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The best new rhythm action game for years, with a perfect blend of gameplay, music, and a frighteningly oppressive atmosphere.
Proof that first person shooters – and pretty good ones at that – can work with VR, if handled with the right amount of delicacy.
Timeless gameplay, visuals and music come together in one of the best shoot ‘em-ups of all time; with the new level and VR options only adding to the immersion.
A horrible waste of a strong narrative, whose politically-charged storytelling is squandered on a dull and horrendously repetitive GTA clone.
A rather staid lightgun game, with unexciting action and a lack of genuine horror. But the tech works well and the future potential is obvious.
A fun, if slightly limited, retro reboot, that proves that first person shooters can work on the PlayStation VR if the developer dares to think a little differently.
It was already a worthy follow-up to the Tomb Raider reboot, but with all the DLC, and some interesting new extras, this is not only a good game but also a great bargain.
Nintendo continues to paint over some of the best features of previous Paper Mario games, but the great script just about saves the dull combat.
Not the most attention grabbing of the PSVR launch titles, but a competent puzzler, that offers a more mellow VR experience.
The story campaign can be a little bland, at least when playing on your own, but otherwise this does a fine job of bringing Gears into the current gen.
For better and worse a very useful introduction to VR gaming, with a wide range of games that demonstrate the potential, and pitfalls, of PlayStation VR.
The best tech demo so far for PlayStation VR, but with some better storytelling it could also have been a good game in its own right.
A slight improvement on the disappointing Bangkok level, but the lack of traditional Hitman thrills don’t make this a mission to remember.
Being better than the other Sonic Boom games really isn’t a compliment, as this dull, ugly platformer continues to sully the memory of Sega’s once great mascot.
The stuff that is genuinely new is very good, but there’s so little of it that the sense of déjà vu, in a game that is already so repetitious, becomes overwhelming.
The Journey is an almost unqualified success, but in terms of on-pitch action FIFA 17 is comfortably outclassed by PES 2017.
A great 2D shooter in its own right, but the customisability and four-player options make it one that even non-fans can enjoy.
Some may dismiss it as just another pretentious walking sim, but this innovative Lynchian drama is one of the best story-based games of the year.
Telltale Games continue to be a formidable supervillain, and manage to turn Batman into the one thing he should never be: boring.
Easily the best Battlefront DLC so far, although it’s still only scratching the surface of what can be done in the Star Wars universe.