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The heart of The Necromancer's Tale — its writing, atmosphere and the consequences of its Trust system — works just as well on PS5 as on PC, perhaps even better on the couch once you push through the rough early hours of console-specific friction.

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Terrinoth: Heroes of Descent is the video game adaptation Descent fans have waited two decades for — the turn-based combat system is accessible and tactically satisfying, the Synergy mechanic a genuine win for co-op rounds, even if the lack of narrative depth and launch multiplayer bugs hold it back from its full potential.

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World of Tanks: HEAT is Wargaming's boldest project in years — a faster, team-focused reinvention that makes the agent system work, even if eight launch maps wear thin quickly.

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007: First Light is a playable spy film — a flawless origin story for a new Bond generation, paced like a blockbuster and surprising right up to the final scene.

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Mechanicus II refines its predecessor's formula with sharper tactical depth and richer lore — though it rarely ventures beyond what fans already know.

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Crimson Desert is a sprawling open-world action RPG that impresses with its world-building and combat — even if its ambitions occasionally outpace its execution.

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MOUSE: P.I. For Hire is a stunning hand-drawn noir shooter with a jazz-soaked soul — visually unlike anything else this year.

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The Nintendo Switch 2 Edition is the best way to experience Super Mario Bros. Wonder — especially for newcomers. The main game remains as strong as in 2023, Rosalina closes a real gap in the roster, and the 4K presentation is a genuine upgrade.

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Scattered Hopes captures the relentless tension of the series in a tactically demanding roguelite — not flawless, but one of the best licensed games in years.

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Directive 8020 is Supermassive's boldest step yet — the paranoia mechanic delivers genuine psychological pressure, and the story twists in the final act are the best the Dark Pictures anthology has ever produced.

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Sudden Strike 5 is a competent return to WWII tactics that rewards patience and historical curiosity — even if it rarely pushes the genre forward.

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PRAGMATA's hack-and-shoot system is genuine new ground for the genre, and Diana is one of the best NPC companions in years — warmhearted, strange, and utterly unforgettable.

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John Carpenter's Toxic Commando is a solid co-op shooter that plays to its strengths in a group of friends — the weighty gunplay, impressive horde battles and Carpenter's synthesizer soundtrack give it a genuine B-movie charm.

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Resident Evil Requiem is a triumph — Capcom has united the claustrophobic horror of the early entries, the satisfying action of RE4, and an emotional depth that makes this the best entry in the series since the remake that redefined it.

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Star Trek Voyager: Across the Unknown is not a perfect game — but for fans of the series, for those who grew up with Voyager and always wondered how they would have decided, it is a gift.

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Soulslinger: Envoy of Death has one of the most interesting premises in the roguelite FPS genre — but missing balance, repetitive arenas and occasional performance issues keep it from becoming what it could be.

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Disciples: Domination sharpens its predecessor's strengths and adds genuine new ideas with the collision system, corpse mechanic and flexible Avyanna classes — anyone who liked Liberation will feel right at home.

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Ebola Village is a textbook example of inspiration without understanding — a clumsy Resident Evil clone that gets nearly everything wrong, right down to its wasted Soviet setting.

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MIO: Memories in Orbit is a game of contrasts — visually an absolute masterpiece with a handcrafted watercolour aesthetic that sets new standards for indie titles, paired with precision platforming that is buttery smooth for those willing to accept its challenge.

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Apartment No. 129 has a compelling Turkish urban legend at its core, but a broken combat system and an unfinished console port undermine everything it gets right.

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