Nintendo Wire
HomepageWhile it falls just short of being a masterpiece, Dread proves itself worthy of Metroid’s legacy with high fluidity, some fantastic setpieces, and a few particularly killer robots.
It takes a stroke of genius to make a game as codified in the collective unconsciousness as Tetris unique again, and yet here we are. It doesn’t reinvent the squares nor does it rest comfortably within the expected. Instead, it becomes something that’s more suited to modern expectations and sensory enjoyment. I urge you to approach Tetris Effect: Connected not with an open mind but instead an empty one, letting it take the lead and trusting we’re all in its good hands together.
In reviving the best entries and elements and putting them on modern consoles, Sega has given AiAi the best 20th birthday present a monkey could ask for.
This is an impossible game to rate on a numbered scale. The score below ultimately reflects an arbitrary placement, one that makes the game seem merely middling when it’s really like a full-course meal that was delicious but an absolute pain to work through. Eastward is far from the YIIK class of terrible “Earthboundlike” games, and certainly deserves more attention than that mess. If you have a lot of patience, this is an easy recommendation. And if you have none, I would stay far away. I’m not sure if I’ll ever head Eastward again, but the journey will always remain fresh in my mind.
For my money, WarioWare: Get It Together! works as a continuation of the series but doesn’t push it forward in a truly meaningful way. Some of the faults of the previous release are still present, leading me to think they might be here to stay with the current direction. Still, after years of experimentation and a fresher style since Gold, it’s nice to see the team’s still got it where it counts – the microgames, and the weird wonderfulness that Wario and his team can bring.
At its core, Sonic Colors is still a great game and one of Sonic Team’s best in recent memory, but it’s not quite as refreshing in 2021 as it was in 2010.
If you’re new to this rainbow-blood-soaked world you’ll be missing some context on certain characters (even Travis Strikes Again is essential for full comprehension), but this also manages to be one of the best examples of a creator putting themself into their work despite some frustrations along the way. When that creator is Suda51, you can’t afford to miss it.
Spelunky 2 may not make the kinds of waves that its predecessor did, likely as a consequence of the growth of indies and roguelikes in general. Don’t let that trick you into thinking it’s any less addictive and enjoyable. If you ever think you’ll just play for a bit you’re sure to lose yourself in these lunar caverns, driven by the seemingly infinite possibilities and risk of death. Even if you may never see everything it has to offer, you’ll never feel like you’re missing out with this nearly perfect sequel.
NEO: The World Ends with You manages to hit its streets running by maintaining everything interesting, unique, and enjoyable about the first game. The changes in hardware and playable characters have tweaked things slightly, but it feels like positive growth that improves the series or at least puts a fresh, wicked twist on it. Following up on a cult favorite game over a decade later is no easy feat, but Square Enix have done it as well as I could imagine.
In this day and age, stories about kindness, compassion, and taking care of each other in spite of our differences is something we could all use more of, and Button City delivers just that in an adorable, low-poly package that’s sure to become an eShop gem.