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Lost in Random: The Eternal Die is a smart sequel. It leans on the original's strongest elements in the aesthetic and stylistic choices, whilst moving the gameplay into a new and entertaining direction. It doesn't do anything groundbreaking, though it does succeed at producing a high-quality product that feels good to play. Thanks to an interesting upgrade system and in-built chance mechanics, The Eternal Die stands out on its own and proves to be a game absolutely worthy of your time.
Mario Kart World is incredibly easy to fall in love with, largely due to its solid injection of nostalgia and visual upgrades that help to justify the hardware upgrade. This is the best-looking and smoothest Mario Kart has ever felt, and Knockout Tour is sure to set the world on fire as the go-to game mode for this generation. I wish there was more to strive for in its Free Roam mode, but all of the other foundational parts that have made Mario Kart a success for so long are here, and better than ever. When playing with friends, it's still the undisputed king, making this a must-have title on your shiny new Switch 2 that will be enjoyed for years to come.
Deltarune Chapters 3 and 4 are worth the wait due to the content and story presented. Susie's character arc is very vulnerable and will bring you to tears, Kris's mystery thickens, and the world expands meaningfully and emotionally. The humour and heart that made Undertale and early Deltarune chapters special are still here, with more polish, questions, and challenges. And with six chapters still to come, we're only just getting started.
There's a lot to love in Nice Day for Fishing, but it's marred by repetition. By the time you've cast your line a few dozen times or run about the map from end to end to fetch whatever the wizard Baradun needs, the magic fades. What works well in the short NPC Man skits doesn't entirely hold up across the course of a full-length game. Still, even though it might not be the legendary catch you're looking for, Nice Day for Fishing is far from a throwaway, especially so if you're a Viva La Dirt League fan. In short bursts, it's a very enjoyable time. It is indeed a nice day for fishing… but not a nice week.
Nintendo Switch 2 Welcome Tour is exactly what it claims to be: an interactive manual with a few bells and whistles. It's the Wii Sports of the Switch 2 era, helping users understand the console, its features, and how it all fits together. While charging $15 for something that feels like it should've been bundled might be a turnoff, the level of detail and interactivity makes the price somewhat justifiable. It's not a must-have, but if you want a fun way to explore your new console, it's a decent way to spend a few hours. Just don't rush through it; enjoy it for its charm.
Fantasy Life i: The Girl Who Steals Time is amazing and well worth the wait, and Level-5 bringing it to multiple platforms to experience it in all its whimsy and wonder was an incredibly smart and measured decision. I'd struggle to find anyone who wouldn't gel with how effortlessly endearing it is, with its vibrant world and charm, dopamine-providing levelling system, a bounty of activities and things to see and do. The side-games that feel like their own games, whether that's exploring a Breath of the Wild-like open world or creating a cute and cozy village of locals à la Animal Crossing, are substantial and meaty, adding to the fun and delight that awaits around every corner. Even the most monotonous task of chopping down a tree is suddenly super exciting. The Fantasy Life series, and The Girl Who Steals Time, are just that magical and effective in doing so. This is a level up for Level-5. Job complete.
Rune Factory: Guardians of Azuma perfectly blends the farming and combat experience with Japanese influences. The result is an immersive cultural experience that you don't want to put down. You actually feel like you are rebuilding villages and restoring prosperity to the land instead of just being a landowner. While it isn't perfect despite several improvements to the formula, it nevertheless delivers a fun experience that you won't soon forget.
While the core gameplay loop of Pipistrello and the Cursed Yoyo feels dated, there's a lot to enjoy in the retro-inspired experience that Pocket Trap have crafted. The level design and puzzles, badge and upgrade system, and art design make it worth a look if you're craving an old-school adventure. There's a great game in here, but it's sometimes held back from shining through.
A joyful, unapologetically silly celebration of being different, To a T offers up a chaotic series of adventures that the right player will find absolutely delightful. On top of this, it explores themes of disability inclusion, bullying, and loss in a positive and uniquely accessible way. Despite some moments of tedium and a little too much repetition, To a T is a jolly great time and a perfect treat for younger or cosy gamers.
Elden Ring Nightreign is a faster, roguelike remix of the Souls formula that swaps deep exploration for co-op urgency. Combat is more agile, pacing is relentless, and boss fights thrive on teamwork. Still, not every change lands. FromSoftware's familiar connection issues can spoil a good run, the storytelling lacks expected depth, and the Limveld map may be mastered very quickly. Overall, Nightreign delivers exciting high-speed battles and rewarding experimentation. It's a bold spinoff that breaks the rules and mostly gets away with it.
In its 10-15 hour runtime, Deliver At All Costs delivers (haha) a short and sweet package of iconic video game driving nonsense. The driving mechanics handle well enough to feel satisfying to play, while also being unwieldy enough to turn you into the worst road menace of the 1950s. Focused on feeding you laughs every chapter through its gameplay and juxtaposed seriously dramatic storyline, reckless endangerment has never been so much fun.
Blades of Fire offers some compelling and exciting ideas, particularly with its reverence for weaponcrafting and rewarding forge mechanics. But its love of steel and violence can only take it so far; its combat is enjoyable at first, but wears out its welcome across a lengthy campaign that is filled with too-chatty characters and a world that's very frustrating to get lost in. Even with those caveats, its eye-catching fantasy world and weapons that pack a punch still have enough charm to see it through. Not every one of its big swings lands, but as they say, "you miss all the shots you don't take", and Blades of Fire at least gives the action RPG genre a solid crack with a unique point of view.
JDM: Japanese Drift Master shines in places like the graphics and the cars themselves. Gaming Factory has put a lot of love into this, and it shows. Especially using Polish musicians to fill up their radio stations. There are some issues, though; the story itself doesn't leave an impact, the difficulty of the AI is inconsistent, and there are some bugs. But it's all about the drifting, and that's where it makes up for it. The driving is fluid, and the NPCs can be quite challenging. However, the cars sound amazing, it really sounds like you're driving a Miata! Fans of Tokyo Drift, Initial D and general drift racing sim fans will have a ball with JDM.
PEPPERED: An Existential Platformer has created a world and characters that are so silly and weird that it's a delight to explore. However, some players may find the replayability tedious and therefore won't be encouraged to continue to explore once they have died. Clocking in at just a few hours, though, if you love your surreal humour and wacky worlds, I'd give PEPPERED a shot.
Strange Scaffold have done it again and has made another wonderful romp that is well worth your time, this time adapting the Teenage Mutant Ninja Turtles name and world. Dispel any doubt: the indie studio's writing chops and style transfer well to the universe of the team of amphibian martial artists, bringing over so much charm and pizazz from the IP in its first-ever turn-based affair. With plenty of visual and audio flourishes and delights, you're transported to the franchise's heyday and better yet, while you're at it, you're engaging in some good old-fashioned tactics fun, using the turtle brother's skillsets to take down wave after wave of thugs. It might not be the most mechanically deep or hardest of the genre, but it's all worth it to see those lovable crime-fighting teens back in action.
Out of Sight is a short and simple experience that captures the horror of being a child in an unfamiliar and frightening situation. While its well-crafted audio design and second-person perspective distinguish it from other games of the genre, I was never excited by its flat and predictable story, nor its highly repetitive and bland gameplay.
Monster Train 2 is a roguelike deckbuilder par excellence. Its design makes it clear that developer Shiny Shoe has a deep understanding and love of what is so enthralling about this particular subgenre and doubles down. It's carriage after carriage of big numbers, satisfying combos, dizzying synergies and new tactical possibilities that have kept me tied to the tracks for dozens of hours already, and will likely haul away dozens more in my future.
RoadCraft is a game that will require absolute patience if you want to get the job done, while adding some leeway to speed things up a bit. While game progression is slow, it is part of its charm as these are heavy work vehicles, and they're not made for speed, thus fitting its theme. The world is very well-detailed and eases you into its mechanics throughout your gameplay. While sometimes repetitive, it compensates with different strategies to complete the task. The beautiful landscapes of your work areas make it forgiving when your vehicle travels through the rough terrain. It's like you're doing actual work as seen in real life, thus creating a great simulation game.
It's honourable, in a way, to present the Onimusha 2: Samurai's Destiny remaster mostly unchanged from its original 2002 PS2 version. The visuals have been given a freshen up, and some smart changes – like weapon switching on the fly, auto-save, and more – definitely make for a more playable experience. But the fixed camera angles and dated production values don't necessarily show Onimusha in the best light, leaving this remaster as a clunky history lesson for newcomers, and a solid throwback for fans.
The Elder Scrolls IV: Oblivion Remastered is still a good game, like the original was all those years ago. The excitement of wandering the open world of Cyrodil is still there, getting into shenanigans with goblins in caves, doing away with the undead coming through Oblivion Gates, and getting into thievery and tomfoolery across the great unknown. There are meaningful changes to how skills work and how to read the world, making it the cleanest and smoothest run through Bethesda's great RPG yet. However, it is bogged down by the change in art style, where fidelity disappointingly removes any colour or substance that was once found. A blemish on one of the greats. Much like an old car that's been plodding along a little too long, The Elder Scrolls IV: Oblivion Remastered mostly still runs, and a new coat of paint helps some, but don't be surprised by the sensation of feeling like things are going to fall apart at any moment.