While not the best game in either series, Puyo Puyo Tetris is still a great combination of two puzzle classics. Sometimes going together like peanut butter and jelly, other times more like peanut butter, and uh, something that doesn't go with peanut butter. All in all, a worthwhile addition to the slowly growing Switch library (or PS4 library, if spontaneous on-the-go multiplayer is not your jam).
It's rare to see game worlds as intricately detailed as the one in the space station of Tacoma. Even with its mostly lackluster characters and a story that never quite sinks its hooks into you, it's a spacecation you'll want to make time for. Hell, in what other game can I set up and play a game of billiards by myself as panicked digital ghosts worry about their livelihood? None, really.
At its core, VA-11 Hall-A is the rare cyberpunk story that has heart, and even goes so far as to give its female characters agency in their own lives. It’s a story where we, the player, take the backseat, and soak it all in. Just like a good book.
Beat by beat, you've seen elements of 13 Sentinels: Aegis Rim's plot elsewhere before, but you've probably never played anything quite like it. How 13 Sentinels strings its complex narrative together is nothing short of astonishing. It operates like a great melodramatic sci-fi TV show, only reworked and shuffled into an interactive format, and it takes full advantage of it. And for that, even with weak RTS battles complementing it all, it's an easy recommendation.
Prolific server issues and slim bonus settings are holding Fall Guys back for now, but for the time being, the wobbly obstacle course battle royale forges its own path. It's easy to envision the game only getting bigger from here on out—especially considering this launch era has been declared as Season 1, battle pass and all. As a foundation, Fall Guys is an endlessly engaging one. I'll be chuckling as I fumble to finish lines for quite some time.
A distinct, cel-shaded and anime-inspired style isn't the only thing remarkable about Necrobarista. From its main story to the entertaining text adventures that paint between the lines of its more stylishly presented narrative, Necrobarista is an engaging visual novel from start to finish. Some minor complaints in how it executes unlocking additional text adventures does little to hold back the death-concerned coffee shop adventure.
Xenoblade Chronicles: Definitive Edition is the best sort of remaster: its improvements may seem minimal, but it overhauls most of the tedium that once plagued the Wii RPG classic. While some things it can't fix with polish—the too-big environments, the boring side quests, its messy battle system—for fans or curious new players, Xenoblade Chronicles: Definitive Edition is easily the best Xenoblade Chronicles out there, even with its annoyances.
Some significant technical issues manage to do little to hold back the charm and wit of Wattam. It's a game that's great fun for both kids and adults, with slapstick humor and a sweet message of understanding people, despite your differences, at its center. It's made with today's toxic climate in mind, boiling the world's issues into something that doesn't feel cloying, but instead feels positive and welcoming. That, to me, is an achievement.
Untitled Goose Game is a game about being a bully, but an adorable one. As a pesky goose, you honk, waddle, and drive human beings nuts—I assume as real-life geese do. The occasional frustrating task barely holds back Untitled Goose Game when it's at its best: where you're setting up elaborate (or not) situations to annoy people and ruin their day.
Zachtronics make a detour from its puzzle game destiny with the visual novel Eliza. It's slick in its design, though shy on the big choices you might expect from most visual novels. Still, packed with a stellar solitaire minigame, impressive voice acting, and one of the most prescient narratives I've seen in games, if you're a fan at all of interactive stories that'll have you gripped from start to finish, Eliza is it.
Judgment is very much a Yakuza game in detective clothing, but with some clever twists and a killer mystery at the center, it ends up feeling surprisingly distinct. While some of the detective-specific mechanical additions are a drag, everything else vibes really well with the familiar Kamurocho setting. It's easily the best of the recent line of Dragon Engine-developed games in the series—even without Kiryu Kazuma at the center, and even without a karaoke minigame.
The newly introduced cooperative puzzles and some of the new concepts are where BoxBoy + BoxGirl shine the brightest, like a yellow laser striking down pain. Even with a bit too much of a samey feel now four games in, and some performance issues when the levels and abilities get complex, BoxBoy + BoxGirl is a swell puzzle outing for the Switch.
Trials Rising adds a layer of annoyance on top of its already-winning formula, with its clunky world map and tedious level gating. Luckily, beneath that exterior it's just as electrifying as it's always been. The tracks are all a joy to race through as you chase landing on the leaderboard or overcoming tough Contracts. With its international approach and attention to detail, each level's design—from an art and gameplay perspective—feels like the best Trials has ever been.
Sometimes Tetris Effect dances into the profound: wherein the music, the visuals, and the act of playing Tetris can make you—dare I say it—emotional. Then there's the other side of Tetris Effect, the tedium with instant-fast speeds and hard-to-discern tetrominos in more than just a few levels. Tetris Effect is at its best when it's just normal Tetris, with no strange shapes for blocks; with just the music and visuals to help you drift away as you fall into a flow. In PlayStation VR, that effect is only leveraged, making it a must-own game for the virtual reality platform.
The Gardens Between is a great example of a puzzle game with the most simple of mechanics, showcasing how much can be stretched out of so little. Its light story of friendship is sweet (if not a bit too saccharine). It complements the core mechanic of controlling the passage of time, and well, the inevitability of how no matter how much you'd like time to stand still sometimes, it'll move along regardless.
You may think it's impossible to feel empathetic over an inanimate blanket, and yet, in Forgotton Anne it feels like second nature. And not just for blankets—for all long forgotten things brought to life in the magical Forgotten Lands. While the platforming is often frustrating, the game's captivating world, art direction, and meaningful choices more than make up for it.
Sonic Mania is a brilliant return to form for the series' long-time away from traditional 2D games. Even if a few less remixed stages and more new zones would have been a nice change of pace, Sonic Mania's joyful level of ingenuity even in reimagining familiar sights is a testament to some of the franchise's best days.
Splatoon 2 doesn't add much to shake up the splat-paint-everywhere formula, but I wonder if it needs to at this point. Splatoon 2 is a much stronger game at launch than its original ever was through its whole lifespan, and for that, is easily one of the best games one can own on the Switch.
Thimbleweed Park has sharp, often hilarious writing and convoluted puzzles to spare. All in all, it's a welcome return to the point-and-click adventure, even if it ends up feeling a bit like a b-side to the classics before it.
Katamari-likes are not quite a genre, but Donut County makes a case that it should be. Its inspiration is clear, and it takes the toy-like nature of its vision farther with a resonate message at its center. Moving around a hole and consuming all the low-poly things that lie in your path never really gets old from a mechanical perspective, even if the scripted scenarios do upon a replay from its level select. Donut County may not only make you hungry for donuts, it'll make you hungry for supporting your local family-run shops too.