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The old style Tomb Raider is never coming back, but this is a more satisfying compromise than the reboot and an impressive technical feat.
An ashamedly old school role-player that nevertheless does its best to attract new players and entertain existing fans.
This punch-pulling retro update is charming and beautiful but doesn't quite have the mind to match.
Square Enix's latest attempt to create a Monster Hunter clone has a lot of Final Fantasy fan service but few other reasons to explore its world.
A colossal achievement in puzzle gaming, with a very cleverly conceived setting and story, but the lack of variety and reward becomes stifling.
A daring, and largely successful, attempt to show the civilian side of war, that succeeds as an interactive drama even when it occasionally fails as a game.
Despite its obvious flaws the reactive story and compelling characters make this one of the best storytelling experiences of the current generation.
A fantastically well designed and presented roguelike, that makes your heroes' mental health just as important as their physical well-being.
B-movie by name and B-movie by nature, but there's still enjoyment to be had with the endearingly rubbish enemies and fun but vapid combat.
It has more in common with the original Homeworld than it first seems, but this new real-time strategy works best as an introduction rather than a continuation.
Some of the most natural dialogue ever designed for a video game – in terms of quality and interaction – helps to make a superior supernatural thriller.
The least scary and least imaginative Resident Evil returns, and although it's not the worst Resi sequel it certainly is the most boring.
Despite borrowing so much from so many different games Capcom's Western style role-player is still very much its own game – with plenty of interesting ideas of its own.
Visually interesting and competently made for the most part, but the novelty of a 2D Assassin's Creed is already beginning to wear off.
A very brave attempt to use video games to inspire empathy and share grief over one of the most sensitive subjects imaginable.
Bringing back such an obsucre franchise is one thing but stranger still is that so little passion has been expended in reinventing this listless vehicular combat game.
A fantastically clever deconstruction of video games and the people that play them, as well as a hugely entertaining action puzzler that's not really about ponies.
A welcome reboot of a great rhythm action game, although the lack of new ideas and disappointing soundtrack leaves things a little off kilter.
For better and worse this is Harvest Moon in all but name, with a few useful new ideas but still the same old crop of problems.
Turok may have been state-of-the-art in 1997 but today both its graphics and its gameplay feel virtually prehistoric.