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All in all, Dead of Darkness is a great 2D Resident Evil tribute that brings plenty of its own ideas to the table. There could have been less reliance on instakills late in the game and the attempts to feed in some Eternal Darkness style sanity effects are underdone, but the core gameplay, the puzzles, and the twisting narrative are all well worth the price of entry.
What Jedi Power Battles really needed was a remake, not a remaster, so that the gameplay could be brought up to something worth playing in this decade. If you want to be a Jedi these days there are way, way better options out there.
Phantom Brave: The Lost Hero is an absolute gem that shines whether you're a returning fan or a newcomer. It takes a while for the very many mechanics of the game to make sense and click, but once they do, you're in for an unforgettable experience.
IDUN – Frontline Survival is an RTS/Tower Defence hybrid that sells the concept incredibly well. While there's a few rough edges, if you're a fan of either genre, it's an edge-of-the-seat blast.
Freedom Wars Remastered offers one of the more intriguing visions of the future, but where its setting is thoroughly futuristic, its gameplay remains firmly in the past.
Tales of Graces f Remastered represents the absolute best of what the Tales series has to offer - and this version is easily the best way to experience such a charming and fun JRPG.
It’s fun and knowing, and it’ll put a smile on your face while giving you something to think about, which is what good comedy is all about.
Donkey Kong Country Returns HD is a fine remaster of the Wii platformer, bringing along all the tweaks from its Nintendo 3DS port. It's not much more than that, but it's still a great platformer.
As someone who has zealously played every entry in the series since its inception more than two decades ago, I'd say Dynasty Warriors: Origins is the best Musou game ever. After years of unsurprising reiteration and plenty of misfires, Omega Force has delivered a smart and super polished reinvention of the Musou franchise that corrects so many of its past shortcomings.
Threefold Recital is part-game, part-philosophy lesson and it's been made with a lot of heart. The three main characters all stand out well, and the story is generally good, even if it becomes a little too twisty in the middle. That aside, Threefold Recital marks a strong start for the 2025 indie scene.
Avoid Liberté like a one-way ticket to the Guillotine. Instead, if you want to experience the French Revolution, read a book instead. It will be more interactive, the loading times will be much improved, and the graphics will probably be better too.
Songs of Silence is a beautiful and engaging 4X auto-battler blend, whose unique approach will sweep you up for hours on end.
The Edge of Allegoria is a decent RPG that stands out for its retro Game Boy visual style. The combat is decent enough, and while the crudeness can get a bit much, it works well in the setting. Some frustrating dungeon designs and waypointing issues, plus a story that isn't too memorable do hold it back, though.
Ultimately Behemoth is a good VR combat game that's a bit too easy, and with its impressively huge boss battles too few in number. Whilst the combat and exploration is enjoyable enough, the puzzling is too simple and, in a game about killing giants, you'd expect there to be a few more giants.
Ys Memoire: The Oath in Felghana is like a finely aged bottle of wine opened at just the right time for just the right celebration. It's exactly what I wanted and needed right now, and the shamelessly simple yet satisfying old-school combat and adventures had me hooked instantly.
Snow Bros. Wonderland is a delightful wintry adventure, with bags of old-school charm.
I really wanted Alien: Rogue Incursion to be good and it starts so well, but then things just fall apart. There are many bad design decisions in the game so that you feel like you are fighting them rather than the Xenomorphs.
The Thaumaturge is an interesting and dark game in a relatively unique setting, 1906 Warsaw during a revolution combined with monsters is a fascinating setting. Whilst it occasionally fumbles how it delivers some details and you spend a lot of time running around, the strength of the setting and the writing makes these easy to forgive, not to mention the presence of the man who I have heard on good authority was Russia's greatest love machine.
With more development time, copious patches, and some decent tutorials, the good game hidden deep inside Flint: Treasure of Oblivion could be dug up and unearthed. But for now, that treasure remains hidden, with only a map inscribed on the back of a wooden peg leg to try and find it.
Although I genuinely applaud its attempts to try something new, Farmagia doesn't quite stick the landing for me. In fact, beyond the initial novelty of the mechanics, both the farming and the combat components end up feeling intensely repetitive with little to keep interest outside of further monotony. Once you add to these points uninspired visual design choices and predictable story elements, the game becomes very difficult to recommend to anyone but die-hard farming sim fans. Even then, it isn't bringing any fresh produce to the table.