Adam Ryan
Keeper and its endearing story of friendship and nature hits every artistic mark you would expect out of Double Fine, but its unengaging gameplay and lacking puzzles keep it from joining the studio's top-shelf hits.
Static Dread: The Lighthouse employs a brilliantly unsettling art style and threatens to go to interesting places before disappointingly settling into monotony
Battlefield 6 does more than recapture the feeling, it sets a new benchmark for the series. A return to classes and squad-based gameplay are met by excellent maps, tight controls, and an all-timer of a new mode, making this an unmissable multiplayer experience.
Ghost of Yōtei is an improvement on Tsushima when measured by almost any metric. The beautiful open world is dense and invites exploration, the combat is tighter and more varied, but it's Atsu's personal, honest story of revenge and self-reflection that makes this an unforgettable masterpiece.
Fully invested, second screen, or idle in the background, no matter how you interact with Cast n Chill it calmly meets you on your own terms and provides a serene, relaxing experience.
Immensely self-assured in the quality of its foundation, Death Stranding 2: On the Beach masterfully iterates and refines, while introducing considered additions that complement the experience, not complicate it.
The Precinct's combination of action and simulation is engaging to begin with, but the tedium soon sets in, leaving you feeling like you're processing paperwork more than capturing criminals.
The additions and improvements made in WWE 2K25 more than justify the series' annual cadence, but new mode The Island shows us a potentially grim future of monetisation and pay-to-win practices.
Building off the strong foundation that is It Takes Two, Split Fiction is a consistently charming and entertaining co-op adventure that doesn't take a single second to rest between its frankly insane number of unique and well-designed gameplay mechanics.
Fear the Spotlight masterfully captures the look and feel of a classic PS1 horror title while leveraging modern concepts and gameplay features to produce an atmospheric and nostalgic experience that every lover of horror should enjoy.
Astro Bot is a wonderfully entertaining and diverse platformer that throws new ideas at you at an incredible rate, topped with stunning visuals and an injection of PlayStation nostalgia.
Mechanically speaking, Star Wars Outlaws isn't going to throw you into hyperspace, but, despite its lack of innovation, there is still plenty of fun to be had within its beautifully crafted worlds.
Killing Gods in the magical world of Kian sounds appealing on paper, but the needless Soulslike elements and uninspired gameplay drain the life out of an otherwise promising premise.
Fast, addictive and wildly varied, Anger Foot is an arcade booter shooter that laces up and refuses to stop kicking ass.
A city builder that solely focuses on creativity and relaxation, Dystopika is a no-stakes experience that I didn't know I wanted, but am glad that I've found.
The move to virtual reality strengthens what makes MADiSON an effective scare machine, while shining a light on its poor design choices and slightly wonky VR implementation.
While it's commendable that OTXO attempts to freshen up the top-down shooter genre by mixing in roguelike qualities and a time-bending mechanic, the result, unfortunately, feels at odds with itself.
After two decades of advancements and innovation, Battlefront I and II still offer some of the most enjoyable gameplay in the shooter genre. Rich in content, new and old, the Classic Collection successfully brings two fan-favourite Star Wars games onto today's hardware. The absence of a few modern creature comforts is disappointing, but it does little to weigh down an otherwise brilliant bundle.
Riding the momentum of the past two entries, 2K24 brings with it enough new content and meaningful changes to easily be considered the best wrestling game on the market today.
A repetitive and dull gameplay loop that's thematically allergic to the game's cast of misfits only begins to describe how heartbreakingly disappointing Kill the Justice League truly is. Rocksteady should've died a hero, instead, it's lived long enough to see itself become the villain.