James Berich's Reviews
Blair Witch is the best Blair Witch game yet. However, its willingness to get you lost can be frustrating despite being so authentic to the franchise. Regardless, despite some uneven presentation, Blair Witch is a passionate love letter to the first and third films in the franchise. It manages to maintain its scares from beginning to end, even if it becomes a little predictable.
Catherine: Full Body is a marked improvement over the original Catherine, offering more ways to play for those who want to experience an engaging yet slightly problematic story.
Control is a slick and stylish win for Remedy, their best work yet. With strong combat, an engaging story and striking visuals, Control is a masterclass in both style and substance. It's abstract, it's bold, and it's wicked fun.
Astral Chain is a unique experience from beginning to end, but some strange choices in the way it tells its story and major pacing issues in the third act bring it down. Regardless, Astral Chain fits right in amongst the Platinum greats, offering a fun and unique battle system that does a fantastic job at differentiating itself from its contemporaries.
RAD is a great little roguelike that differentiates itself from others with its unique setting and visual appeal. It's really what you'd expect from a roguelike in terms of gameplay (and is solid in that regard), but everything it does to differentiate itself is largely superficial.
Marvel Ultimate Alliance 3 is a solid beat-em-up that tops its predecessors, bringing all the colourful known and unknown facets of the Marvel universe together with gusto. But despite it's strong art direction, potent replayability and often enjoyable combat, it still comes off as feeling rather basic.
Fire Emblem: Three Houses features some of the most refined and enjoyable battle mechanics the series has seen since its successful renaissance with Awakening. But the renewed focus on support relationships gets in the way of what some may have valued most from the franchise – the strength of its strategic design and the battles themselves. Regardless, it's hard to argue that Three Houses is the best Fire Emblem since Awakening, so it's still worth your time, even if you'll have to spend it wisely.
The Sinking City is easily the best H.P. Lovecraft game yet, throwing players into a well-realised but characteristically melancholy town that's coming to terms with its cosmic fate. It's a classic detective game through and through, which rewards smarts and isn't afraid to let you explore and immerse yourself with no handholding. It's just a bit of a shame that's hindered by some rudimentary combat, shoddy technical issues and an open world that's a little too big for its own good.
Bloodstained: Ritual of the Night doesn't reinvent the idea of what a Castlevania game should be, but it does a better job than any of its contemporaries at emulating that classic formula that Konami have long abandoned. While it's technically got a few issues they're hurdles that I am sure it will overcome. Still, in a market that's flooded with imitations, Bloodstained is the real deal. A true successor to Castlevania that fans and newcomers will easily sink their teeth into.
Back In 1995 does an earnest job at trying to emulate the experience offered by the survival horror canon of the nineties, especially visually. But beyond it’s looks, 1995 fails to recognise why those games were so great, and is unfortunately an inferior experience because of it.
Underneath it all, RAGE 2 is one of the most energetic and frenetic shooters I’ve played since DOOM. But you must, unfortunately, wade through a poorly paced story, a drab open world, and a few locks and progression gates to even experience the best it has to offer. Those who persist will adore RAGE 2, but it’s such a bizarrely inconsistent journey to get there that it’s hard to recommend to everyone.
Mortal Kombat 11 is both joyful and frustrating. It's far and away a superior game to Mortal Kombat X where it truly matters - the roster is strong and varied, the visuals are phenomenal, and the flow of battle is as sharp as ever. If you play with friends, solid online offerings will deliver in droves. If you're thinking of playing solo, although Story mode is some of Netherrealm's best, the grind to unlock everything beyond that is sobering. It's this grind that means Mortal Kombat 11 stands besides Mortal Kombat X, and not above it.
Ace Attorney Trilogy is a modestly priced collection of thrilling adventures that highlight the best narrative arc in the series thus far. The writing is smart, the narrative is enthralling, and the characters are charming if not kooky. There's a personal concern that the newer and cleaner art direction will put off some series purists and the cases can feel a bit slow in some parts, but otherwise, this is the best the series has ever looked and played and easily worth your attention.
Sekiro: Shadows Die Twice is an intelligent reinvention of the tried and true SoulsBorne formula. It successfully manages to strike a delectable balance between difficult and enjoyable, without the frustrating moments players might’ve experienced in Dark Souls or Bloodborne. Owing to its fast-paced combat that rewards an aggressive approach, Sekiro: Shadows Die Twice is both fulfilling and satisfying and easily the best of FromSoftware’s games yet.
Devil May Cry 5 rights all the wrongs of its predecessors with style and gusto, whilst being incredibly welcoming to series newcomers. The three playable characters bring great combat variety against the games huge slew of enemies and bosses. There are a few little niggles that stop the game from being the best it could be, but Devil May Cry 5 is undoubtedly one of the best in the series.
Crackdown 3 is without a doubt the best Crackdown yet. It successfully builds upon the previous two games to offer an open world experience that, while formulaic, is still incredibly enticing. This is in part due to the very flexible combat system, which offers heaps of different ways to be as destructive as possible. It's structure has been seen before, sure, and as such Crackdown 3 doesn't break ground in many ways, but it's still such an enjoyable experience that I'm not sure it entirely matters.
Resident Evil 2 takes a masterpiece and twists it until it resembles something completely new without betraying the spirit of the original.
YIIK is an ambitious little RPG with an intriguing premise and engaging battle mechanics that is ultimately let down by some poor pacing and a very unruly inventory management system. In a game where stats matter so much, this is a pretty big issue to have. Regardless, if you can see past its flaws, there's a kooky game here with a weird but wonderful plot and a lovable cast to enjoy.
What would otherwise be a mess is beautifully brought together in Travis Strikes Again: No More Heroes. While much more simplistic when compared to its predecessors, Travis Strikes Again is a fun and fast paced action game that commands your attention from beginning to end. It has a few pacing issues, especially towards the end and the co-op implementation might not be perfect, but Travis Strikes Again is yet another momentous trip through the wicked and warped mind of Suda51.
While the second and third games are arguably better, Onimusha: Warlords serves as a perfect introduction to one of Capcom's most underrated franchises. So many minor improvements have been made here to make the game very playable by modern standards, though the fixed camera angles will remain polarising with modern audiences. Regardless, Onimusha: Warlords is a brief yet rewarding experience that combines simple yet satisfying combat and ghoulish enemy designs to create something that's still unique.