It’s just a shame there’s no sign of the Minecraft’s primary mechanic, which would have been a great addition to the overall experience. It’s a good laugh and as is so often with co-op games, you’ll get the most out of it with your pals/family.
It’s a cracking good time with friends but on your own, it’s a meanderingly frustrating tiresome glitch-filled experience.
There’s a glorious amount of fun to be had with What The Golf? and I’m delighted it’s finally on Switch, in particular. It’s a perfect blend of game and console, something I’ve said in various Switch reviews beforehand. When a game lands on Switch and feels completely at home, it’s well worth investing in.
Your enjoyment of The Eternal Castle will weigh heavily on either having fond memories of the era or wanting to leave it buried. It’s difficult to see how younger players will react to its visuals and punishing difficulty, but it serves as stark reminder that we’ve come a long way, baby.
You’re going to want a pen and a pad nearby to keep track of your characters, the threads and the keywords you’ll want to search for, and some questionable design decisions hold the game back from being an all-out classic of the genre – with the shocks and twists of Her Story towering over Telling Lies’ endgame – but it’s still well worth exploring if you’re looking for an interactive mystery to untangle.
Come for the delightful artwork, stay for the level editor. You’ve seen everything else before.
Dread Nautical is a solid and intriguing turned based, tactical roguelike RPG, just don’t expect your tense horror itch to be scratched, because you’ll be very much looking in the wrong place. The gameplay isn’t too overbearing for newcomers and the games primary characters certainly are fun to explore this doomed ship with, the story is twisty and keeps you engaged, and the hard mode will test your metal beyond much else around at the moment, but there’s very little here you haven’t seen before elsewhere and executed with more panache.
There’s a ton to love about Moving Out and it comes recommended as a new title to place in your party playlists next to Jackbox and Overcooked. It’s just a shame you don’t have the option to also move out that enormous online shaped elephant in the room.
There’s certainly fun to be had with a mate/partner/postman in Biped, but there’s very little here to have you playing for any more than a weekend. Once the levels are complete there’s the odd unlock that doesn’t justify prioritising Biped over the likes of Jackbox or Overcooked. If you’re on your own you’ll find little joy in ploughing your way through the adjusted solo campaign, which is more infuriating than infatuating.
This bus journey offers little thrills and a whole lot of frustration. Much like a normal bus journey then, I suppose.
The narrative is by far the most engaging and wonderful I’ve had the pleasure to experience this year so far.
Saints Row IV still offers exactly what it ever has, because there’s nothing new to see. If you desperately need it wherever you go, then go nuts. You aren’t going to be disappointed. If you’ve never played a Saints Row IV, you’ll find vastly superior versions on other systems.
There’s nothing particularly excellent about Wunderling, everything it does it does well and that’s about all there is to it. It’s a fun if not remarkable time, and if you’re looking for a platformer/puzzler that revels in mixing up the formula and making you laugh along the way, you won’t need to look much further.
Two Point Hospital is a glorious port that should keep any fan of the management genre happy as Larry, and Theme Hospital fans should jump on this immediately. Damn near everything you loved about the game is here on display, along with modern objective-based missions and star ratings that keep you wanting to improve your hospitals over and over.
Not Tonight begins as it means to go on. You’re quickly introduced to your protagonist, a British national with European lineage. They’re stuck in the Britain that no longer sees them as worthy inhabitants of their proud nation, keeping them around only to work the menial jobs and live in the crappiest of accomodation built specifically for those ‘Euros’. Your job as a character who is most assuredly British but just ‘doesn’t look like it’ is that of a bouncer, going from pub to pub working for landlords who are either going to be decent to their ‘Euro’ or not.
Still, away from the painting what Eastshade presents is a story of unexpected depth, allowing you to get lost in its gorgeous world and cast of delightful characters. Its calming nature lures you in, the world makes you want to stay lost in its peaceful serenity.
Mario and Sonic at the Olympic Games: Tokyo 2020 isn’t a groundbreaking revolution one may have hoped for or one may have expected for the Switch edition but there’s more than enough here that it does well rather than retreading the same formula. The series has moved into a new direction with the addition of a delightful Story Mode and the ‘Tokyo 1964’ mode is an inspired addition, which will warm the heart of any stone cold adult just looking to relive his youth once again.
These console versions – at least the PS4 Pro Enhanced version I’ve been reviewing – have been heavily struggling under its mighty weight, and perhaps needed a little more optimisation before it launched out in the world of the sofa dwelling controller types.
Chalk down Hexagroove: Tactical DJ as one of the year's biggest surprises. A wholly unique take on the rhythm genre, it's challenging and enormously rewarding. The feeling of creating your own music for a virtual crowd to respond to is addicting, and while the multiplayer ultimately offers very little to the package, the single-player and the seemingly endless Freestyle mode will have you coming back to best those scores again and again. This is definitely one for headphones or a very loudspeaker system, and a must for rhythm action fans.
Yooka-Laylee and the Impossible Lair is one of the biggest surprises of the year and an absolute must-play. Rare are back. Wait. Playtonic have arrived. There we are.