Game8's Reviews
PowerWash Simulator 2 is a great sequel to the first game, building upon the already good mechanics and foundation it had and making it doubly better. Better gameplay, improved visuals, QoL improvements—the works. While it does have some lapses, they’re all quite minor and doesn’t detract from the experience. Whether or not this is your first or second PowerWash Simulator game, it’s definitely worth a try.
Escape from Duckov is one hell of a fun extraction shooter that scratches the itch for the genre in an easy-to-digest package without the initial stress of PvP and more complex game mechanics. It boasts smooth controls, simple but thrilling point and shoot gameplay, and exciting, meaningful progression with just enough of a challenge to not make it a bore. RNG can make or break your runs, but it’s just a small part of everything else good about the game. And of course, the best part—you play as a duck!
Although brought low by a bland story and a somehow blander antagonist, Jurassic World Evolution 3 still delivers a solid and distinctively scientific park management experience. It’s not the apex of its genre, but it's not at the bottom of the food chain either.
Were it not burdened by the legacy of its predecessor nor limited by its thin RPG systems, Bloodlines 2 would shine as a strong, story-driven action experience set in the haunting world of Seattle’s undead. It’s stylish, immersive, and confident in its own dark identity—flawed, yes, but captivating all the same.
Painkiller could be considered the median of all co-op shooters. It offers mindless running and gunning but doesn't go any farther than that. With equal good points and bad points, it's simply a game that doesn't offer anything new to the table.
Onirism is deceptive at first glance. Behind its cozy, colorful art style is a wild, unrelenting shooter that never runs out of new ideas. It’s playful, challenging, and bursting with charm in a way that makes the occasional frustration worth pushing through.
NINJA GAIDEN 4 is a sharp comeback of a series that was overdue for over a decade. One that brandishes its unique brand of violence with style and proper function. With a gameplay loop that leaves you hooked and a multitude of content to replay, it's clear-cut proof that the beloved hack-and-slash franchise is here to stay. If you approach it not expecting a deep or even particularly well-crafted narrative, you'll have an amazing time.
Keeper is a gentle, contemplative journey that may start slow but soon unfolds into something deeply moving. It’s a game that embraces simplicity, weaving emotion through its world, puzzles, and breathtaking artistry. While a few aspects could shine brighter, what it delivers is far more lasting: a meditative experience that rewards curiosity, reflection, and heart. It’s a strange, beautiful adventure about connection and metamorphosis.
BALL x PIT is one of the few roguelikes that truly stands out today. Devolver Digital let it go wild, resulting in a chaotic, creative experience powered by its brilliant Ball Fusion system. It’s fresh, fun, and unlike anything else—just buy it and see for yourself!
Game Freak is at their best when they’re allowed to break from the usual formula, and Pokémon Legends: Z-A is proof of that. Just like Legends: Arceus before it, this game shows how much potential the series still has when it stops trying to follow its own rules. Even after nearly three decades of trainer battles, there’s still room for Pokémon to grow into something that feels fresh without losing what made it special in the first place. Sure, there are still some technical mishaps and few tragic traditions (no voice-acting, for one), but Legends: Z-A has that magic that breathes new life into the franchise. If this is the kind of creative direction Game Freak is setting up for Generation 10, then there’s plenty to be hopeful for in Pokémon’s future.
Much like classic Disney, Bye Sweet Carole exudes a nostalgic charm that’s hard not to admire—its visuals, sound, and story all steeped in vintage flair and period commentary. Sadly, much like Disney today, it’s hard to love despite that beauty. With sluggish pacing, thin gameplay, and only half the heart of a point-and-click adventure, you’re better off rewatching an old Disney classic and experiencing the magic where it still lives.
Battlefield 6 is more of a step in the right direction back to greatness than a complete return to form. Nevertheless, the changes made to key gameplay elements have made it more enjoyable than its competitors.
Little Nightmares 3 is a beautifully haunting continuation that captures the series’ unsettling charm but hesitates to evolve. Its atmosphere, art direction, and emotional weight are undeniable, pulling you once again into a world of quiet dread and fragile hope. While the new mechanics add layers of cooperation and tension, they’re often underused. Beyond that, several missed opportunities—like local co-op—keep the game from stepping into greatness.
Yooka-Replaylee finally feels like the game it was always meant to be—an expansive, polished platformer that celebrates the genre’s golden days. Its worlds are denser, its controls tighter, and its charm undeniable, making it a joy for both newcomers and longtime fans. But despite its many improvements, a lightweight story, overwhelming collectibles, and a handful of dated quirks keep it from true greatness. What we’re left with is a game that shines brightly, even if it never quite reaches the top of the platforming mountain.
Megabonk takes the familiar bullet heaven formula and gives it a bold twist, adding vertical movement and a fresh 3D perspective. Its audiovisual presentation is stellar, and once it gets going, the gameplay can easily keep you hooked for hours. While the music does lose its charm over time, it still stands as one of the genre’s most impressive recent releases.
Mai: Child of Ages has a great concept but multiple small flaws add up to a less than memorable experience. Despite the wonderful music and the great contrasting presentation, the repetitive puzzles, clunky combat, and technical issues just don't make for a good time.
I’ve played more Touhou fangames than I can count, and Marisa of Liartop Mountain still stands out as one of the best in years. Its runtime may be short and its navigation a little frustrating, but the stunning visuals, immersive voice work, evolving gameplay, and surprisingly deep themes make it unforgettable. If you’re already a Touhou fan, passing on this one would be a huge mistake.
Digimon Story: Time Stranger is easily the strongest Digimon game we’ve had so far. It works just as well as an entry point for newcomers as it does for long-time fans, thanks to how much care it puts into building a digital world that doesn’t feel soulless. Between experimenting with digivolutions and min-maxing stats, or just chasing after your favorite partners while diving into a combat system with depth, there’s always something engaging to do. The story leans a bit too hard into familiar anime tropes, but it never drags down what is otherwise the most complete vision of Digimon we’ve seen since Digimon Survive.
Sushi Ben is a charming story-driven adventure game that is quirky, whimsical, and incredibly vibrant. From an intriguing slice-of-life-esque story told in vibrant, 3D manga panels, simple gameplay that everyone can enjoy, to a cast of colorful, unforgettable characters, it’s a fun journey to experience. However, its weakness lies in its plethora of bugs and glitches, the most common of all being ones that soft-lock players out of the game, which can be quite frustrating to replay.
Ghost of Yotei is a sequel that serves as an upgrade to almost everything the first game had to offer. With its stunning presentation, great open-world design, and open-ended story progression, it's one of the better open-world games 2025 has to offer.