SIGNALIS uses these elements to passively tell a story of an authoritarian regime extending its power beyond the stars. It speaks of exploitation and oppression using Cold War era imagery, and of the arms race that left behind nuclear waste that irreparably changed our own real-world environments by using its own analogies and visuals to create a layered experience that leaves you wanting to know and understand more.
Shadows of Rose isn’t a spectacular DLC, and it doesn’t necessarily do or say anything meaningful. It feels like a B-tier horror film, which isn’t out of place for Resident Evil, though its sometimes self-serious tone can become tiring, especially after two whole games in the decidedly grim saga of the Winters family. Those invested in their narrative will find something to chew on, and the addition of the third-person perspective makes returning to the base game an exciting possibility. But it doesn’t do anything to further the narrative. Much like Rose herself, it feels less like a stepping stone in the franchise — a gentle nudge toward more plot points that will potentially remain unresolved for years to come.
A Plague Tale: Requiem is a prime example of what a AA studio, given enough trust and resources, can accomplish. It’s a concise experience that didn’t waste my time, but it also scratched an itch I didn’t even know I had: a well-crafted stealth title meshed with folk horror elements that I had been craving since Siren: Blood Curse’s release in 2008. With an emotionally resonant script and an expert flow between stealth, horror, and exploration, A Plague Tale: Requiem feels like the sequel Innocence deserves.
The roguelike action-adventure game Cult of the Lamb wraps the grotesque in a charming little package of characters that look like they could be pulled straight from a children’s story.
Monster Hunter Rise: Sunbreak is a monster of an expansion and proves the series will remain a mainstay among international audiences.
On the surface, V Rising appears to be just another survival game, slathered with a different coat of paint. In many ways, it’s hard to argue otherwise. However, it manages to layer complex systems inspired by the popular mythology of the vampire to distinguish it from the sea of survival games. While V Rising hasn't completely satiated my thirst in its current form, I’m hopeful that it will somewhere down the line.
Underneath all of these issues, it is a great game with a lot of heart. But it is unfortunately held back by lackluster presentation of what could be an interesting story and the accumulation of the general lack of quality of life issues.
And I haven't even mentioned naval travel, field bosses, or timed battles. In its sheer breadth of content, Lost Ark is gargantuan, and learning its intricate systems means being rewarded every step of the way, for a very long time. As it stands, after 90 hours, I have roughly 40% of each region completed, and have multiple characters well into the second tier of endgame content.
Elden Ring is a sprawling game, laden with mysteries and extremely challenging boss fights that will test the skill of just about any player. No doubt, it has become one of the most anticipated games of 2022. Potentially for a good reason. However, Elden Ring squanders what promise it holds by performance issues on PCs and a lack of deviation from Dark Souls in almost any regard.
Egglia Rebirth is a surprisingly dense game. The more I played, the more things began to fall into place. What I initially felt was just a mobile title ported to the Nintendo Switch quickly became a more in-depth and interesting turn-based RPG.
Ultimately, Final Fantasy XIV Endwalker marked the end of an era. Plot threads from A Realm Reborn onward come to a close. The story is rife with fanfare, paying homage to past expansions in ways that sometimes feel overmuch or hit in just the right way.
With new visuals, greater accessibility features, and a re-orchestrated original soundtrack, Final Fantasy V Pixel Remaster keeps modern sensibilities in mind while maintaining the feel of the original release.
There is just a lot to do in The Good Life, which means that players can potentially sink upwards of forty-plus hours taking pictures or running mundane, everyday tasks. And while I like life simulators, I don’t like them when they can barely run at over 3 FPS.
There is just so much to do in Lost Judgment, both to its benefit and detriment. The story felt so bloated by the time it hit its climax that I was relieved to see it end. Ultimately, this is another case of one step forward, two steps back for Ryu ga Gotoku Studio, just like Yakuza: Like a Dragon and its presentation of topical issues in Japan. Even though Lost Judgment tries to open a conversation about bullying and sexual harassment, those themes end up taking a back seat in favor of bombastic drama. Lost Judgment succeeds in its emulation of a Japanese legal drama, but it's a mediocre one that would have benefited from a smaller scope, or at least, a better grasp on what it's trying to comment on.
While it was largely considered one of the less popular titles in the franchise, Nintendo rereleased Skyward Sword HD for the Nintendo Switch so a new generation of players that can experience what is considered to be the narrative foundation for the series. The result is an adequate entry, but one where its history and original control scheme’s legacy still can influence people’s enjoyment.
Ender Lilies: Quietus of the Knights begins with the soft pitter-patter of rain and text scrawling itself along the bottom of the screen. A short exposition accompanies a beautiful illustration that showcases the player character: a young girl fast asleep with lilies in her hair and a foreboding, sinister looking brand on her forehead. She awakens alone in an unfamiliar world with the spirit of a deceased knight to guide her. This paints an evocative picture of the world of Ender Lilies and sets the tone going forward.
And as the franchise has continued to endure the test of time, each game builds upon the foundation of the first game in many ways. Disgaea 6: Defiance of Destiny attempts to bring something new to the formula to reinvigorate the series. While there are more than enough quality of life improvements to make this entry arguably the most accessible entry, it greatly suffers in other areas.
In missions, players have two options upon clearing set areas, which are to increase the rarity of loot that will drop, or to rest at camp, which will create a checkpoint for the player and restore any used healing items. On the Legendary and Ascended difficulty - the final two tiers of difficulty the game offers - I would spend most of these instances resting at camp to refill my resources, because enemies at this level, be they goblins or frenzied psionic cultists, would simply evaporate my health with a single strike. That was also a normal occurrence if my character's power level did not meet the suggested requirement of the selected difficulty.
Walking away from Resident Evil Village leaves me with mixed feelings. It wasn’t a game that I immediately disliked, and I can’t say that I didn’t have a lot of fun playing it. But a second playthrough made me more aware of pacing issues, and on harder difficulties the general spike that otherwise feels somewhat artificial.
Monster Hunter Rise is without a doubt one of the best Monster Hunter games I have ever played, if not the best outright. It caters to new and veteran players effortlessly, and while some accessibility issues holding it back from outright being a perfect game, it really offers the best of both worlds.