It’s almost hard to believe that Housemarque have created their first third-person shooter with Returnal. Yet in doing so, they've instantly catapulted themselves to the top of the heap of action shooter developers.
It Takes Two’s blistering pace, tight controls, and addictive platforming blend together into one of the most delightful co-op games in years.
While “Ghosts ‘n Goblins Resurrection” doesn’t quite live up to the series’ peaks, it offers enough of a brutal, satisfying challenge to honor the “Ghosts ‘n Goblins” name.
“Miles Morales” is one of the year’s best escapist entertainments, replete with stand-out combat, an engaging story and a well-designed open world.
Watch Dogs: Legion's carefully crafted simulation of London, along with the creative set of tools it provides the player to navigate that world, make this gloomy future worth visiting.
For such a young studio, still finding its way in 2020’s complex gaming landscape, “Raji” is a strong foundation to build on.
Ghost of Tsushima is an enjoyable but muddled experience: its strong gameplay fundamentals are hampered by a lack of originality and weak storytelling.
Sprawling, unrelenting, but always fascinating, The Last of Us Part II is a disturbingly effective fable.
Final Fantasy VII Remake is a powerful experience, and signals the first chapter in what is beginning to reveal itself as a considerable epic.
In those halcyon days for Valve, there was no way of knowing that Half-Life fans would have to wait more than a decade for a new entry in the hallowed franchise. But twelve years, five months, and thirteen days later, a strange thing happened: a new Half-Life game released. It’s called Half-Life: Alyx, and it’s brilliant.
Kentucky Route Zero feels breathtakingly original. For something this powerful to exist in any medium would be a triumph. But for it to exist now, as an interactive narrative drawn with striking visuals, meaningful choices, and moving music, feels more like a miracle.
For all of the delightful combat, fun puzzles, and great narrative moments, Fallen Order is still marred by derivative action, frustrating navigation, and technical issues that prevent it from taking its place alongside Jedi Outcast and Knights of the Old Republic as one of the all-time great Star Wars games.
Death Stranding is a distorted vision of the open-world genre, pulled apart by its individual threads, deconstructed, and sewn back together in the image of its director, Hideo Kojima. It’s an astonishing, compelling and provocative experience, even if it isn’t always as exciting to play as it is to think about.
All of that has been done away with, replaced by a nauseating terrine of pointless progression mechanics, baffling interface decisions, and clunky controls, fermented in a formaldehyde cocktail of technical issues. This game is agonizingly bad.
If players give it time, and accept it on its own terms, they’ll find a masterpiece of third person action, physics-based chaos, and bravura visual design lurking under this thick slab of untreated concrete. This isn’t just Remedy’s best game since Max Payne 2. It’s the best game the studio has ever made.
Nothing else quite captures the experience of being hunted by a mammoth horde or finally taking them down with equal parts brain and brawn. Yes, it has its issues, there are some annoyances and oversights, but they aren’t enough to keep me from recommending Days Gone to just about everyone with a PS4.
Sekiro: Shadows Die Twice is as brutal, punishing, and satisfying as any game FromSoftware has ever made.
The Division 2 is a breath of fresh air in a crowded genre. It’s not trying to reinvent the loot shooter, and it doesn’t need to. Instead, Ubisoft has focused on carefully refining and polishing the base elements of gameplay.
The core of the game certainly does have that classic feeling: uncompromised, ambitious, unique, and bursting at the seams with creativity.
Devotion is at its worst in the moments when it relies on cheap jump-scares and horror tropes, and at its best when it prods the depths of protagonist Feng Yu’s psyche, as it does to devastating effect in its grisly climax and conclusion.