On a whole, RAID: World War II feels exactly like what you'd expect from a Payday clone. It takes less of a political approach than other games featuring Nazis such as Wolfenstein or the upcoming Call of Duty: WW2, and instead moves away from the ‘war is hell' narrative to opt for a more hyper-violent, stylised approach to the subject matter. While the choice of game engine severely lets itself down, there is still much to appreciate if you enjoy other co-operative shooters of its type.
For an hour-long experience, the main thing I took away from The Search were cheap puzzle mechanics and quotes by American lecturer Joseph Campbell. If the game's main themes were not as openly sermonising, then I could see the narrative being less tedious and players would get more out of it. But sadly, the extent of the story would have been much better suited as an essay, short film, or poem.
The PC market is already over-saturated with zombie shooters, and Crimson Earth doesn't bring anything new to the table. With enough bugs, odd design choices and crashes to fill a book, you'd be better off sticking to richer shooters such as Killing Floor or Nation Red. Even for the £2.79 price tag, this is really hard to recommend.
With this stimulating narrative, Lydia is a steady explorative adventure that will leave you speechless by the time you finish it. Its take on adult themes within a childish aesthetic feels familiar but it accomplishes enough to set it apart from other like-minded indie titles. It's a solid debut release by Platonic Partnership and leaves me intrigued to see what comes next from the Finnish studio.