Honestly, it's tempting to give Powerslave a 10 just for being available again, but no. That would, of course, be naughty. Here it is, though, in even more than all its glory - a brilliant, beautiful reworking that captures the very essence of what made it so awesome back in the day while giving the best of both the Saturn and PlayStation's distinct versions. For such a prototypical take on Metroid Prime, it's alarming and impressive just how much confidence Powerslave Exhumed shows in its design, making it the best kind of retro game - one that's even better today with full knowledge of how ahead of its time it really was. An easy recommendation to FPS fans of any vintage, Powerslave Exhumed will keep you playing and playing, searching for those last niggling secrets.
While Infernax is tough, it's resolutely fair - you can't really make the game 'easy', but you can absolutely mitigate the difficulty or take a break doing something else when you get stuck. Don't expect a simple ride, though, and don't expect to take the right decisions on a first playthrough - not that anything seems particularly 'right' in this beautifully bloody little world. It's only familiarity that lets Infernax down - there's nothing really new here, but it's all done and delivered so well that you won't really care unless you're desperate for a completely fresh experience. In which case why play a faux-retro NES throwback to begin with? A cut above most efforts in the subgenre, Infernax both demands and requires attention.
A brilliant first effort from Original Fire Games, then, and a racing game rather unlike anything else out there on the virtual shelves. This intoxicating, content-rich, and yet fascinatingly accessible racer is liable to get its hooks into gamers looking for something a little less knockabout. You may struggle to get the hang of things at first but we promise this little journey through racing history gives as good as it gets.
Overall, this is the best Sherlock Holmes game we've encountered and a very auspicious debut for the consulting detective on Switch. This is far from a lazy downgrade, with developer Frogwares presenting a full-featured and compelling experience from start to perhaps-too-soon finish. It looks great and plays brilliantly, with only occasional annoyances and some weak (though thankfully skippable) puzzles to knock it down a peg. The fact that the game is willing to allow you to get it wrong means it feels less prescribed and inevitable as other titles in the detective genre, and that's quite refreshing. A little ironic that it took one of the form's oldest characters to finally land such a novel approach.
Shadow Man has never been a masterpiece, but it is a clear labour of love with plenty to offer those willing to endure its more aged mechanics and structural curiosities. We can only hope that plenty will have the patience to do so.
As good as it ever was and now incredible value, SNK Vs. Capcom: Card Fighters' Clash is still essential. Obviously the card-based gameplay isn't going to appeal to everyone, but at this asking price we'd say it's worth a go even if card games usually turn you off, especially if you dig SNK/Capcom's extensive character rosters. Many, many series are represented here and everything you need to learn to play is available in the scanned manual as well in-game via tutorials. Let it get its hooks into you and you've got a bit of a masterpiece here, and we're absolutely delighted that it's graced the Nintendo Switch with its excellence.
Ultimately, we found 12 Minutes to be a trite adventure that squanders its initial intrigue almost instantly. We can see how someone else might get a kick out of its star-studded silliness, but in a gaming landscape littered with time loop games, we found this one extremely tedious at best.
It's tricky to review games like this, especially re-releases where many will already know if they want it. The Telltale formula hadn't been scaled back to "interactive cinema" yet, so you're dealing with clunky puzzles and somewhat clunky delivery of clunky comedy, but you might love it. In a sense, each to their own. As a port it's difficult to fault, but as a game it's really no great shakes. But then again, if you dig that lagomorph, it doesn't need to be.
As an adventure game, Chicory is quite sincerely up there with the very best of the genre. There's plenty to see and do and a full completion run will probably take you 25-30 hours. The characters and their travails are rich and likeable, the game's sense of humour is generally inspired, and it's all very sweet without being sugary-twee and talking down to the player. It's also an affecting little tearjerker that will definitely strike a chord if you make art, and almost certainly will even if you don't – so long as you're capable of pretty basic empathy. Chicory is simple to play but impressively long and complex, with perfect controls, performance and visuals. Throw yourself into painting the world and you'll be left with a game that's very much your own and speaks to you directly – a beautiful marriage of mechanics, themes and visuals.
Super Impossible Road is a strong effort and a pleasant surprise.
A bijou Doctor Who experience, Edge of Reality is impressively dedicated to the beloved TV show but unfortunately suffers in its transition from VR exclusive to traditional console game. Limited inputs and fetch-questy scenarios hardly inflame the imagination and it's not until the game's last quarter that things start to feel more tailored for the Switch - because they are. It's too short and there aren't enough clear save points (we lost a fair amount of progress when we quit during the first area to play something else and it simply hadn't saved the game yet) but the fact that performance is so all over the place is Edge of Reality's main issue, and one that will absolutely affect your enjoyment of an otherwise serviceable adventure. Overall, it's the most cautious of recommendations to Doctor Who fans, then. Everyone else almost certainly need not apply.
While fitfully fun and well designed, Sam 4 disappoints as both a sequel and a next-gen product. While it wasn’t particularly optimised on PC it still represents a low for PS5 performance. A compromised port of a game that’s only slightly above average in the first place. A serious shame.
Repentance by name, and wonderful, welcome repentance by nature, this expansion is an apology for what became of Isaac and a promise to do better — a promise that it very much delivers on.
Danganronpa Decadence is a very fine package that delivers a trio of deliciously devious and salacious murder mysteries, plus a grindy side-game we can live without. The main games here are funny, dramatic and pretty problematic, so exercise some caution - this is resolutely not a game for kids, but even adults will struggle with some of its less savoury or more overtly brash, thoughtless content. If they sound at all appealing, though, we urge you to check the games out for yourself, as they're classics in the visual novel genre. Trigger Happy Havoc offers a memorable Killing Game with fantastic characters and a genuinely funny and smart script. Danganronpa 2: Goodbye Despair is even sicker and more delightfully disturbing than the marvellous original; it doesn't match its predecessor in some ways but makes up for its shortcomings in others. Our favourite is definitely the epic third game, though - go in blind and we promise you'll be in for the ride of your life.
Danganronpa: Trigger Happy Havoc offers a memorable Killing Game with fantastic, iconic characters, a genuinely funny and smart script, and some superior twists and turns along the way with well-earned emotional hooks and at times shocking violence. It's funny, it's dramatic and it's very problematic, so exercise some caution - this is resolutely not a game for kids, but even adults will struggle with some of its less savoury or more overtly brash, thoughtless content. It's not enough to mark the game down in any way, but readers should be aware that this is not a tactful piece of software, which for some will ward them away but we suspect for others is a major selling point. We urge you to check the game out for yourself, as it is, quite frankly, a classic in the visual novel genre.
Even sicker and more delightfully disturbing than the marvellous original, Danganronpa 2: Goodbye Despair doesn't match its predecessor in some ways but makes up for its shortcomings in others. Once again we'd argue that the journey is better than the destination - we thought the first game's ending was nearly incomprehensible rubbish and this one is even worse. But it's absolutely a journey well worth taking, as the brilliant cast and smart murder mystery gameplay once again sucked us in and didn't let go. An aesthetic and narrative treat, Danganronpa 2 is an easy recommendation and we're delighted it's finally made the leap to Switch.
While it's a fun time for fans, Danganronpa S: Ultimate Summer Camp is a total grindfest and plays almost the exact same way every time. With gameplay that's both luck-based and uninspiring, it's an incredibly tough recommendation to anyone but devoted series obsessives. This writer found it compelling - games don't take that long - but it is repetitive to a fault, and by design. Bizarrely, there are some ways in which it's less interesting and compelling than the equivalent unlockable feature in V3 and that was a free post-game bonus. Ask yourself if you really need to spend money to see the characters in swimsuits and make your decision from there.
It's difficult to get across exactly why Danganronpa V3 is so good without spoiling vast swathes of it, so we'll keep it simple. You'll come into the game baffled as to what the writers were thinking with some of these characters, and walk away loving each and every one of them. There isn't a single moment of slack throughout the whole 40-hour playtime, it has the most extensive post-game of any title in the series, and one of the best endings to any game ever made. Go in blind and we promise you'll be in for the ride of your life.
Dusk is one hell of an impressive piece of software and possibly the single best Unity port to Switch we've ever seen, sidestepping all the usual performance problems and delivering a brilliant experience of a brilliant game. We've tried to think of meaningful criticisms or negatives. Of course pad controls are never going to be as precise as mouse aim, but when the developers have tailored the analogue sticks to such a degree of precision, that would be churlish to ding them for. It's not as good a game as Quake, but almost nothing is. It's arguably a better port than Quake got, and that was itself excellent. There's a relatively limited arsenal of weapons - they're all great, but there's no iconic gun here, just your usual pistol, shotty, assault rifle, explosives, et al. Ultimately, Dusk is another absolute cracker in what's turned out to be a phenomenal month for Switch; a real horror show, and the highest of 9s.
There's a lot to like about Maiden of Black Water; while we didn't find it overly scary, it is very good indeed at being eerie. You'll see ghosts out of the corner of your eye and when you check, they'll be gone. It's oddly cosy and non-stressful for a horror game, because your camera is such an efficient weapon and the combat it propogates is too action-packed to really let any dread sink in. That's not necessarily a bad thing, though we found the earlier PlayStation 2 instalments of the series were more interested in actively frightening the player. If you get absorbed in the storyline - which is easy to do as the episodic structure makes "just one more area" a compelling prospect - you'll find a good 15 or so hours of game here, and much more if you decide you need to get higher ranks as you improve your Camera Obscura with upgrades and other boons. Performance problems aside, this game's a real winner and worth snapping up if you're a horror fan who missed it on Wii U.