Scott Ellison II's Reviews
Gear.Club Unlimited 3 is a scrappy, B-tier simcade racer that's the best in a flawed series. Despite no multiplayer and tech hiccups, its great car roster and deep customization offer solid fun. Wait for a sale.
Tenebris Somnia seamlessly blends 90s FMV adventure with pure survival horror dread. While combat has clunky moments, its stunning cinematics, smart puzzles, and gripping story make it a new horror classic.
Thank You Bus Driver is a $5 run-based transit sim where you slap unruly passengers to keep the peace. Packed with Double Fine's humor, striking rubber-hose art, and chaotic replayability, it's a snack-sized gem.
Ghost of Yōtei: Complete Edition is the ultimate realization of Sucker Punch's grand vision. The poignant Echoes of Sekigahara expansion and addictive Most Wanted mode cement its must-have status.
Valor Mortis is a deeply rewarding "First-Person Soulsvania" that successfully injects the high-stakes melee combat of a Soulslike with the ability-driven exploration of a Metroidvania.
Clive Barker's Hellraiser: Revival is a bloody, uncompromising single-player survival horror game. Saber blends combat, clever puzzles, and sadistic terror to finally do the Hellraiser IP justice on the first outing.
Truckful is a uniquely weird physics-based delivery game blending cozy adventure with eerie thrills. Satisfying cargo packing is ultimately weighed down by clunky map navigation and UI quirks.
STAR WARS: Galactic Racer doesn’t just respect the legacy of its forebears, it takes the baton and runs with it much further than I ever anticipated. By committing to a high-stakes, run-based structure, Fuse Games has injected a level of white-knuckle tension that is completely unmatched in the genre. They possess an innate understanding of both the visceral thrill of arcade racing and the rich lore of the STAR WARS universe, flawlessly blending them into an essential, tactile experience. With its pristine performance, breathtaking sense of speed, and masterful risk-reward mechanics, STAR WARS: Galactic Racer is a stellar and exemplary modern classic.
Even in a silo, Gears of War: E-Day delivers a rollercoaster of action and emotion that ranks alongside the series’ best campaigns. The Coalition grounds the global devastation of Emergence Day in a deeply human story, letting players watch Marcus and Dom’s friendship forge into an unbreakable brotherhood. It retains the franchise’s signature brutality while completely reinvigorating the moment-to-moment combat. While the narrative plays it safe compared to the tragic finality of Halo: Reach, it sticks the landing and beautifully sets the stage for a new trilogy. Gears of War: E-Day serves as the perfect entry point for newcomers, and explores the devastating, series-haunting history veterans have waited twenty years to experience.
Sniper Dan is a solid game that’s sometimes frustrating and obtuse, but it certainly isn’t mindless; you do have to be observant and thoughtful. I found the pace and progression of levels or items you can purchase to be off. Denki has crafted a silly and cozy game like no other, albeit repetitive. If you want to play an irregular game outside of your normal gaming habits, you should scope out Sniper Dan.
With the PlayStation 5 release of Agefield High: Rock the School this week, and other consoles later this year, you have been warned. I played this game at release, and revisited it after three updates, and there appears to be no real improvements that help it. It’s a fundamentally flawed and broken game, and these updates are not correcting that. There’s not a memorable mission, character, or moment – it’s creatively bankrupt, and aggressively unfun. It’s one of the worst games I’ve ever played – it’s not Bully, it’s just bullshit.
Bus Simulator 27 feels stagnant and lacking in innovation and iteration. Something like this might be forgivable in an annual series, but with six years since the last game, that can’t be pardoned. Simteract burdens new and returning players alike with an overwhelming, poorly designed wall of onboarding tasks up-front, and plenty of bugs to demonstrate that this wasn’t ready for release. If you are a bus simulation enthusiast who wants to drive licensed coach buses through an interesting map with friends, you might find some enjoyment here down the road. But for anyone expecting a true evolution of the franchise, this isn’t it. Now, a bus simulator actually worth playing is the far superior Bus Bound – made by the previous developers, stillalive studios.
The Blood of Dawnwalker is not perfect, but it's a really great RPG you have to play. When the credits roll, it doesn't demand a replay, you desire it. Bugs and technical issues on PC really hold it back from being more, but it's still one of my favorites of the year. It's well-written, with an interesting world, and fun systems to sink your teeth into. Rebel Wolves has made a memorable and earnest game, and I'm genuinely excited for the sequels that are already planned. Simply put, The Blood of Dawnwalker has stakes, and unlike vampires, doesn't suck.
This is a game that’s unabashedly self-aware and feels like a fever dream you’re awake for. A lot of the jokes and references often went over my head, but this first-person boomshoot is absolutely unhinged, and I was captivated as I sat in disbelief. BRAZILIAN DRUG DEALER BEFORE 4: DEMONS FROM THE PORTAL TO HELL I OPENED ARE STILL IN THE FAVELA AND NOW I HAVE TO SAVE MAMADAS FROM RONALDO is a lot of things, but like the previous game, it’s a first-person shooter you can’t miss for how wildly absurd and wonderful it is.
No longer slumbering, Onimusha: Way of the Sword is a fully realized successor to Onimusha that makes it more than it ever was. CAPCOM has managed to reinvent and reinvigorate the series for new and old fans. Onimusha: Way of the Sword offers excellent soulslike combat and systems within a character action game, representing a new hybridization of game design I’m all for. Parries carry the game to make the combat exciting, deep, and rewarding. As Takamura Ono says, “Just sublime, boy.”
HOT WHEELS Infinite Rush is a competent, well-crafted racer for all ages that tries to pivot the franchise in a new direction, but its ambitious open-world is wide as an ocean and shallow as a puddle compared to its contemporaries. I far prefer the focused, menu-driven progression of earlier titles. By stretching itself thin to copy today’s open-world trends, Infinite Rush loses the spark of its predecessors by delivering an experience that offers surprisingly finite enjoyment.
While comparisons to XCOM are inevitable, STAR WARS Zero Company is far more than a mod or total conversion. It might be the closest we ever get to XCOM 3, but Bit Reactor’s debut holds its own. Minor performance hiccups and a light New Game+ mode do little to dull its shine. With deeply satisfying turn-based combat, meaningful base management, and a narrative worth paying attention to – it’s a great confluence of all these systems to be a worthwhile successor for the genre. STAR WARS Zero Company is full of depth and consequence that earns its place in the pantheon of the great turn-based tactics games.
If you’ve played Aliens: Fireteam Elite, you’ve already played Aliens: Fireteam Elite 2. It’s nearly the same game down to mission structure, only prettier but with 200% more story and dialogue you do not want to hear. Once the campaign ends, there’s no real endgame content to speak of, leaving you with nothing to do but replay levels on higher difficulties where the core gameplay fails to hold interest. Charging $10 more than its predecessor for an experience that recycles the same formula where you’re retreading previous areas is uninspired. It offers a few hours of mindless action if you just want to turn your brain off, but ultimately, Aliens: Fireteam Elite 2 simply isn’t enough to justify the price tag.
Asobo Studio’s penchant for story-driven games built around immersion, atmosphere, and strong visual spectacle is ever present here. Resonance: A Plague Tale Legacy stands on its own with a story that’s incredibly well-written realized, and characters that are interesting. Asobo Studios embracing combat this time around is the best move, with it being so varied and customizable. Exploration is top-notch, and while the puzzles aren’t head-scratchers, they do get your hamster in the wheel turning. The visuals are outstanding, and best in-class. While it works really well as a standalone introduction, fans of A Plague Tale will appreciate the seeds it plants. Resonance: A Plague Tale Legacy is an exceptional prequel, and an essential gaming experience this year.
Lou’s Lagoon doesn’t offer a groundbreaking story, yet it sparks curiosity with a missing family member under mysterious circumstances. What hooked me was its satisfying loop of tool upgrades and exploration. It’s as cozy as the genre gets, but with enough constant interactivity to ensure your hands are never idle. Lou’s Lagoon has been worth the wait, and while I lament that this isn’t the “TaleSpin” game it could’ve been, it still manages to deliver in new and exciting ways.