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Metro 2033 Redux is a masterpiece of atmospheric storytelling — rarely has a game built an apocalyptic world this convincingly, not through destruction alone, but through the people who survive within it.

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Dying Light is a genuinely great zombie game that stands apart from the crowd through its parkour mechanics and clever day-night system — anyone willing to learn to fear the nights of Harran will find a gripping survival experience.

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Far Cry 4 is a good game — a beautiful open world, satisfying shooter mechanics, and Pagan Min as one of gaming's most charismatic villains. But it's also a safe game that never quite escapes the shadow of Far Cry 3.

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After a year of Unity trauma, Syndicate is exactly the redemption Ubisoft needed — Victorian London is one of the most atmospheric settings in the series, and Jacob and Evie Frye are the freshest protagonists AC has had in years.

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Assassin's Creed Unity is a paradox — one of the most beautiful and ambitious games in the series, held hostage by one of the worst launches in gaming memory. Paris is breathtaking; the code was not ready.

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Watch Dogs is a good game — not a great one. The hacking mechanic is innovative and fun, Chicago is a lively open world, but Aiden Pearce is a bland protagonist and the driving never feels right.

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Black Flag is the best pirate game in years and a middling Assassin's Creed — the Caribbean, the Jackdaw, Edward Kenway and the shanties are unforgettable, and the naval combat revolutionizes what AC can be.

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Assassin's Creed III: Liberation is impressive for a handheld title — Aveline de Grandpré is a compelling and long-overdue female protagonist, and colonial New Orleans is a fresh setting, even if the Vita's hardware limits hold the experience back.

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Rockstar Games pulled it off — Grand Theft Auto V was already a masterpiece, and the Enhanced Edition makes a perfect game even better, setting new standards for open-world design that Los Santos fully lives up to.

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Frogwares has pulled off an impressive balancing act with Crimes and Punishments — six compelling criminal cases, a deduction system that demands genuine logical thinking, and the ability to draw wrong conclusions and condemn the innocent gives every case real emotional weight.

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Sunset Overdrive is probably the most outrageous thing you can play right now — the movement system is fantastically addictive, the weapons are creative, and Insomniac has proven that the weirdest ideas are often the best ones.

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Metal Gear Solid V: The Phantom Pain is the best stealth gameplay ever made — the Fox Engine is technically brilliant, the mechanics perfectly balanced, and the open world breathtaking. That this perfection comes wrapped in an unfinished story is Kojima's most painful legacy.

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Metal Gear Solid V: Ground Zeroes is technically brilliant and commercially indefensible — the Fox Engine impresses, Camp Omega is brilliantly dense, and the gameplay points excitingly toward The Phantom Pain. Two hours for 40 euros is still not enough.

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