We wanted to experience a different saga, and God of War Ragnarök feels like the expansion of one we’ve already heard around the hearth, seen in a beautiful tapestry and heard on the high seas venturing towards more loot. Though it’s still a very, very good saga. One worthy of the Edda.
Your reward, beyond cracking a smile, is at least a collectable zombie statue because the team behind Dying Light are gamers, and they know what gamers want.
What you can walk away with is, like Assassin's Creed before it, Watch Dogs has walked into a genre otherwise owned by one of the most popular and rewarded developers in the industry and holds its own. The question will always be "is it better than GTA?" and at this stage the answer is invariably no, but it's early days for a game that builds on the strengths of its core marketing line, while balancing itself out on various fringe areas. It fails to expand upon its own principles though, and as a result remains slightly out of line with its potential. But damn, what potential it has.
More TV, a little more game, a longer and more carefully handled ending and a challenge boost would have forced my hand to 10/10, easily. But it's just not all there. Still an amazing experience though, if time travel is your bag.
One of the year's excellent fighting game releases.
(Please, Ubisoft, can we have some more?).
If, like me, you’ve always just shied from games that punish for the sake of punishing, but thoroughly enjoy a story with mystery, excellent dialogue and unique fantastical components, Sekiro will punish, but it will also deliver in damascus folds. Folds upon folds. Prepare to die though, and much more than twice.
The game's AI companions are actually very good, but because of the above it's definitely more highly recommended you try and coax a friend in to return to the light with you.
If you’ve ever played either game or the series before, you know what you’re in for, it’s just more. If you haven’t and this is your first time dropping in -- don’t be scared, the opposite transition awaits and gravity will take hold in that this series will launch you to new, fun and endearing heights.
In short, because it’s short, you get a more bite-sized piece of the whole Cuphead experience, but its upped challenge sort of makes up for that. I definitely found myself banging my head against the wall, which was to be expected, I just hadn’t wanted to be getting that headache so early on in the piece. It didn’t stop me from keeping on going though, which should give you an idea of the draw and pull here. Part tantalisation, part revenge, all in good fun. Cuphead: The Delicious Last Course has certainly sated my hunger and I only hope that while this is meant to be the last service here, that the kitchen isn’t closed for good.
There is room to improve and build upon this base, but it's a fantastic base regardless. It should only get better from here on out.
Black Ops III shows that Treyarch are in a great position to keep the Call of Duty series fresh and relevant.
More than worth a look-in.
You just need to have the patience to sit on the pot for a while, before you can decide to shit and move on (to awkwardly mess up an old saying).
It's a wonderful fit on Switch and shows there's a mature lifeline on the horizon for Nintendo, and the Nintendo loyal above the age of 15, ahead.
Moreover, failure to get that timing right essentially leaves you open to a smart, reactive player capable of truly reading the play.
Hell, even the genre's fonts are similar (or the same), and that's across rival publishers and developers over major titles designed to clash against one another at retail. But this familiarity has kept the genre on top in its home base of Japan, and evergreen as far as pop-culture relevance goes in the West.
If you’re not Force compliant, but love videogames and especially those of the open-worldish kind (it’s more expanded path and sandboxey than truly OW), then there’s still something here for you. But you might find it hard to move past, no pun intended, some of the game’s traversal which has only been mildly updated from the first game. It’s better, but it could be *better*. And if none of the above sits with you, I’ll leave you with this: Star War Jedi: Survivor is slightly outlier in its foundational universe and in its pedigree and influences. It’s a mish-mash that somehow makes a whole, but for anyone keen on what that means, I can only say saddle up and enjoy the ride, because for its shortcomings and intimidation in size, scope and IP density, Survivor is one heck of a frontier game.
From the initial prison sequences through to deep underground spaces where you'll be navigating an old, abandoned colony to the surface of Callisto itself, the game serves up a terrifying feast for the eyes.
There are options all over the place -- asymmetrical multiplayer, open-world single-player, full narrative co-op, user-generated content, more use of vehicles off rails, grappling hooks in goddamned multiplayer... and so on. None of that is meant to lead you to believe this is a bad game -- it's the best Call of Duty since Modern Warfare and may in fact be better, but saying that isn't because it's changed the series' formula the way that game did, rather it's refined it. And maybe that's not the fault of any of the developers working on the game, and rests more squarely on the shoulders of the publisher who sets that beat I've talked so much about.