Extra Coin lives within a paradox: to convey as faithfully as possible the idea that virtual mechanisms can induce users to the eternal repetition of completely flat loops, the game ends up putting the player in this situation without being able to provide him with a truly motivating objective.
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While it adheres to genre fundamentals, Neva distinguishes itself through high artistic quality and a simple yet impactful story. The chapter and level design maintains a brisk pace, avoiding repetitive situations that could weaken the overall experience. This skillful management of time and style allows Neva to shine despite its brief duration.
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Arco tells a compelling story with minimal dialogue. Leveraging a few well-chosen mechanics, the game immerses players in a world where every interaction and item matters, and each battle decision carries weight. The turn-based tactical combat is challenging yet fair, encouraging strategic thinking without causing frustration. It's a gem worth experiencing.
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Marvel vs. Capcom Fighting Collection: Arcade Classics is something that, until recently, no fighting game fan would have considered possible. Inside this package you will find some real milestones of the genre that shows the ability of the Capcom developers to evolve a format to the point of making it iconic. Thanks to the presence of training and online modes, as well as challenges for the best score with other players for arcade matches, this collection brings these timeless classics fully into the present.
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Thank Goodness You're Here! is a short but overwhelming experience. If you like English humor it will hardly leave you unsatisfied. Although it lacks a real challenge, the unique combination of the extreme imagination of the developers (who indulge in often unexpected, always ingenious changes of scene and tone) and the effectiveness of the gags, well conveyed by the voice actors and excellently underlined by the graphic style and soundtrack, make it a game difficult to miss for fans of graphic adventures.
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A very uncertain start fortunately does not prevent the game from finally unleashing its full potential.
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Tales of Kenzera: ZAU is a video game with su much heart... enclosed in an imperfect container. Moving within the various regions of Kenzera is a pleasure, but for a good part of the game the combat remains more of a burden than a pleasure. When things finally start to get more complicated the adventure finally seems to take off, but unfortunately this happens far too late.
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Tekken 8 breaks the chains that held it anchored to the past while remembering the lessons learned so far: welcome to the next-generation Iron Fist tournament.
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GranBlue Fantasy Versus Rising is a major expansion that significantly changes the gameplay. The new mechanics open up longer combos and more active defense options while making simplified inputs the standard. The story mode is engaging but short; offline-loving players may find it lacking. However, the new characters are well-designed and fun to play, and the improved netcode is a welcome addition for online players.
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Song of Nunu tells a story with fairy-tale tones: monsters, journeys into the unknown, moments of uncertainty and confrontations with the abyss; thanks to the relationship between Nunu and Willump, brought to life by the developers through effective work inside and (above all) outside the movies, the adventure proceeds finding its own lightness even in the darkest moments.
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Mortal Kombat 1 leans on a robust story (with solid foundations, but with a less than impeccable development) and a couple of other single player modes capable of entertaining for several hours – and even more, if NetherRealm Studios is able to properly exploit the seasonal system. The addition of kameo fighters and the focus on aerial combos leaves more room for the player's creativity compared to the previous chapter, with the assists of the secondary fighters breaking up and altering the rhythm of the matches in a positive way.
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Goodbye Volcano High is a story of growth, friendship and love and how all these things, already great when taken individually, become giants when mixed together. Thanks to intelligent game mechanics, the story progresses forcefully by affirming the identity of its protagonists while allowing the player to make crucial choices, while the soundtrack (which ended up straight among my favorites on loop) is much more of an accompaniment: it's a co-protagonist, who embodies the anxieties, fears and dreams of this ramshackle gang of friends, dealing with nothing less than an apocalypse.
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Capcom once again sets a new standard for 2D fighting games. In addition to the advanced combat system and the excellent package of single-player modes, made up of numerous elements that find their balance in sharing the same resource (the Drive indicator), SF6 counts on more than a vast group of tutorials and alternative control schemes for every need.
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The surreal and decadent world of After Us is impressive: although it is not a large-caliber production, the developers of Piccolo Studio have been masters in using the means at their disposal to create impactful visual compositions. The mechanics aren't innovative per se, but the chain of tools made available to the player, combined with a certain freedom granted during exploration, allows the action to settle on a good pace.
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Minecraft Legends' adventure, in single player, can be completed in a handful of hours, going straight to the goal with the right strategies, but it can also keep you company for much more if you want to explore all of the overworld. The PvP mode, very central on paper, doesn't really shine if you don't use some communication system external to the game – a non-secondary problem, given that strategy is really crucial and good coordination helps not only to keep the games fun, but also to ensure that they do not last longer than necessary.
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When you get into the action and get into the right rhythm, Wild Hearts works. Too bad for some uncertainty too much that delays, or interrupts, this state of grace.
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Season: a Letter to the Future is strange. When everything works perfectly and you find yourself in front of one of the stupendous landscapes that make it up, which tell long stories without the need for many words, it is a work of art that leaves you speechless. The freedom given to the player to define the shape of Estelle's adventure and literally bring the season's sunset diary to life is a breath of fresh air, but not strong enough to take flight and the story ends up stopping after a few bars, interrupting a speech suddenly, giving the impression of having left something unfinished.
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High on Life is a game that keeps its promises. Underneath a skin made up of over the top humor there is a biting irony towards a genre (old school FPS's) which has far too many tropes to make fun of (and here not even one is left behind). The sometimes chaotic level design, combined with not exactly exciting boss fights, risks overshadowing the merits of the Squanch Games game, but a good sum of game mechanics manages to keep everything afloat, waiting for the next joke and the resulting laugh.
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Sable is a difficult game to rate: if you think only of the quality of the work from an aesthetic and narrative point of view, the number at the bottom of the review should skyrocket. Exploration is everything here: the game really comes into its own when you take the liberty of setting your own course. Unfortunately, analyzing the work of Shedworks as a whole, one cannot help but notice how the technical limits weigh on a gameplay that is not particularly inspired, even going so far as to undermine the user's involvement during the game session.
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Moonscars is a video game that knows what kind of atmosphere it wants to create, how to create it and how to dance on those notes from the first to the last minute of play. The combat system is simple but satisfying and, although it needed more attention from a technical point of view and the story does everything to keep the player away (at least in the first hours), the adventure manages to entertain from start to finish.
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