There's something just a tiny bit cynical about the "please like me!!" cutesiness of Rain On Your Parade, but despite our best efforts we ended up doing so. Just. It coasts on "what will they do next?" novelty rather than any kind of meaty, significant gameplay, but sometimes that's okay. It's something new, which is appealing, and the toybox feel of the proceedings lends itself to a broad appeal – we can see young kids and people who vibe with its twee presentation getting a kick out of it. If you've had your fill of 'cutesy', though, you might find yourself hoping for a break in the clouds.
One of those rare titles that takes inspiration from the classics but manages to forge its own identity, Smelter is a breath of fresh air that uses its influences very wisely, assisted to excellence by generally pretty terrific level design with only a handful of lesser segments bringing things down just a tad. The proceedings feel confident, original and polished, with gorgeous graphics and an outstanding soundtrack that calls to mind the likes of Mega Man X4 for its action stages and evokes Yuzo Koshiro's majestic ActRaiser score for its side-scrolling levels.
What seemed unimpressive in 2004 now feels enjoyable and imaginative, and we're not sure what that means, exactly. It's simultaneously cheerful and challenging, and there's a lot of joy in the journey as well as the destinations. The cursed spectre of 'gameplay variety' (read: jack of all trades, master of none) looms over the material, but by making the diversions brief and ultimately simple it manages to keep the player guessing to an extent throughout its languid twelve or so hour runtime. Some backtracking and minor camera issues bring things down a touch, but overall Ty the Tasmanian Tiger 2: Bush Rescue is a surprisingly solid slice of character action, and one we fear may have been underserved at the time of its original release. This is not just a sequel that's content to rest on its laurels, and that's worthy of respect. Hooray! We made it through the whole review without any silly, lazy Aussie clichés. That's bonzer, mate!
Here's the thing, and it's a bit of a kick in the pants. Genesis Noir is a very cool, very interesting and exceptionally well-presented game. It tells its esoteric story in an effective, exciting way with a litany of memorable visuals, fantastic artwork and a genuinely brilliant soundtrack. And, unfortunately, we simply can't recommend playing this compromised, ill-fitting, arduous and glitchy Switch port in the slightest. Maybe it's just us, but knowing we could be experiencing the spectacle of this clearly brilliant piece of art in a much higher resolution, at much greater fidelity, and with an order of magnitude less frantically wriggling the left analogue stick because we're convinced the game has broken is just a sobering reason to ask why we would even bother if this version isn't your only option. Even if you do only have a Switch, we'd recommend waiting until you have something else. This is a game that deserves better.
If you already have a soft spot for Stubbs the Zombie, you're going to have a perfectly fine experience here. But we wonder why on earth anyone would hold a candle for a game this obviously flawed. There's some ambition here for sure, but something is always working against it. You can't lose yourself in its mindlessness because your character is too weak. You can't really formulate a decent strategy using your powers because you can only gain access to them through the rote melee combat. The jokes didn't make us laugh. The premise is fun but the gameplay simply doesn't do it justice. We'll say it again – in order to make Stubbs the Zombie fun at all, you have to possess one of the firearm-wielding humans, thus transforming it from a load of baffling nothing to a pretty dull shooter. Please, no more resurrections for Stubbs. Let the man rest.
Despite a somewhat lacking narrative and a fairly short length – we saw the (beautiful) credits in less than four hours – Sea of Solitude is fun to play while it lasts. It looks superb and there's plenty of variety in the locales even in its brief running time. Sadly, though, it's not a standout – it wasn't on its original release and it still isn't here on the Switch. It's no walking simulator, but in trying to marry its story with somewhat rudimentary platforming gameplay, neither are entirely satisfactory. Of course, your mileage may vary in what the various heavier themes mean to you, but we found them pretty leaden and uninteresting takes on what are admittedly quite universal issues.
An absolute pleasure from start to finish, what Kaze and the Wild Masks lacks in originality it makes up for in the strength of its level design, responsive controls, kinetic move set and attractive visuals. Excellent, action-packed platforming through and through, with great gameplay variety and gimmicks that don't compromise on what the game is best at – challenging, fast-paced obstacle courses and deviously-hidden secret areas. Easiest sell? Kaze and the Wild Masks is to Donkey Kong Country what Freedom Planet was to Sonic the Hedgehog. Don't miss this one.
While it's a compelling package, Citizens Unite!: Earth x Space doesn't excel as an RPG in either of its halves. There's fun to be had, but it's obfuscated to some extent by technical issues and a lack of balance to its gameplay. That said, a lot of love has obviously been poured into this title and if you like your games with a bit of a unique personality, that's very much in evidence here. If you've already played these RPGs before, there's not enough here to draw you back for a repeat play, but new players might find this worthy of their hard-earned cash – if they're willing to put up with some rough edges.
A breezier, simpler game than its clear inspirations, what Curse of the Dead Gods lacks in narrative it makes up for in focused, crunchy gameplay. Combat is interesting, exploration is rewarding and the systems in play are sufficiently diverse to make this a winner. It won't consume you forever, but you'll feel far from short-changed by this game of meaningful, divergent dungeons.
A very pleasant and enjoyable surprise, Blue Fire is an auspicious debut from ROBI Studios. Only the performance issues, mildly sloppy combat and high difficulty are points of contention, and the latter will certainly depend on your point of view. Developed with passion and skill, this is a world you can lose yourself in that'll reward you the more you play and the better you get. It's uncompromising in its difficulty but doesn't resort to cheap tricks and "gotchas". The graphics are appealing and, crucially, clear as day. This is a fantastic experience overall, even if it isn't made up of the most original pieces. It's gameplay first and once you're traversing the infinite space of the Void stages, everything else basically just falls away.
Neoverse Trinity Edition succeeds at being an enjoyable deck builder, but it does so in a way that's seemingly desperate to highlight its limitations. It runs embarrassingly poorly at times, and does almost nothing to ingratiate the player to its many systems, all of which must be puzzled out more or less from scratch. While this is far from ideal, it's not enough to totally kill the game's appeal. Robust strategy is both possible and necessary in order to progress much beyond even the second boss. If you vibe with Neoverse Trinity Edition, it'll last you a while. It's just very, very difficult to get to grips with this bizarre, confusing game.
With nothing to offer besides some pleasant storytelling, we cannot recommend Sword of the Necromancer on any meaningful level. It's not horrible, but it's bereft of both meaningful content and any manner of unique execution. A sequel or heavily-modified relaunch could salvage the game into something much stronger, as the core idea of resurrecting fallen monsters is a decent one, but its treatment here renders it irrelevant. What a shame. This could have been something special. It's not a complete and total disaster – occasionally, when the screen is a little busier, you might feel a flicker of engagement as you dash between combatants – but overall, we'll be leaving this one for dead.
An odd duck and no mistake, Shadow Gangs is nonetheless an enjoyable Shinobi clone with plenty of level design polish. It's let down by an obnoxiously high difficulty level and some fairly stingy game-saves, but overall has a good amount to recommend it if you're done with the Sega Mega Drive Classics and Sega Ages Shinobi. It's an extremely valiant effort at a truly old-school feel and retro gamers definitely won't regret checking it out – just be prepared to swallow your pride and head for the options menu.
It's disappointing that Golden Force falls down in the areas that it does, because without these fixable issues it would be an easy recommendation – level design is mostly strong, the boss battles marry spectacle with varied and fun-to-learn attack strings nicely, and it feels good to get stronger and play better. Unfortunately, some rookie errors come close to spoiling the fun altogether, but if you're bloody-minded enough to muscle through these frustrations there is undoubtedly a lot to appreciate about Golden Force. Which is a shame, in a sense, because "Golden Farce" would have been a perfect tagline for this review. The one we've had to opt for is rubbish, by comparison. (It's not as easy as you might think, this game-reviewing lark.)
Wingspan is a strong card game for those with the patience to learn how it works. It's fun, compulsive and can sometimes truly surprise you with stacked effects and their outcomes. Its translation to the Switch is a little... difficult, but certainly not for want of trying. In handheld it's far from ideal, but on the dock, as a couch multiplayer experience, there's plenty of fun to be had. It's also enjoyable alone as you'll seek out ways to create the highest-scoring possible deck. Despite a few porting issues, Wingspan is definitely a good time, and it'll be difficult to stop after just one game. It's a lot cheaper than the physical game, too, making it a thoroughly viable alternative.
Taken at its intended pace, Wildfire is a thoroughly enjoyable and interesting game with a multitude of interlocking systems that caters to players who don't mind thinking on their feet if their best-laid plans go scorchingly awry. The slow pace and frustration of failure won't appeal to all (though checkpoints are generously placed) but for gamers who don't mind a bit of a slow burn (tee hee), Wildfire is an expansive and inexpensive title that's a healthy mix of tropes and ideas familiar enough to feel cosy, and unpredictable elemental action that rewards creative thinking. And the further through the game you play, the more interesting it becomes. An impressive debut.
Serious Sam Collection is two-thirds amazing, but the final third is a real technical mess; Serious Sam 3: BFE is one of the least impressive Switch ports we've ever seen. It's playable, but surely the machine that can push out an acceptable version of Doom can manage this? There's the potential for early patches to improve matters, but the way it is now, we can only recommend The Serious Sam Collection as a great way to play the First and Second Encounters. That's not what's advertised, though, and as a result, we can only give this package a cautious recommendation. A three-game collection should be a three-game collection; not two games and the faintest suggestion of one.
A stand-out party game, Cake Bash deserves a place on your Switch menu. As with all games of its type, it benefits from having your friends alongside you, but online play with matchmaking (here called "matchbaking") works well, and you can play with bots if you really feel like you need to. It's only the eventual repetition that brings down Cake Bash, and that's really in the pie of the beholder. Far more than a mere trifle, Cake Bash belongs in the upper crust. We suspect the publisher's profit(erole) turnover to rake in the bread. Donut miss this one! (Reviewer is roughly bundled into an unmarked van and shot.)
An extremely impressive first game from The Wild Gentlemen, Chicken Police - Paint it RED! is one of the best adventure games we've played in a long, long time and one hell of an absorbing tale. It looks and runs great on the Switch, with only a couple of really minuscule interface issues which are easily ignored. At roughly eight or nine hours, the story is surprisingly lengthy for its genre, but we were never bored and wanted to investigate every little thing just to wring out more precious droplets of banter and fascination. Chicken Police is a polished, captivating experience and we're very excited for whatever's coming next from this team. It's just a shame it's so good, or we could have said it "laid an egg", and that would have tied in nicely with the whole chicken thing. Instead, this review is just going to, well, end. Now. That's it. It's finished. No closing chicken joke.
Cobra Kai: The Karate Kid Saga Continues might look like a lazy cash-in, but in reality, it's a strong effort that breezes through the cheesiness of its license by making said honking gorgonzola work for it with its brilliantly evocative '80s soundtrack paired with a cheeky, silly style to match its cheeky, silly gameplay. With no shortage of levels, plenty of playable characters and respective upgrades, Cobra Kai: The Karate Kid Saga Continues goes above and beyond the standards set by licensed games. Grab a friend and wax on, wax off. (Actually, that sounds a bit rude.)