Echo Generation is visually striking, with a lot of intriguing concepts and solid combat and gameplay at its core. Unfortunately, a lack of focus with the narrative holds it back from being a truly impressive RPG. The boss battles alone might be worth the price of admission, and there's still other bits to enjoy, but those looking for more meat would best be off searching for another tale of adventurous kids from decades past.
Inscryption manages to combine an expertly-crafted card game, a nail-biting tale of horror and enjoyable escape room adventures into another genre-defying gem and easily one of the year's best games.
JETT: The Far Shore has an impressive world with well-crafted lore, an intriguing story and eye-catching visuals. Unfortunately, you actually have to play through the game to experience any of it, and that ends up being a slow, plodding mess in more ways than one. Maybe those with more patience will enjoy the trip more, but everyone else can rightfully skip JETT: The Far Shore and just remain grounded with better games instead.
While we might have to arguably wait for future games to unlock the series' true potential, Kena: Bridge of Spirits is still a great first outing for Ember Lab. If the breathtaking visuals don't suck you in, then there's the satisfying and challenging combat as well, or the wide world to explore.
Deathloop is another incredible title from Arkane, once again putting their skills in developing both quality stealth and first-person action to good use and blending it with time loops in order to create one of the year's most memorable games.
The Artful Escape may not have particularly deep or challenging gameplay, but the main reason to attend this show is its incredible writing and Francis' trippy, out-of-this-world journey in discovering his new persona, one which features a lot of nifty twists in various ways, alongside truly striking sci-fi visuals and an expertly-crafted soundtrack. The Artful Escape is an astonishing rock and roll epic that the likes of Ziggy Stardust would be proud of.
Life is Strange: True Colors may sadly dim towards the end, but it's worth checking out alone just to experience Haven Springs, with its gorgeous scenery, terrific cast of characters both major and minor, and an intriguing mystery that requires quite a bit of fun gameplay.
The Big Con succeeds when, as its title suggests, you're working on elaborate con jobs that provide clever puzzle ideas with a lot of open and fun gameplay. While the rest of it is fine, it never feels like the sort of epic cross-country adventure it should be, despite what its stakes would suggest. It still makes for a good adventure with well-done challenges, and that alone may be worth it, but don't expect a grand score by the end.
While Psychonauts 2 is an impressive platformer, it doesn't match the perfection of the original.
It might be a stretch to call it a piece of work on par with that of some of the most-acclaimed film directors of the modern age, but Road 96 is an incredible adventure game that succeeds thanks to a strong narrative, a superb cast of characters, one of the year's best soundtracks and its unique procedurally-generated approach that might see you coming back after the initial eight hours or so, just to see what could possibly be on any other routes.
The cyberpunk world of The Ascent seems dazzling on the surface, but much like your standard cyberpunk world, the grime underneath all of the neon and futuristic landscapes ends up revealing a hefty mess once you go exploring it.
While Dodgeball Academia isn't a perfect RPG, the intense and amazing dodgeball combat combined with a cast of terrific and charming characters and an eye-pleasing blend of visuals to back them up still make for one quick and enjoyable burst of fun in the end. It might end up only getting second place when it comes to this year's dodgeball games, but it's a close race, and it still deserves a trophy regardless.
Last Stop may succeed when it comes to delivering a (mostly) engrossing set of stories, but it suffers from a notable lack of substance when it comes to gameplay, with several moments of interactivity feeling like they were included solely only to draw things out.
Death's Door is a gem of a soulslike game with a nice and meaty level of challenge and a world filled with lovable characters and loads of secrets to uncover.
Overboard! is one of the year's most delightful surprises so far, a terrific reverse murder mystery with several twists and turns around every corner, and one that can still put up a notable challenge as you try to figure out every possible step towards getting Veronica off the hook and on the path to a life of luxury instead. A mix of sharp writing, clever puzzles and simple yet effective gameplay results in a killer experience that will leave you coming back for more.
Even if it's brief and falters during the third act, there's no denying that Backbone is a truly gorgeous and captivating adventure, with an engrossing world that you'll want to see even more of.
Stonefly had all of the right parts to create an impressive and cool-looking machine, but unlike its heroine, it wasn't able to fully assemble them properly.
Knockout City is easily one of the most pleasant surprises so far this year, managing to turn a game of dodgeball into an addictive and high-octane multiplayer brawl with a unique Zeerust twist in its aesthetics and silky smooth gameplay that anyone can get into. Hopefully it still ends up being a success after the current trial period, because it would be amazing to see just how massive and fun of a city Velan Studios can eventually make.
The Wild at Heart is a fun, whimsical and challenging little action adventure game, largely thanks to its nicely-crafted puzzles, but it could have been a better adventure if it wasn't trying to cram in so much.
Say No! More is an odd little game that's worth checking out, but only for its sharp satire, humorous moments and quirky cast of characters.