Jim Hargreaves's Reviews
PaRappa the Rapper Remastered is a game we’d recommend to every die-hard PlayStation fan, but being a straight-up remaster is a double-edged sword. On one hand it preserves everything about the original game PaRappa fans love, albeit in a much higher resolution, but on the other, it shuns new features or a revised approach to its rhythmic gameplay. There’s a lot of history there as well as some great tracks and one of gaming’s most iconic art styles. PaRappa can be as punishing as it is unconventional but, with an open mind, it may also be one of the best games you’ve experience on PlayStation 4.
Of all the potential hurdles to snag on in creating a 3D platformers in the style of the late nineties classics, Playtonic deftly avoids the most egregious ones by far. At its very core, Yooka-Laylee succeeds in reviving a format long forgotten and does so with such vigor and passion. However, players shouldn’t expect it to reinvent the genre.
Visually and thematically, 2Dark succeeds in paying homage to its forebears. Everything else, however, is desperately lacking. Alone in the Dark had twenty years in which to rise and fall but Raynal’s latest stab at survival horror barely gets twenty minutes.
In short, Toukiden 2 is everything a sequel should be. Instead of lazily expanding on the original game, which would have been so easy to do, Omega Force actually went back to the drawing board, completely reinventing those parts that needed work. By streamlining much of the dull admin and encasing the game in a larger open world, Toukiden 2 manages to break free from the pack. As a result, it's easily one of the subgenre's best entries to date and one that, in some ways, is preferable to Monster Hunter.
Spanning several hours and sporting a number of more traditional game features, Kona feels far meatier compared to your average walking sim. The combination of nonlinear design and survival mechanics certainly help to dispel some of the issues I have with the genre. That said, the vagueness surrounding some puzzles, frequent backtracking, and a somewhat dissatisfying finale left me with mixed feelings despite introducing some welcome changes to the formula.
For small groups of gamers that play together often, Ghost Recon Wildlands seems like a no-brainer and some of the most fun I’ve had in a video game this year. For any lone wolves out there, however, it offers a less appealing all-round package. Ubisoft has pieced together yet another sprawling sandpit to explore yet nothing stands out as truly inventive or remarkable and moving between provinces felt like I was checking items off a shopping list instead of spearheading the American the drug war. At a time where open world games are starting to push boundaries and transform the genre, Ghost Recon is almost at danger of being left behind.
Deathwatch is a decent strategy game and one that doesn’t require too much brainwork to get a handle on. For smartphones and tablets it’s a great fit and would probably have worked nicely on Vita or 3DS, but in targeting the PlayStation 4, Rodeo and Funbox needed to do more than simply make Deathwatch vaguely controller-friendly and with slightly better visuals. Beyond some additional characters to recruit, there isn’t any meaningful refinement or expansion, and definitely not enough to justify that insane £50 pricetag.
Banned Footage Vol. 2 is just as experimental as it is optional. Although Daughters gives some much-needed context to the game's backstory, nothing here is a must-see.
Capcom’s first stab at supporting Resi 7 post-launch is surprisingly diverse and easily worth the price of entry for anyone that enjoyed the core game. It’s clear that a lot of thought and consideration went into each individual part, instead of Capcom simply reworking Resident Evil 7 just enough to make its DLC feel fresh. With more banned footage in the pipeline for the middle of February, it will be interesting to see what new ideas they come up with in the next volume.
Omega Force has decided to experiment here, though it’s an experiment that fails to live up to its full potential. Having sampled some of the genre’s top flight titles, Godseekers’ brand of turn-based strategy feels shallow by comparison. Still, there’s enough here for ardent fans of the franchise to wring some enjoyment out of. For something that feels truly new and innovative, all eyes now turn to Dynasty Warriors 9…
For them to successfully steer one of their flagships back on track, Capcom has done what many thought was unthinkable. It was less than twelve months ago that the publisher released Umbrella Corps, at which point I – and no doubt many others – were ready to call time on the series. Resident Evil 7 definitely has a handful of weak points, but it’s by far the best AAA survival horror game we’ve seen in quite some time.
Fruit Ninja VR is a hoot. It’s one of those games you can pick up and play with zero preamble, making it great for the odd few minutes of downtime or passing a headset around between people. It’s just a shame Halfbrick didn’t look to expand it further, with three of the four modes being transplanted from the original Fruit Ninja.
It’s hardly complex and far from essential, but Lethal VR is a fun and polished romp while it lasts. Shelf life may be a concern, but the minimal setup time needed makes Lethal VR easy to slip into whenever in need of some brief ballistics training.
If the rebels succeed, their next task is to simply capture one of two control points. Basic stuff, really, and with another successful objective under their belt, they’ll have to carry flag-like objectives to an extraction zone to seal the deal. With three flags constantly active, there’s pressures on both the attackers and defenders to mark each route and push back the opposing team.
The game works best in how it empowers you to toggle between idle exploration and obsessive score chasing whenever it suits you. However, as time drags on, if that drive to make headway begins to wane, there’s little else to keep players hooked. Then, of course, there’s the ridiculous online-only policy that is bound to frustrate, adding a completely expendable layer to the year’s best winter sports game.
All round, The Last Guardian feels meticulously pieced together and is easily one of the PlayStation 4's stronger exclusive titles. It's risky and unconventional, flouting modern design practices in a way that few other AAA game would dare to in 2016. Although far from perfect and a little worn from age, it's a one of a kind experience and hopefully won't be the last we see from Fumito Ueda and this enchanting world.
If Ghost Town were to add a new recipe or some kind of advanced mechanic to spice things up, then the added expense may be somewhat justified. As it stands, The Lost Morsel is less of a full course than it is a mouthful, though one that succeeds in reminding us just how great Overcooked is.
All round, it’s a solid point and click adventure game that combines that familiar old-school formula with a couple of clever quirks. It has a decent story to boot as well, though there are slight issues with pacing, both in terms of the how the narrative unspools combined with some of the more obtuse puzzles. Together, these create a barrier that will stump players while ultimately holding Yesterday Origins back from greatness.
It’s still excellently well-paced and doesn’t linger in one spot for too long, wedging various set pieces between the usual corridor shootouts.
Naturally, being the last episode in the series, The Good Knight is poised around this theme. Since the start of the series many months ago, Gram has been bedridden, recounting his marvellous adventures in the presence of Gwendolyn, his granddaughter. It’s only when we snap back to the king’s bedchamber that we’re reminded he doesn’t have much time left.