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King's Quest: A Knight to Remember is a great re-introduction to a new King's Quest series. The beautiful scenery, the interesting characters, the unique and fascinating narrative all come together to create a heart-warming title anyone can enjoy. The big question coming out of Chapter 1 however, is whether the rest of the chapters will have harder, more traditional puzzles to complete now that it has introduced newcomers to the series.
But that's another debate for another day. The Vanishing of Ethan Carter is one of the most beautiful games ever developed, and backs its aesthetics up with some of the finest Lovecraftian narratives that we've seen in interactive form. It's a compelling argument for games as art, in other words, and not just because it makes for some awesome digital postcards.
Fairy Fencer F probably will not gain the same kind of following that the more satirical Hyperdimension games have garnered over the years, but it is by all rights a solid effort that manages to surprise in pleasant ways while still providing some familiar mechanics that make the title approachable. The story itself did not do much to burn itself into my memory, but the characters are well written and elevate the overall material with their interactions. JRPG fans who missed this title when it released on PlayStation 3 should absolutely give this PC version a try.
Rare Replay's technical challenges on a handful of games stand as the only aspect that detracts from an otherwise outstanding collection of titles. With titles reaching back as far as 1983 and as recent as 2008, this is one diverse collection that promises a lot of fun around a variety of genres. Thirty games. Thirty bucks. It's pretty tough to top a collection like this.
What impressed me most about Submerged is that it never tries to be more than its concept. It set out to be a simple narrative-driven and emotional experience with a strong environmental message, and it achieves just that. With no unnecessary actions to distract those with limited attention spans it might be perceieved as "dull" by some, but in practice it's a reflective, mature, and artful work, and this here is where games should be going.
As I continued to play, I did notice that I was getting better. And as much as I would like to brag that I was as skillful as I looked, I can almost guarantee that I got a very lucky run on each level as I completed them. At times it can feel like the only way to beat a level is to be lucky so that the placement of levels was randomly placed to be easy. And no matter how much I enjoyed this game, which I did, it was hard to play, because the visuals are so jarring. As such Velocibox is not for the faint hearted, or epileptic.
As myself someone who grew up watching exploitation films, studied them at university, and have generally remained a fan of the kitsch aesthetic, Onechanbara Z2: Chaos is a resounding success as both an example of the genre and a homage to everything that makes it fun. That kitsch style is quite clearly the only thing Tamsoft wanted to achieve in this project, and weighed against that target, it absolutely hits the bullseye. This is a B-grade game in every sense of the word, but it is so ridiculously good, gory, chesty fun that I was truly mesmerised from start through finish.
And so in an odd way it makes Journey the best example of Marxist thinking that we've ever seen. The idea that humans, separated from the need or potential for conflict with one another and placed in a truly egalitarian environment in which there can be no class nor discrimination, would be naturally inclined to work together to their mutual benefit is in many ways innocent and naive, but it's a beautiful thought, and just as Journey is a beautiful game, it has a beautiful heart, and that makes the ending (which I won't spoil, even though you really should have experienced it by now), all the more heart wrenching, but ultimately beautiful.
Red Goddess a great experience. Utilising strong emotions such as joy, fear, and anger could have been done with far less elegance than this, and the act of using them all to investigate and recapture lost memories is a worthy, enjoyable experience.
I shouldn't allow the presentation to bug me, but for Rory McIlroy, it does. Coupled with the limited range of play modes and a relatively shallow range of courses, and I was left with the impression that this game was certainly not EA Sport's focus this year. The core physics and mechanics of Rory McIlroy PGA Tour are quality, and I like golf, so I still give this a passing grade, but it's hard not to wish that there was credible competition for EA in the sport of golf, to spur the publisher out of some of the complacency that is seems to be in.
Few games have everything working in such synchronised harmony as The Talos Principle. The world, puzzles, narrative and music are all served to the player in small helpings, never overwhelming and allowing you to soak in and become one with the world. By the end of the game, it has challenged your mind in multiple ways. As a game The Talos Principle forces the player to reason through the mechanics of its puzzles, all the while tickling the philosophical parts of our minds with deeper questions.
You're not getting a refined game in Hatoful Boyfriend. Surely you already knew that, right? If you were looking for a refined game, please ignore my score below. Otherwise, I'll just let this scene from Friends starring my good friend Chandler do the talking, because, amazingly enough, it actually mirrors the experience I had playing Hatoful Boyfriend:
That might not prove to be the case, but I don't believe there is any chance of reaching a fully satisfactory closure in one more episode running two more hours, give or take. Regardless of that, the stage is set for a spectacular final episode that promises enough political intrigue and bloodshed to keep fans of the books and show satisfied.
Thankfully for those who really enjoy the visceral x-ray angles from perfect sniping shots, this title supports that in all of its over-the-top gory glory. Zombie Army Trilogy is a culmination of things that are all done well, but not great. There are bugs in the animation and world, the game difficulty is uneven and it feels like a second rate action/horror movie from the 80's. Of course, that vibe can also work for a game, and for the most part it does here, even if I think the team could have done even more with that aesthetic.
Otherwise, BlazBlue remains the slick, fast, competitive and vibrant fighting game that we saw in previous versions. As with the other fighting games that I like I would love to see this franchise expand out - I think Noel would be a wonderful lead for a JRPG, for example - but as the talented team at Arc System Works continues to produce fighters of this quality, and continues proving that fighting games can indeed have interesting narratives supporting them, I'm not complaining in the slightest.
Legions of Steel was great to sit down for long periods at time as there was never any rush to finalise my moves until you were ready. It's a niche game, as all Slitherine projects are, but the publisher does have a deep understanding of what makes for a quality, deep, strategy game, and it has applied the same expertise to the tactics sub-genre with impressive results.
Godzilla should be fertile material for a fun game, but the slow pacing and shallow controls hold it back, creating a repetitive experience that misses too many opportunities for me to recommend it to anyone but the most hardcore of Godzilla fans.
While I have some issues with the way Deception IV explores its themes, it is nonetheless a very fine and entertaining game, and I can guarantee you that there is nothing else quite like it on the PlayStation 4. For that reason alone it is worth a look; it might be a polarising game at times, but it is memorable and unique project, and as such it represents a creativity that we should all be encouraging in this industry.
Way of the Samurai 4 didn't impress me a great deal, or perhaps I didn't look in the right places, but it isn't altogether bad. It has its charm and some good ideas running in the background, but these are offset by the game's more overt issues, and a taste for the surreal that will never be popular for the mainstream. That being said, while this game was not for me but it is just odd enough that it might work for you.
Tachyon Project does not reinvent the wheel for twin stick shooters, but it does add some creative new tread that allows it to feel familiar yet fresh at the same time. There are plenty of modes, challenges and customisations to try out, so fans of the genre should have plenty to keep them busy throughout their time with it.