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Disciples: Domination sharpens its predecessor's strengths and adds genuine new ideas with the collision system, corpse mechanic and flexible Avyanna classes — anyone who liked Liberation will feel right at home.

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Ebola Village is a textbook example of inspiration without understanding — a clumsy Resident Evil clone that gets nearly everything wrong, right down to its wasted Soviet setting.

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MIO: Memories in Orbit is a game of contrasts — visually an absolute masterpiece with a handcrafted watercolour aesthetic that sets new standards for indie titles, paired with precision platforming that is buttery smooth for those willing to accept its challenge.

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Apartment No. 129 has a compelling Turkish urban legend at its core, but a broken combat system and an unfinished console port undermine everything it gets right.

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Marvel Cosmic Invasion is a very good beat 'em up — Tribute Games masters the genre in every second, with precise controls, a brilliantly executed Cosmic Swap system and a beautifully crafted pixel-art presentation, even if it doesn't quite reach the heights of Shredder's Revenge.

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Metroid Prime 4: Beyond is both a triumphant success and a contested experiment — Retro Studios has preserved the essence of what made Metroid Prime great while adding new mechanics that keep the gameplay fresh, even if not all of them land equally well.

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Sonic Racing: CrossWorlds is the best Sonic racing game ever made — and one of the best kart racers overall. The CrossWorlds system is ingenious, the gameplay is buttery smooth, the tracks are excellent, and the roster is a love letter to SEGA fans.

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Pioneers of Pagonia is the Settlers game fans have been waiting years for — complex production chains, satisfying city-building, and zero monetization nonsense.

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Where Winds Meet impresses in its best moments — the game world is among the most beautiful the genre has to offer, the combat system offers depth that can fascinate for weeks, and as a free- to-play title it offers a remarkably fair business model.

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Black Ops 7's multiplayer and Zombies mode rank among the best in the series — a shame the campaign falls so far behind.

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Super Mario Galaxy remains one of the greatest platformers ever made — the gravity mechanic was revolutionary and remains so, because it was implemented so intuitively and creatively that it has never been surpassed.

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Ghost of Yōtei is technically and content-wise the more expansive successor — Atsu is a compelling new protagonist, the multi-weapon combat system adds genuine tactical depth, and Hokkaido is one of the most breathtaking open worlds Sucker Punch has ever created.

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Battlefield 6 is the comeback veterans have been waiting for since Battlefield 4 — the return to the four-class system, outstanding gunplay, a phenomenal soundscape and the new Escalation mode prove that DICE learned from 2042's mistakes.

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EA Sports FC 26 is a solid football game that pursues an interesting new approach with its dual gameplay modes — the ability to switch between fast arcade competition and genuine simulation is well executed and should appeal to different types of players.

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Silent Hill f is a bold cultural reinvention that proves Konami still knows how to tell deeply unsettling stories — you just have to be willing to follow them down unfamiliar paths.

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Dying Light: The Beast is not just a redemption — it's confirmation that there's still plenty left to say about the zombie apocalypse, with Kyle Crane's return delivering one of the most emotionally grounded entries in the series.

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Metal Gear Solid Delta: Snake Eater is a triumph against all expectations — Konami stood under enormous pressure and delivered, proving that a beloved masterpiece can be remade with respect, even without its original creator.

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Borderlands 4 is the best gunplay the series has ever delivered — Gearbox has recaptured what made Borderlands great, with expanded movement options, a reworked weapon system and co-op that is as addictive as ever. The loot shooter king is back and reigning again.

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Cronos: The New Dawn is Bloober Team's most ambitious project yet — the Temporal Combat System adds genuine tactical depth, the time-travel premise is fascinating, and Elena Vasquez is a compelling protagonist, even if the steep learning curve and overcomplicated story occasionally get in the way.

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Metal Eden surprised me — after eight years, Reikon Games delivers a technically accomplished shooter with a Core-Ripping system that develops genuine identity, even if the short campaign and uneven difficulty curve hold it back from its full potential.

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