Adios is a powerful tale of regret and reflection.
While Hitman 3 is the end of this trilogy, it's clear IO will be coming back to 47 after they play around in the 007 sandbox for a while. This isn't so much the end of Hitman as it is this iteration of 47 and I will be eagerly awaiting his return.
Cyberpunk 2077 isn't just a disappointment because it misses the mark for CD Projekt Red. It's a disappointment because it misses the mark as a video game from any developer. It lacks the fundamental basics of a good RPG. The best moments in its narrative are tucked away in side quests. Night City is a boring, lifeless illusion of something greater. Perhaps that's a good analogy for Cyberpunk 2077 itself: A boring, lifeless illusion of something greater.
Call of Duty: Black Ops Cold War had a rough development. From switching developers to being made during a pandemic, it was bound to be flawed. Somehow, though, Treyarch and Raven Software have still pulled it together for the most part. With a series-defining campaign, a classical return to Zombies, and a flawed but still fun multiplayer, Black Ops Cold War is yet another worthwhile entry.
Spider-Man: Miles Morales is the end of one generation and the start of another. It serves as yet another defining title for PlayStation but also an essential story for Marvel's greatest hero. With new innovations in Spidey gameplay as well as loads of refinement and a wildly impactful story, Spider-Man: Miles Morales is the game we need right now.
The Dark Pictures: Little Hope is just a frustratingly dull horror game. The characters are unlikable, the story is poorly strung together, it feels dated, and much more. I have very few positive things to say about it. Little Hope isn’t a game I want to dislike because I wanted a good horror game for October but it failed to deliver.
While it has its moments, Watch Dogs Legion doesn't have enough to feel like a fun place to escape to. The gameplay is too repetitive and too restrictive to allow for anything tremendously exciting over a long period of time. It's a game that shows all of its tricks within the first few hours and leaves you with nothing but jank for the remainder of your playthrough.
Like Mafia 3, Mafia: Definitive Edition is a game that works as a good movie. It's not a game that works as a good *game*. It's buggy, it's clunky, and is often just frustrating or unsatisfying. Hopefully, Hanger 13 is able to learn more lessons from this game because I'm not sure a fourth Mafia game can survive this sort of treatment.
Tony Hawk's Pro Skater 1 + 2 is like returning to an old friend. It has the same charm that we fell in love with but has adapted to modern sensibilities. It plays like it belongs in 2020 but not as just a game that meets the bare minimum. It's one that exceeds standards and aligns itself as one of the year's best.
Marvel's Avengers only just staggers its way to being a game worthy of Earth's Mightiest Heroes. An incredibly compelling story, rich characters, and some moments fans have always longed for only carry it so far. The competing visions for an online and single player game make for a confusing, uneven experience.
For Madden NFL 21, the only one that's going to be affected by any sort of Madden Curse is EA themselves. While it can initially get by with some fun gameplay, there's little here to justify playing this for an entire year until Madden NFL 22. For a game that's supposed to be the start of a new-generation of Madden, it lacks severely.
While it won't be a game of the year contender, Destroy All Humans stands tall against other 2020 competitors by updating itself for the modern age. With smooth and efficient gameplay, across the board upgrades, and a timeless satire on the 1950s, Destroy All Humans almost effortlessly sets the stage to rebuild itself as a prominent franchise once again.
As the sun sets on the PS4, Sucker Punch has given the console a noble send-off with Ghost of Tsushima. Although it takes some time to feel engaged by its beautifully tragic narrative, its brutal yet eloquent gameplay and picture-esque world never fail to capture you.
The Last of Us Part II tells a deeply upsetting, bold, and powerful story that is sadly held back by painful pacing issues. The game's structure not only holds it back narratively but also from a gameplay perspective as well. Still, Naughty Dog's PS4 swansong often operates at a level many other games never have and likely never will.
Spongebob Squarepants: Battle for Bikini Bottom Rehydrated definitely shows its age in this "remake". It has a weirdly structured story, a few poor boss fights, some bizarre bugs, and some other elements that could've used some proper touch-ups. That said, it still delivers on being a fun and easily accessible platformer that captures the heart and soul of the beloved Nickelodeon cartoon.
Playing Maneater, I personally had a lot of fun going around playing as a huge shark controlling the ocean despite being repetitive. The repetitiveness along with the lack of a worthwhile story did lessen my enjoyment with the game. In the end, though, I did enjoy the game greatly with its stunning visuals and fun game mechanics.
Animal Crossing: New Horizons is easily the most personal and customizable game in the franchise.
Even though it's just the campaign, Call of Duty: Modern Warfare 2 Remastered is a healthy dose of nostalgia.
While enjoyable and filled with plenty to enjoy, Resident Evil 3 unfortunately feels like an uneven mishmash of horror and action. It wants to do two things at once and while it does them in a passable way, it doesn't always feel like it reaches its full potential especially when following in the footsteps of Resident Evil 2 Remake.
Doom Eternal's issues feel like a victim of ambition. They wanted to double down on the balls to the walls craziness and instead of saying no to some ideas, it feels like they crammed absolutely everything into the game. While Eternal manages to still be very fun and a worthy entry in this legendary franchise, it needs to realize there is such a thing as too much of a good thing sometimes.