Brodie Gibbons's Reviews
Through neoteric ideas around what combat can be, many of which were conceived with Absolver, Sloclap has carried the classic beat 'em up into the present with Sifu. It might be brutal and unforgiving, but it never feels cheap and it's a pleasure to continually learn the complexities of kung fu while bathing in the world's surplus of flair and ferocity. So push through and persevere, because there's one hell of a game on offer here.
Courtesy of some really great hand-drawn art, it's hard not to adopt the game's most excellent and bodacious attitude through osmosis. But OlliOlli World's strength, as it has always been, is in its low barrier to entry and the fact it's just so damn fun to pick up and play.
With an adventurous campaign, complete with a sandbox that'll still be there when your friends can join the fight, and a multiplayer suite that feels like a note-perfect revival of the Halo of old, Halo Infinite feels like the complete blockbuster sci-fi shooter we've been waiting for from 343 Industries. It hasn't happened overnight for the team, but the mantle passed to them, at last, feels earned.
By making Solar Ash radically different from Hyper Light Drifter, Heart Machine has avoided boxing themselves into a niche while being able to continue and build a universe they clearly care for. It wears its influences on its sleeve and comes together as a cosmic mix of a few games held dear by many, and as long as they continue to do this, I'll eat it up until I am far beyond full.
Bright Memory Infinite is a disappointing follow-up to a prelude that made its share of promises. It's a shame because a polished expansion on the original concept would have had a certain cult appeal, whereas Infinite feels watered down. It's a pretty game, and best of all it's free for those who lashed out for the prelude, but in the end, it plays like a game that got spooked by its own shadow and is a result of improbable ambition.
Though it's iterative in a lot of ways, Forza Horizon 5 is a near-faultless open-world racing experience that's so sure of itself and its offerings that it goes the extra mile to sprinkle in the kinds of fan service that people go wild for.
It's hard to fault the moment-to-moment gameplay of Back 4 Blood when all of its pistons are working in tandem and you're running with a good crew. Though the effort to contemporise and grow beyond its roots is commendable, just about every other aspect of the game feels like a misfire. The campaign isn't fun and, more offensively, it pays no regard to solo players.
It's no surprise given Milestone's pedigree that Hot Wheels Unleashed is a mechanically sound and confident racing title as it boils down the true essence of Hot Wheels and puts on a showcase exactly why they're a beloved pastime. The bloated story mode does little to obfuscate the game's skeleton crew of modes, though I think the game will find resilience through a community of online racers and their wonderful, imaginative creations.
It's not an easy thing Arkane has done here in serving up a genuinely fresh take on one of the medium's most enduring genres. Deathloop redefines what a shooter can be, and the developer has used their entire toolkit to get there. Satisfying action, world-building that's second-to-none, style and substance, and a genuinely enthralling riddle at the centre, Deathloop delivers it all. And it's through these triumphs that Deathloop earns its place in the first-person shooter pantheon, and puts its hand up during Game of the Year talks.
Toem combines elements of both Pokémon Snap and its mainline series, letting players loose into a darling world full of weird and wonderful characters, animals, and sights to behold. Armed with nothing but a camera and a pair of itchy feet, Toem is further evidence that 'taking aim' in video games can stem from a creative and peaceful place.
As a guitar-shredding odyssey throughout a stunning cosmos, The Artful Escape delivers on its name tenfold. It is a short tale and I'm in no hurry to book a return trip to the Cosmic Extraordinary, but it remains an unforgettable journey thanks to superb art direction, an uplifting story, and stirring guitar solos by cliffside.
While it manages to side-step its shortcomings through clever design, Twelve Minutes ultimately feels like it'll be one of those water cooler games that some will love, others will hate, but everyone will just want to talk about. It tells a cerebral story while demanding your full attention, along with an unorthodox wit, to best its cat and mouse puzzles.
This quaint story about a workaday crow discovering that death is a force of nature that without discrimination takes all, both good and bad, winds up being far more memorable and touching than I could have ever expected. With a world and characters full of Miyazaki-proportional charm, and combat and puzzles that offer up a real test, Death's Door is a beautiful sophomore effort from Acid Nerve and is certainly something to crow about.
Metro Exodus shows some heart, and it's clear the developers have poured a lot into this third chapter of Artyom's story. Unfortunately, there are a lot of things that keep the game from hitting the standard set by its predecessors. Pacing is hamstrung by the ambitious misfire of an 'open-world', while performance issues and glitches mar much of Exodus.
With some doubt at the front of people's minds, Returnal is a shushing finger across the lips of detractors as well as a tremendous example that PlayStation's middle line titles can still offer as much value and entertainment as its tentpole exclusives. Housemarque achieves an atmosphere like few can and set up a universe ripe for expansion while marrying it to a grind - which is more forgiving than most of its kind but will still alienate some -that's both brutal and gratifying all at once.
Although the story of Cody and May doesn't meet the standards set by the game's varied gameplay, It Takes Two sees the continued form of Josef Fares and his team at Hazelight in crafting wonderfully creative and engaging worlds for players to share and collaborate in. It Takes Two is a co-op experience that's second to none, which offers more ways than you can imagine to experience these larger than life play spaces.
The product of a one man team, Olija is a tight and entertaining seafarer's voyage that manages to be memorable despite not bringing anything particularly revolutionary to the table. Instead, it's in the atmosphere and tone that Olija excels, proving that the deep blue sea isn't full of just terrors.
Cyberpunk 2077 is staggering, overwhelming, and even surprising at times in its spectacle. Although my first dozen hours with the game has been marred by easy-to-fix problems, Nighty City, along with all it offers and all that call it home, makes for an intoxicating escape. Here's hoping the next one hundred hours are as utterly compelling.
With Observer's original atmosphere intact, System Redux is an exceptional refinement and redelivery of one of the generation's most underrated titles. The loss of Rutger Hauer felt even more profoundly exploring these tenement halls again, but his offbeat and quirky role as Daniel Lazarski will live on for another generation.
Although the campaign is only a small slice of the larger package in Call of Duty: Black Ops Cold War, it's great that it counters its 'blink and you'll miss it' length with a bit of replay value and some memorable missions you're bound to want to play again. Raven Software's more subtle approach to Cold War espionage feels like viewing Call of Duty through a new, exciting lens.