PixelJunk VR Dead Hungry offers a fun combination of zombie curing and food management to create an enjoyable VR experience. Unfortunately, the lack of gameplay variety means that the repetitious nature of the game sets in a little too quickly resulting in anything past the few hours feeling like too much of a slog.
The PlayStation 4 version of Resident Evil: Revelations is the definitive version, but that doesn't carry as much weight as it would have a few years ago. We do think the campaign is still worth a playthrough, but with clunky controls, a graphical presentation that's showing its age, and an inferior raid mode, it's hard to recommend a voyage on this ship to anyone but newcomers.
Who would have thought it? Knack 2 is a genuinely great game. The huge breadth of combat options on offer make for a far better experience than anything the initial outing could ever offer, and with a much bigger focus on platforming, the title can start to lay claim to the promises of a Crash Bandicoot successor. Even if you were completely turned off by the original adventure, make sure you give Knack 2 a fair shot because what you find may pleasantly surprise you.
White Day: A Labyrinth Named School may not be the king of fear and terror anymore, but it could still be a worthwhile experience for horror fanatics. This blast from the past certainly brings with it a lot of baggage such as the clunky puzzles and glitchy AI, but it has enough intrigue to it that we're still left pondering its story and themes long after the credits rolled. White Day is most definitely not a remake for everyone, but those wanting to take a trip down memory lane may leave somewhat satisfied.
SwapQuest is a fun little title that successfully blurs the lines between RPG and the puzzler Pipe Dream. While it does have some drawbacks, its addictive gameplay remains entertaining throughout, which really comes into its own in the final few hours. There's nothing groundbreaking here, but what SwapQuest can provide you with is an enjoyable distraction on a quiet summer's day.
ChromaGun is a title that nails its core concept, but fluffs its lines in a few too many other areas. The colour-based puzzles brought to the table are a joy to solve with the surprising amount of depth mixing things up enough to never make you feel like you've seen the same brain-teaser twice. However, the punishment for failing a puzzle feels far too harsh at times and coupled with the constant load times, an air of frustration can set in.
Super Cloudbuilt is a pleasant surprise that manages to impress on a number of fronts. Its parkour action is intense, enjoyable, and encourages creative play. The story is deep, surprising, and one that could have a major impact on those who can relate to Demi's plight. And finally the base art style is beautiful, which is only further bettered by the surprising amount of options you have in this area. Super Cloudbuilt is an incredibly fun game, and during these quieter summer months it's not one to miss out on.
Black The Fall is a special game. The prodigious range of puzzles and platforming mechanics present rival that of a game ten times longer than it, and the visual and auditory treat on offer elevates that gameplay to an incredibly high standard. You'll witness the human race at its very worst through some horrifying imagery, but this presents itself as more of a gas to fuel a revolution. Black The Fall is a remarkable experience that will stay with us for a long time, and it's one that you must not miss out on.
Get Even had a good base of neat ideas, but the execution of the overall product is so poor that many areas feel unfinished. Combat is quite simply a disaster, the graphics look like they've been taken from a 2008 PS3 game, and the soundtrack crushes your enjoyment far too often. The plot may well grab your attention, but the act of actually playing Get Even is nothing but a chore.
If you really boil it down, Late Shift is a movie with a plot that you can alter. Sadly, that plot isn't very good. Gameplay is minimal, and where The Bunker struck a decent balance, the lack of interaction here only serves to make the experience more of a slog. This can only be described as a complete disappointment.
It's easy to see why some would outright dismiss LEGO City Undercover purely on the basis of it being a LEGO game. The formula has gotten a bit too stale over the years, so if you're looking for something fresh in the LEGO universe, Chase McCain's adventure won't satisfy you. But if you're still interested in some brick hunting and cop action - and you can look past some awful load times - then LEGO City Undercover will serve you nicely. Its charm, humour, and open world nature was, for the most part, enough to win us over.
For newcomers, Zero Escape: The Nonary Games is an essential purchase. You've got two excellent games that tell a wild and wonderful story that will stay with you for a very long time, and combine that with the engaging puzzles and you've got a recipe for a quality experience. For returning fans, it's a tougher sell: your purchase mostly balances on the enhancements of the PS4 edition, in which case we can only confidently recommend the package if you're looking to do a play though of the improved Nine Hours, Nine Persons, Nine Doors.
The combat and gameplay are the stars that shine brightest in Momodora: Reverie Under the Moonlight. Its twisting map will take you to a whole host of vibrant and mucky locations throughout the city of Karst, and within those places you'll encounter a number of engaging boss battles and a ton of enemy variety. Its art style can go one of two ways depending on your tastes, but the lack of upgrades is hard to overlook within a genre that holds this concept as one of its core mechanics. Metroidvania fans will find lots to enjoy here, but the wider audience will be turned off by the throwaway story and visual style that may no longer be appealing.
Styx: Shards of Darkness is an enormous improvement over its predecessor. The gameplay has seen a large amount of refinement to the point where it's actually a fun game to play, and Styx himself steals the show with his charismatic performance. It's not without its own set of returning and new defects, but Styx's second adventure is something we can confidently recommend. This is everything the first game should have been.
As an ode to the RPGs of the past, I Am Setsuna succeeds in recreating the sort of adventure you experienced on older Nintendo hardware. Its combat system is the main supplier of this nostalgia, with the deep active time battle system, the number of weapons and moves you can perform, and the time management aspect.But those not looking to take a trip down memory lane may be left wanting more, though in pure gameplay hours this offers a reasonable return on investment. The no-thrills plotline and gameplay outside of combat could have been fleshed out, leaving this one short of its full potential. I Am Setsuna could be the perfect complement to your Nintendo Switch, but if you're not foaming at the mouth with nostalgia it's certainly an optional purchase.
Titanfall 2 is what the first-person genre so desperately needed: an injection of originality. The divine single player campaign is something truly special, and we won't be forgetting any of its standout moments in a hurry. Couple this with a deep multiplayer serving that offers a variety of modes and unique gameplay mechanics and you've got one of the best FPS games of the generation so far.
Rise of the Tomb Raider is the complete package for both newcomers and series veterans. Barring some wonky gunplay, the base game is superb, with its sublime exploratory mechanics, wonderful semi-open world hubs that deliver tons of side content, and sensational graphics. Lara's Nightmare does feel like a bit of a throwaway, but Blood Ties and the Baba Yaga DLC are more than worth your time if you want to stray away from the main adventure. Lara Croft is back where she belongs, and you owe it to yourself to join the 20 year celebration and get back to some tomb raiding.
Rise of the Tomb Raider is the complete package for both newcomers and series veterans. Barring some wonky gunplay, the base game is superb, with its sublime exploratory mechanics, wonderful semi-open world hubs that deliver tons of side content, and sensational graphics. Lara's Nightmare does feel like a bit of a throwaway, but Blood Ties and the Baba Yaga DLC are more than worth your time if you want to stray away from the main adventure. Lara Croft is back where she belongs, and you owe it to yourself to join the 20 year celebration and get back to some tomb raiding.
As the industry gears up for another bumper holiday season, The Bunker offers something a little different. It doesn't attempt to give you a bulk of gameplay or mechanics, but it makes up for this and more in its plot and characters. Don't let this experience pass you by if you're looking for an interesting and superb story, because we think this is the FMV genre at its very best.
It's clear that the “walking simulator" genre has moved on since its birth child four years ago. The antiquated gameplay has been surpassed by the likes of Gone Home, The Vanishing of Ethan Carter, and Firewatch, and the visuals are just as murky as a Scottish rainfall. There are far more and much better narrative-driven experiences to be had in 2016, and so Dear Esther: Landmark Edition feels like a bit of a relic in this day and age.