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Under The Island is a fun little jaunt that is brimming with personality. The game's excellent balance makes explorationthe consistently rewarding, while solid puzzling and a bright narrative help to round out experience.
Key Fairy's striking hand-drawn visuals and quirky score are accompanied by tight and satisfying gameplay mechanics to create a truly unique experience.
Resident Evil Requiem is an intoxicating mix of the series' DNA, blending exhilarating action and palpable horror to make not only one of the best Resident Evil games, but one of the best modern survival horror experiences.
Tarsier's new horror platformer takes all of the lessons learned from Little Nightmares and creates a darker, more sinister, and more impactful experience.
Mario Tennis Fever lives up to the series' tradition of fun pick-up-and-play sporting fun, while expanding on it with fun new mechanics and a range of entertaining game modes.
A collection of cool shit laid out on a shaky foundation, Romeo is a Dead Man is as admirable and occasionally brilliant to witness as it is borderline boring to play. It's a punk rock demo tape, an imperfect showcase of violent profundity scattered amongst a bunch of noise.
Yakuza Kiwami 3 is a successful retelling of one of the series' less-understood titles, massaging it into something that's a touch homogenous but ultimately more agreeable. But some off-putting choices and a fumbled focus on Mine in both the main game and Dark Ties stop it from sticking the landing.
Code Vein II picks a little from the best of the Soulslike genre, but doesn't go the distance to innovate or execute on these ideas well enough. The Blood Codes-fuelled action is where the gameplay shines, but the confusing writing and performance issues on PS5 suck the fun out of this anime vampire sequel.
Thanks to a star-studded voice cast, Earth Must Die is a hilarious sci-fi romp that features plenty of laughs and crude jokes. And while its comedy won't land for everyone, its meticulous and clever design, and stunning cartoon visuals make it an early contender for adventure game of the year.
Given a little more time to cook, Pathologic 3 would be an easy recommendation to players looking to see what this cult series is about. For those returning, tragic healers, these wobbles will hardly detract from the allure of another deadly vacation with gaming's most neurotic medicine man.
MIO wears its tough-as-nails metroidvania influences proudly, but spends enough time contorting familiar ideas into punishing gauntlets and rewarding patience with dazzling artistic spectacle that it truly comes into its own.
After giving The Bee Hive a chance, it unfortunately proved to be a dull experience full of bugs and glitches. Despite its potential, there are too many ideas that simply do not stick the landing.
Like its adorable amphibian hero, Big Hops is charming and scrappy in equal measure. For all of the issues I faced during my playthrough – some squashed by patch work and others more fundamental – it's ultimately one of the most charming, playful, exhilarating and deeply funny adventures I've embarked on in some time.
Ambitiously creative, Skate Story delivers an offbeat and artistically memorable narrative adventure with some excellent technical skating sequences. It's not without some issues, but its strengths and individuality make it well worth a look.
With a truly spectacular retrofuturistic aesthetic, Routine delivers an immersive sci-fi horror that is incredibly tactile to play, impressively creating tension amongst the silence, but a disappointing ending, frustrating design choices and gameplay repetition stops it from reaching the stars.
Morsels is an ambitious indie roguelite that just doesn't deliver. The game shines with a distinctive aesthetic identity, but between shockingly unclear mechanics, poor game balance, and unsatisfying moment-by-moment gameplay, it otherwise has little to offer.
Ubisoft have built upon the foundations of its immensely satisfying city-building blueprint with a winning retheme, but a few too many technical and interface issues mean Anno 117: Pax Romana falls just shy of a recommendation.
Metroid Prime 4: Beyond risks missteps in its attempt to modernise a cherished formula, but for the most part it all coalesces into an entry more than worthy of the series. Even the most vocal diehard fans should be pleased by the fundamentals, and for those willing to accept them, the new wrinkles iron out nicely.
Beautiful yet flawed, Possessor(s) misses the mark with its blend of Metroidvania exploration and brawler combat, resulting in an unfortunately frustrating fusion.
Hymer 2000 eschews traditional storytelling, instead offering players the opportunity to piece together a fragmented narrative using the very computer terminal that you have been sent to decommission. A starkly haunting exploration of what it means to be human, the experience will stay with you long after its end.