bananza. Each layer is an absolute joy, with largely destructible environments that are jam-packed with secrets and hidden goodies. It's visually stunning, too; incredibly colourful and a true showcase of what the Switch 2 is capable of, with lots of variety. With so many collectables to find and a lot of nostalgic nods to D.K.'s long history, it's a must-have platformer that nails the brief and lives up to the legacy of Nintendo's greatest hits.
Kojima Productions' best project yet is Death Stranding 2: On The Beach, and it's largely thanks to how refined and an improvement it is on its predecessor, rather than being the perhaps expected unconventional sequel. The star-studded cast and their conjoined chemistry have helped craft a more interconnected and personal world this time, only bolstered by the unbelievably gorgeous, detailed and technically impressive open world where every journey is its own story. Every job and delivery is a delight and an immersive challenge against the greater elements. Picking you up off your feet and prodding you along are all the other players' structures and creations around the world. In Death Stranding 2, you are never alone. That remains true whether it's paying respect to those that came before, or paving the future of open world games that Kojima Productions, and even you, the player, are actively doing at all times. What a bright future it is.
Eriksholm: The Stolen Dream is a fun, narrative-led stealth game that doesn't demand too much of you. Stealth game veterans are unlikely to find a challenge in these common mechanics, but the beautiful details built into the world of Rosmark make up for it. The character-driven story is supported by great vocal performances and cutscenes that would fit in alongside any modern triple-A.
Overall, Kaizen: A Factory Story is a brilliantly made game that creates a difficult, but satisfying experience with likable characters and an engaging story to boot. It's always exciting when it offers up a new tool to use, and you can figure out all the different ways it can be used. On top of that, the character interactions were always fun to read. Maybe this is better than a boring job in sales after all!
Misc. A Tiny Tale is a classic 'we're going on an adventure' mixed with 'little guy in a big world' type of game, that's downright adorable. With such personal storytelling, it's easy to get attached to Buddy and his mate, Bag Boy. The overt themes of environmentalism and reusing items are something that a lot of us know about; these combine well with the more personal themes about obsessive thoughts or depression, which really get to the heart of the story. Some better visual accessibility when picking up rubbish would help, and it's weird how characters chastise players who ask for help. But all in all, Misc. A Tiny Tale is an adorable romp that fans of Pikmin or Chibi-Robo will get a kick out of. It'll be exciting to watch what Tinyware Games does next.