You will see all that Blasters of the Universe has to offer within an hour, but unlike many PSVR shooters there's tonnes of replayability and it works really well as a party game if you have friends round. You're going to need more space to play than most PSVR games, and also more stamina, as dodging, ducking, and flinging your arms in all directions really gives you a work out. Like the best arcade games it has a simple but addictive gameplay mechanic and is one of the best PSVR shooters to date.
It may a look a little basic compared to recent titles, but when it comes to gameplay Burnout Paradise still thrashes the competition. The racing is sublime, the stunts are spectacular, and there's always something to do round the next corner. It has one of the best soundtracks of any game – and yes that includes Avril – it's just a shame that some of the mechanics are dated and clunky.
There's two sides to The Inpatient: the first two thirds are tense, intriguing, and gives games like Resident Evil 7 a run for their money, but then the final third is ponderous, dialogue heavy, and has very little in the way of scares. With a play time of three to four hours it's a decent length for a VR game and does have replay value with it's alternate story paths. Despite it's flaws, The Inpatient is still much better than many of the VR horror games available, so it's worth checking out if you have an expensive fancy hat from Sony.
I'm really surprised just how much I enjoyed Sky Force Reloaded, the first time I loaded it up I was playing it for five hours non-stop and at no point was I bored. Adding grind to a shoot 'em up sounds terrible but it's a genius idea to counter the shoot 'em up's traditionally short playtime. By adding the challenges, the act of replaying a level twenty or more times never gets boring. I am now going to bestow on Sky Force the highest honour I can give it: It reminds me of SWIV.
League of War: VR Arena isn't a badly made game – it's well presented and looks pleasing enough in VR – but it's very, very, limited. Play the game for twenty minutes and you will have seen almost everything. There is almost no strategy and half the time you can win by picking units up as fast as they are produced and throwing them onto the battlefield. Porting the simple mechanics of a mobile game to consoles rarely works, even if you add a nice shiny VR element. A missed opportunity.
The Frozen Wilds enhances an already excellent game. The improved dialogue for a number of the characters shows that Guerrilla have clearly taken onboard the criticism levelled at Zero Dawn, while the additional enemy creatures are welcome and make the game feel well rounded and complete. I really enjoyed returning to the world of Horizon Zero Dawn and simply can't wait for the next game.
After spending many hours in the explosive world of Destiny 2, Detention's simple but horrific tale has reminded me just how affecting video games can be. A game based on the oppressive regime of 1960's Taiwain may not be for everyone, but if you fancy a break from head shots and kill streaks then this debut title from Red Candle games comes highly recommended.
Raiden V tries to add something new the shoot 'em up genre which is admirable, but unfortunately most of the ideas don't live up to expectations. The Cheer system may have worked better if you could let spectators view your game, and the running commentary is like trying to listen to couple arguing at back of a bus when you're at the front and have someone playing loud techno music on their phone right next to you. For a shoot 'em up there is a lot of content and the main mechanics have clearly been honed to perfection over the last twenty five years, making this a good, solid entry to the series.
X-Morph: Defense successfully mashes up the shoot 'em up and tower defence genres which is no mean feat. and the co-op mode is a really great addition and helps alleviate the repetitive nature of the tasks. There is at least fifteen hours of gameplay on the easiest difficulty level and as you are ranked at the end of each battle there's a good reason to go back and try again. If you like tower defence and big explosions it's well worth a look, especially if you have a friend to join the battle.
Sneaky Bears is simply great fun while it lasts, so it's a shame it can be completed so quickly, as I would have loved to spend more time with Buddy and Frank. It's also a bit expensive (£15.99) given the content, but that's the case with most PSVR games. All in all, it's one of the best wave-based shooters on PSVR and definitely worth a look, especially if you have younger players in the family.
If you don't like ‘walking sims' then Observer isn't going to change your mind, even if it does include some rudimentary detective work. However, if you like to be swept away by a story and pulled in to a world where every door has a new experience behind it, then close the curtains, turn off the lights, crank up the surround sound and immerse yourself in this great cyberpunk horror tale.
Matterfall is a great shooter and will give you many hours of entertainment if you like chasing high scores and challenging gameplay. However, it does feel like a slight let down after Nex Machina and is the least essential of all the Housemarque games on PlayStation 4. That said, the least essential Housemarque game is still better than most games you will find on the console, so it's still recommended.
I really, really, wanted to love The Long Dark, but a myriad of poor design choices and bugs teamed with a complete lack of instruction made it one of the most frustrating games I have ever played. You can pick some objects up, but not others, you can smash a crate to bits for firewood, but not a table, and none of this makes any sense. If you were freezing death, you'd burn the frigging table! Survival mode is by far the best way to experience the game offering some gorgeous views and real sense of achievement when you make things nice and cosy, it's just a shame that Story mode is so poorly thought out.
There is absolutely nothing wrong with Graceful Explosion Machine, and if you enjoy chasing high scores then it will provide you with a decent challenge. For the the rest of us, it's a dinky little shooter that you can complete in a couple of hours and will forget about in half that time.
There are some great ideas in Perception, but the execution is somewhat lacking. Wandering around a haunted house with no vision should be a tense, methodical, creepy experience, but this game has a sprint button. You are given a lot of help to navigate and solve puzzles because if you did not have your sight and were trapped in a mansion with moving walls and keys to find you would be utterly helpless. This means the whole premise to the game quickly becomes pointless, which is a real shame.
Nex Machina is the pinnacle of all things Housemarque, with concepts and ideas that have been refined over many games in their purest form. That's both its strength and its weakness, as there is nothing you haven't seen before in one of their previous games. If you are a fan of the Finnish developer's game, this is still an essential purchase, but if you're a newcomer, this is the best place to join the party.
Good games make headlines and bad games will also generate column inches, the one thing you don't want you game to be is average, but sadly that is what Demon's Crystals is. It plays perfectly well and is free from problems and bugs, but it's totally forgettable without a speck of originality. At just £3.99, it's a good price for a few hours entertainment if you have some friends on the couch to play with.
Little Nightmares is something of a minor classic. Gorgeously gross and surprisingly inventive, it creates a genuine feeling of terror and tension. It's a bit odd to say a game that involves skipping over corpses is enjoyable, but it is, just don't blame Tarsier if you have nightmares.
I really enjoyed Statik. It's not particularly big, but it is very clever, and has clearly had a lot of thought and love poured in to it. VR is an integral part of the game rather than being a showy gimmick, making this a fine addition to the PlayStation VR library.
What you get out of Everything will depend entirely on you. You may get bored within minutes just as easily as you could spend hours wandering around alien continents as a slice of pizza. I'm not sure it can be described as fun in a traditional sense, and it sometimes feels like you are being forced to sit through through a complex lecture mixed with a dash of group therapy, but other times it can be utterly hilarious as you make baby tractors by dancing.