For returning players who rinsed through the first half of the game back in November, that’s an excellent hook to bring them back to see the story through to its conclusion. For new players, it’s a big ask to tell them that the game doesn’t really reach its fullest potential until you’ve played for around 5 or 6 hours. Not that the stages or narrative in Act One were bad, per se, but more that Ambrosia Sky doesn’t really start gripping you until you’re deep into the second act.
007 First Light is an exquisite taste of slick spy action and blockbuster storytelling, and is fully what a Bond game should be, but rarely is.
Thick As Thieves is fun for a fiver, but it does feel like a small chunk of something far bigger and more interesting that we may never get to see.
Tides of Tomorrow is an experience that does an effective job at emphasising the connection between people, achieved in a way that feels particularly clever and responsive to how your own actions affect others, as theirs do unto you. Tides of Tomorrow delivers on making you feel like you’re part of a greater whole, while also providing a story that is wholly individual and intimate.
All of this is to say that Cthulhu: The Cosmic Abyss is an interesting AA detective game, with fun investigation mechanics and a gripping premise, but quickly falls apart in the second half of the story. It’s disappointing, because there are occasional sparks of ingenuity in some of the game’s later chapters, and it’s a shame to see the final quality so inconsistent.
After many hours playing Screamer’s arcade mode, I still feel like I’ve only scratched the surface of what this game offers. It’s challenging, fast-paced, and leaves no room for error, but it’s incredibly appealing to those who enjoy a good throwback to the arcade racers of the 1990s, even if a little flawed in some departments.
Cairn has now become one of my favourite games of all time. I absolutely love the game’s reactive climbing mechanics, the tough-but-fair difficulty, and its entire presentation is simply gorgeous. Even though there aren’t really any changes between playthroughs, this is a game I’ll be regularly coming back to, if only to continue experiencing the thrill of the climb over and over again.
All of this is to say that I think Inkle is on to another banger here. Narrative has always been one of the studio’s strongest points, but I absolutely love the way it unfolds here, where much of the backstory can only be pieced together by you. It’s a great method to tell a story in a way that only video games can, by emphasising the interaction between the player and the game, and is now one of the finest examples of doing this.
It doesn’t do much to reinvent the wheel, there’s nothing massive here that separates it from a game like Hollow Knight, but it doesn’t need to, either. I liked that it kept its features and ideas down to the simple fundamentals of the Metroidvania genre, where its appeal rides by on vibes alone. Even after reaching the end of the game, I’m excited to go back and see what I’ve missed, because I’ll bet there’s quite a lot of content I’ve still not seen yet.
Death Howl has been a fantastic time for me, and it’s been a wonder to slowly piece together how The Outer Zone managed to fit two rather opposing genres in a way that feels tangible and engaging.
So, perhaps Thief VR: Legacy of Shadow isn’t the triumphant return the series needed, even if the game itself is somewhat fine. In essence, virtual reality fans may enjoy it, while long-time fans hoping for a comeback in the vein of the original series may be disappointed. I hope whoever at Eidos is in charge of the Thief brand doesn’t shelve it for another decade, because I’m still holding out hope that the franchise will have a decent revival worthy of the Looking Glass Studios titles.
By the time the game came to its conclusion, I was left with an overwhelming yearning for a better future, and a feeling that that is something wholly achievable. Duskpunk is the kind of game that makes me feel hope.
I think Plants vs. Zombies: Replanted is an excellent remaster that respects what makes the original game fun without adding anything too contrary to that experience. The new content is excellent and doesn’t feel too out of place with the rest of the game. Meanwhile, the conversion to HD and new controller support is excellent for PC players, and it’s also great that this will be available on platforms such as Nintendo Switch. Having played most of my hours on Steam Deck, I see this as being a great on-the-go game.
It’s a huge shame that after so many years in development, Vampire: The Masquerade – Bloodlines 2 has ended up not quite living up to its potential. The RPG features have been drained away, leaving behind a husk of an action-adventure title that sometimes passes as interesting. Set your expectations accordingly for this one, as it doesn’t live up to the series’ name, no matter how much it uses its compelling setting.
Overall, it’s the multiplayer that remains as Battlefield 6’s greatest strength, as it always has for this series. Well-designed maps and strong teamplay features make for interesting online rounds. This bleeds out into other aspects of the game; the gunplay, the weapon customisation, and the destruction mechanics. It’s punchy, direct, and exciting. It all feels carefully tuned to how players have wanted the game to be like since the golden era of the series.
It’s always frustrating marking a game down due to very simple, but easily fixable flaws. Arctic Awakening has been receiving frequent patches during the review period, so it’s entirely likely that a lot of these bugs have been squashed. Nevertheless, this was still my experience of the game after playing through to completion. I enjoyed the narrative, and quite liked seeing the mystery unravel over the course of the story. I just found it to be a frustrating experience on the technical side.
Given its relatively small scope but simple and fun premise, I can’t find much to fault about Kill the Brickman. If you’re aching for a new roguelike to play, and you’re on board with Poncle’s whole shtick by now, it’s a genuinely fun time that can easily fill the time you spend on your afternoon breaks.
In having a minimalist approach to its storytelling and game mechanics, Herdling is able to bring closer attention to its overarching message about hardship and found families within nomadic, unhoused groups. It does an excellent job at balancing these themes in a digestible way, leaving you room to sit back and really take in what it’s trying to say. That it also manages to be an interesting survival game is just the cherry on top.
Some small annoyances aside, Mafia: The Old Country is a great entry to the long-running series, and it’s done a fine job at adapting the formula to a brand new historical context. It does run the risk of alienating long-time fans, as the jump back in time makes it quite an adjustment. However, if you just let it tell the story it wants to, you’ll find it can match the quality you've come to expect from this series.
I would certainly recommend this to horror fans, particularly those who love a good creepy atmosphere and prefer it when scary things are implied rather than shown. The few shortcomings it does have feel antithetical to the story Solarsuit is trying to tell, but it’s by no means an immersion-ruining experience.