Taking a balanced look at Aeon Must Die!, we really struggle to see exactly what anyone could get out of it. It's repetitive, ceaselessly uninteresting and frustrates on a fundamental level. We've certainly played worse games and it deserves credit on some level simply for having so many ideas, but none of them are good - or, at least, none of them are executed with the requisite level of skill that would make them work. It's a shame, because with more refinement, more of a tight clutch and a willingness to throw out what doesn't work, we feel like Aeon Must Die! could be pretty special. As it stands, there's no level on which we can enthusiastically recommend it.
Unfortunately, these issues make the product feel cheap, which does the quality of the actual fighting a tremendous disservice. Again, it’s the best Smash clone we’ve ever played – we just wish Nickelodeon had shown some confidence in it.
Still, it all looks gorgeous, moves smoothly, and sounds exuberant as ever. We'd say that for Monkey Ball fanatics this is a bit of a must, but then said fanatics are the ones who will notice the cracks more than anyone else. So we're not sure, ultimately, who this is for. Newcomers may find themselves wondering what all the fuss is about.
Antonball Deluxe is, overall, a tricky game to review. As a solo game it's an easy pass, but on multiplayer we can see it clicking with the right group. It didn't set our world alight, but its simple charms may just work for you and your mates.
UnMetal is a tricky one, really. It doesn't play brilliantly and we didn't really find it funny at all, but it is consistently presenting new and entertaining ideas to complement the core simplistic stealth gameplay, with plentiful genre changes and a metric ton of references, callbacks and metahumour that will definitely appeal to plenty of people. We're old and jaded, though, and we've seen a lot of self-deprecating humour in video games - this stuff goes right back to the likes of the ZX Spectrum, for goodness' sake. Still, we recognise the very clear surplus of enjoyable content that's been crammed into UnMetal and its appeal should not be disregarded simply because we found it a little familiar. It never lets up with the gags, subversions and new sights to see all the way through its surprisingly robust length, and it doesn't forget to make the actual stealth enjoyable to boot. Definitely an impressive effort that assuredly deserves to find an audience.
Metallic Child delivers a compelling, dialogue-packed and seemingly fully-voiced quasi-roguelite anime adventure with quite some aplomb, and is certainly an impressive achievement from apparent solo dev Studio HG. The price is right and it's only some issues with repetitive gameplay that bring the title down a little. There's plenty to see and do and a meaty adventure to get stuck into, with "achievements" to unlock and permanent incremental upgrades to purchase with dropped currency as you smash your enemies to pieces. An impressive debut that's very clearly made by someone who understands how important feedback is to a game like this; it's a slick, exciting robot-smashing fest for your Switch.
Dodgeball Academia does admittedly come together in a rather compelling way, but we're critical of the independent elements that make up this package. You might find yourself caught up in the storyline, which could potentially make up for its other shortcomings, but we found it a little disposable. It's clear that love has been poured into this adventure and it's absolutely superb to look at and listen to - we just wish the central sport was a more enjoyable to play and the dialogue wasn't so interminable. You might dig this game more if you get hooked into the grind, so to speak - battles are over quickly and levelling up is always fun - but overall, if you're not willing to get by on sheer aesthetics, you might want to dodge this one.
Making The Doctor a background character was a stroke of genius in making the cast (and you, the player) seem vulnerable – much like “Blink”, there’s a real sense of atmosphere to this game. It’s so well done that it almost seems effortless, with only its short length and a few less organic moments of the introductions to new mechanics clashing with the necessity for the narrative to move forward. Overall, though, it’s easily, comfortably the best Doctor Who game we’ve ever played – yes, even better than Dalek Attack on the Amiga. So good, you won’t want to blink. But you should, or your eyes will crust over.
The 20 or so hours we spent completing Psychonauts 2 saw us indulging in plentiful side quests and content, simply to spend more and more time in a world we still don't feel entirely done with. There are very few games that offer an experience as good as this, with ingenious level design and heavier themes that never feel sludgy or, more importantly, preachy. Brilliant aesthetics go hand in hand with tremendous gameplay here and it's a genuine delight to say that it's all been worth the wait. It's so good, in fact, that we now want the original Psychonauts to be remade in this engine, with this fidelity, in order to finally do it justice. Psychonauts 2 is consistently creative, enormously fun to play, visually inventive and spectacular and spins a cracking yarn to boot.
Mayhem Brawler is way, way better than it has any right to be. It looks good, plays nicely and only really suffers by comparison to its bigger brothers such as Fight'N Rage and Double Dragon Neon. The animation is lacking compared to these titles, but it's still perfectly acceptable, and the slightly generic environments are too busy to really pay much attention to. With a world this interesting, we'd love to see another game take place in Mayhem Brawler's universe.
No More Heroes III has the faults of both its mainline predecessors – it's a little more tedious than No More Heroes 2, and a little less meaningful than No More Heroes. It makes up for this, however, by being another inarguably impressive, balls-to-the-wall carnage-fest, a blood-spattered love letter to excess, and a Suda51 fan's wet dream splashed across the Switch. The story it tells is cool. The game it plays is cool. Neither of these crucial aspects reach the heights of the series' Nintendo Wii origins, but nobody who truly gets No More Heroes could reasonably be disappointed with this third incarnation. The joke's beginning to wear thin, but it's all in the telling. And Suda51 can still spin a very fine yarn.
What The Falconeer offers is a remarkable open-world-ish experience, one that's all the more impressive given that it's (almost) entirely the work of one person. It's gorgeous to look at and polished as all-get-out, with a warmth and sense of familiarity to the proceedings that reminded us of the Bullfrog classic, Magic Carpet. It's a game that's very clearly cared about, a game whose systems intermingle cleverly, and one that doesn't give up its secrets easily in the slightest.
Risk System is an impressive game where it counts, and that's in its taut, thoughtful and challenging gameplay. The polish of the design reminded us of the excellent run n'gun Bleed, with its focus on dodging and retaliating in linear stages, but of course here applied to the shmup genre. Other than higher ranks, there's not much to rush back to in Risk System's six short stages, but they're sufficiently difficult enough to last genre non-veterans a good while. Absolute pro shmuppers may find it a little too breezy, but players of any skill level will be able to appreciate the exceptionally solid game on offer here. We say that there's no risk of buyer's remorse with this one.
A game as good as Zombies Ate My Neighbors deserves a stronger package than this one, which feels in parts like a bit of a hack job. We're sure it isn't, but the lack of extras or even meaningful settings to change (again, you can't remap the controls) are a huge bummer. We could complain about the lack of the Mega Drive version, as while most favour the SNES game there is something to be said for the Sega port's always-visible status screen, but overall we still recommend this package to anyone who simply wants a slightly inferior version of a bloomin' brilliant game on their Switch, plus its much worse, but kind of okay sequel. This is - shockingly - probably the worst way to play Zombies Ate My Neighbors ever, but it's still a way to play Zombies Ate My Neighbors. So it gets the slightest of thumbs-ups.
We were, as you can tell from the body of this review, consistently frustrated with Beautiful Desolation, another ambitious and lovely-looking game whose Switch incarnation just wasn't an acceptable way to experience it - shades of Genesis Noir's port (though that was better). It's especially unfortunate because this is exactly the sort of different that the Switch needs, but it needs to run better than what's on offer here. If you can muscle past the problematic controls, excessive loading and weak performance, you may be able to get into Beautiful Desolation. There is a lot to like in its worldbuilding, gorgeous backgrounds and interesting premise. But we felt like it just asked us to overlook way, way too many problems for the privilege.
An indie adventure with the confidence of heavy hitters like Undertale, Chicory: A Colorful Tale is one hell of a pleasant surprise that excels on every level it is possible to do so. Would it be too hackneyed to say it belongs in an art gallery?
Baldur's Gate: Dark Alliance is a formidable challenge, particularly by modern games' standards, but one that's been ported rather brilliantly and is certainly a lot of fun to play. It may outstay its welcome to some extent with gameplay that's not quite complex enough to warrant its lengthy campaign, but the port is one of the very best we've seen, improving the visuals of the original and maintaining a flawless framerate along with a UI perfectly suited to handheld play. However, this is the game exactly as you remember it from 2001. If that's enough for you, you'll have fun with this version. If you're on the fence - or if you're not ready to get kicked on your ass a lot - we'd recommend waiting for a sale.
Despite this change in focus it's still good fun to blast through, but in going for the modern “war of attrition” style of difficulty, Resurrection removes itself from its roots and therefore its identity. The punishing platforming is still enjoyable, but rather than cursing your own lapse of skill or concentration, you'll be asking how you could possibly be expected to have avoided the latest absurd, screen-filling obstacle.
Just Die Already is an enjoyably mean-spirited game that would cross the line into hateful if it wasn’t so gleeful in its disrespect for elders. Less Octodad, more octogenarian, a surplus of the usual physics sandbox glitches don’t detract from fun that's as densely packed as the very coffins you're dodging.
We can't lie - we hated The Longing. We hated every second of playing it for review. Is it a resounding success at presenting all of its themes? Is it thought-provoking in a way that few games manage? Is it an exhausting slog we wouldn't wish on our worst enemies? The answer to all these questions is yes. But, with all that said, you cannot help but respect the developer's audacity and unwavering commitment to their principles. What the game sets out to do it accomplishes with flying colours, and it's filled with clever ideas and meditations.Ultimately, The Longing is one of those video games that defies traditional scoring metrics. What kind of score would you give a game that succeeds so triumphantly at being utterly, utterly tedious? A one? A ten? It feels inadequate and somewhat trite to split the difference, but here we are.