Lee Mehr's Reviews
Lake's placid design philosophy cuts both ways: no flaw too egregious and no positive too remarkable.
Although buoyed by pleasant presentation and a warm atmosphere, I Am Dead's lackluster main puzzles make this a more reserved recommendation.
Beethoven & Dinosaur's musical odyssey across the universe isn't as adventurous with its gameplay as its venues, but that doesn't stop The Artful Escape from being a fun ride.
Some reservations about The Forgotten City's game design keep it from attaining Legion-dary status among the new wave of time loop games, but its exceptional narrative ensures I won't forget it either.
The accumulation of so many elements to crow about – characters, polish, creativity, art design, combative pacing, and so on – made it an experience I couldn't put down.
Paper Cult threw Samurai Jack's aesthetic, Tarantino's offbeat writing, and Hotline Miami's lurid violence into a vat; to its credit, that confection is still a mixture I admire at a distance. It’s the closer inspection that reveals several bad roots.
Ironically, Night Book makes a better argument for replaying than ever starting it.
Despite some technical issues, Sea of Thieves: A Pirate's Life may have been one of the best crossovers I've ever seen.
The guided tour quickly becomes overbearing and the initial drive to document any magical wildlife never recovers.
Variable State's sophomore effort reaches a boring destination due to uneven writing and game design austerity.