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Directive 8020 is Supermassive's boldest step yet — the paranoia mechanic delivers genuine psychological pressure, and the story twists in the final act are the best the Dark Pictures anthology has ever produced.

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Sudden Strike 5 is a competent return to WWII tactics that rewards patience and historical curiosity — even if it rarely pushes the genre forward.

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PRAGMATA's hack-and-shoot system is genuine new ground for the genre, and Diana is one of the best NPC companions in years — warmhearted, strange, and utterly unforgettable.

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The Occultist gets a great deal right for a debut — a striking premise and a genuinely unsettling sense of place — but it repeats its best ideas instead of building on them.

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John Carpenter's Toxic Commando is a solid co-op shooter that plays to its strengths in a group of friends — the weighty gunplay, impressive horde battles and Carpenter's synthesizer soundtrack give it a genuine B-movie charm.

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Resident Evil Requiem is a triumph — Capcom has united the claustrophobic horror of the early entries, the satisfying action of RE4, and an emotional depth that makes this the best entry in the series since the remake that redefined it.

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Star Trek Voyager: Across the Unknown is not a perfect game — but for fans of the series, for those who grew up with Voyager and always wondered how they would have decided, it is a gift.

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Soulslinger: Envoy of Death has one of the most interesting premises in the roguelite FPS genre — but missing balance, repetitive arenas and occasional performance issues keep it from becoming what it could be.

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Disciples: Domination sharpens its predecessor's strengths and adds genuine new ideas with the collision system, corpse mechanic and flexible Avyanna classes — anyone who liked Liberation will feel right at home.

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Ebola Village is a textbook example of inspiration without understanding — a clumsy Resident Evil clone that gets nearly everything wrong, right down to its wasted Soviet setting.

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MIO: Memories in Orbit is a game of contrasts — visually an absolute masterpiece with a handcrafted watercolour aesthetic that sets new standards for indie titles, paired with precision platforming that is buttery smooth for those willing to accept its challenge.

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Apartment No. 129 has a compelling Turkish urban legend at its core, but a broken combat system and an unfinished console port undermine everything it gets right.

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Marvel Cosmic Invasion is a very good beat 'em up — Tribute Games masters the genre in every second, with precise controls, a brilliantly executed Cosmic Swap system and a beautifully crafted pixel-art presentation, even if it doesn't quite reach the heights of Shredder's Revenge.

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Red Dead Redemption remains a timeless western whose story and atmosphere still hit hard, and the PS5 version is the best way to experience it.

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Metroid Prime 4: Beyond is both a triumphant success and a contested experiment — Retro Studios has preserved the essence of what made Metroid Prime great while adding new mechanics that keep the gameplay fresh, even if not all of them land equally well.

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Sonic Racing: CrossWorlds is the best Sonic racing game ever made — and one of the best kart racers overall. The CrossWorlds system is ingenious, the gameplay is buttery smooth, the tracks are excellent, and the roster is a love letter to SEGA fans.

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Pioneers of Pagonia is the Settlers game fans have been waiting years for — complex production chains, satisfying city-building, and zero monetization nonsense.

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Where Winds Meet impresses in its best moments — the game world is among the most beautiful the genre has to offer, the combat system offers depth that can fascinate for weeks, and as a free- to-play title it offers a remarkably fair business model.

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Black Ops 7's multiplayer and Zombies mode rank among the best in the series — a shame the campaign falls so far behind.

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Super Mario Galaxy remains one of the greatest platformers ever made — the gravity mechanic was revolutionary and remains so, because it was implemented so intuitively and creatively that it has never been surpassed.

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