It's the game's commitment to accessibility that makes Tropico 6 a refreshing example of an under-served genre on the Switch. Despite some irksome performance problems, occasionally inconsistent pacing and some rather rough visuals, the game is a lot of addictive fun to play and its cheerful ambience and compelling systems will keep you glued to your handheld. Paid DLC adds even more systems to the game, but there's plenty here to keep you occupied for hours and hours. We'd recommend this to genre newbies as well as veterans; a very impressive port with strong controls and a UI tailored brilliantly for handheld mode. It's a busy, demanding game but never feels stressful, and juggling your industry, faction relationships and the mood of your citizens can be thoroughly absorbing. If you can forgive the technical issues and an occasionally slack pace, Tropico 6 is an easy recommendation.
No More Heroes is something very rare – a game that's actually better now than it was on its original bow, showing us just how little the gaming landscape has actually moved forward. It is certainly, avowedly not for everyone – and you get the impression that's just how director Suda51 likes it. Artier than most art games, more thoughtful than most think pieces, and cruder than crude oil, No More Heroes uses its own repetition to decisive, impressive effect. Glorious, gore-ious, gorgeous and gregarious, this madcap anime nightmare deserves your attention. If you missed it on Wii, buy it immediately. If you didn't, you most likely already have.
A fine sequel, Travis Touchdown's sophomore effort turns the mania up to eleven for an unforgettable blood-soaked thrill ride. While it's a little more generic in terms of its narrative, it makes up for this wholesale with brilliant pacing, fantastic minigames and a whole brace of new, ingenious assassins to cut to pieces. As confident a follow-up as you could ever want, this is Grasshopper at the top of their game. Another fantastic port of a fantastic title.
We realise it's not a popular outlook. Games should generally be appreciated for what they are rather than blasted for what they're not, but that's very difficult to do in this case. New 'n' Tasty is an acceptable imitation of Abe's Oddysee, but nothing more. It has its moments of inspiration – the Stockyards stage is so beautifully realised that it can momentarily trigger that "this is what I remember the original looking like!" false memory – but it's not enough to make up for the frustrations that come from the many, many unnecessary changes. Even the sound of Abe's chant, which once sounded mystical and otherworldly, now just sounds like babbling. We're very torn. As this is the only way to play Abe's Oddysee on Switch, we begrudgingly recommend it. But we do so with our arms folded, and pouting. Harrumph.
Well-produced and undeniably fun, Angry Video Game Nerd 1 & 2 Deluxe will definitely lose something for non-fans, but it's a world above the turgid likes of PoopDie. This re-release elevates the workmanlike original to the point that it almost outshines its formerly-leagues-better sequel, but both games are good stuff. It's comfortably the best "YouTuber game", and this edition polishes it up in all the right places. If you're a fan of the AVGN, it's a must-buy. If you're not, you'll probably still enjoy yourself – Freakzone has crafted a meaty, responsive and rewarding pair of platformers that genre enthusiasts will get a kick out of. If you've already played both games, the extra chapter isn't lengthy enough to demand a double-dip, but it is a nice inclusion regardless, and this version is undeniably the better option. (Whoops, we almost forgot the best news of all – the Nostalgia Critic has been entirely removed from ASSimilation. Let joy be unconfined!)
Transformers: Battlegrounds is far from the disaster you may expect; it delivers a fun, accessible turn-based tactical experience which is sadly a little too easy. It might make a good game for someone new to the genre, or kids looking to get involved, but we'd wager that even children might find this one a little too simple. It's a good effort and it does right by Cybertron's finest, but there's just not enough of it to justify the price. When it goes on sale, though, it'll be time to (ahem) roll out.
If we've made this game sound thoroughly generic, that's because it is. But it's not a disaster - Operation Blackout has plenty to do, with unlockable skins and modifiers to mess around with if you get into it, and there's love for the G.I Joe property here, so fans of the toys may get a kick out of it. For everyone else, though, it's a very difficult game to recommend. If you want a third-person shooter on Switch, Rebellion's Rogue Trooper or Zombie Army Trilogy are both better buys. And now you know. And knowing is half the- actually, no, forget it. We're not even going to finish the thought. We're better than that.
A pacey, exciting game, MindSeize excels when it pits you one-on-one against one of its varied, aggressive bosses, but there are no elements of this little gem that aren't up to scratch. You're constantly moving forward and getting better at it, and the level design is good stuff. We don't feel like the Metroidvania backtracking really adds much to the experience, but it didn't spoil our fun. What we have here, ultimately, is a fantastic action game that's been forced into the shape of a markedly less brilliant Metroidvania, a format that doesn't play to the game's strengths. So, very good indeed, but could definitely have been a classic with a little more structure.
Horace is something very special — the only vaguely negative thing we can say about it is the fact that there are so many spectacularly brilliant indie games on Switch already vying for your attention that we fear Horace may fall somewhat by the wayside. If you have any interest in superb level design, excellent storytelling, terrific art, evocative music, great characters, hilarious situations and emotional gut-punches, Horace is a no-brainer. It's moving without being manipulative, clever without being smug, and nostalgic without being a lazy rehash.
Some will get a lot out of The Survivalists, and we'd find it difficult to argue that it isn't fun – but your mileage will seriously vary on how quickly you burn out on its lackadaisical approach to the danger that really defines the survival genre. As an entry-level take on the principles it's pretty good, but even the least experienced survivor will reach endgame gear quickly and find there's just not a whole lot left to do. Updates could (and hopefully will) mitigate this issue, but The Survivalists – as it is now – feels a little... well... deserted.
A very interesting game indeed, I Am Dead isn't top-tier indie magic but it's a hide-and-seek sandbox that will reward you the deeper you go. It's refreshingly content-rich, what with the Grenkins to find and riddles to solve for committed players. An appealing sense of place and strong visuals are only spoiled by some misplaced attempts at quirkiness and some minor control issues. Overall, though, I Am Dead makes us long for the sweet embrace of the reaper. Wait, no. It's just a rather enjoyable game. That's it. Not that other thing. Good god.
Let's be clear – this is no disaster like Gleamlight. This is a well-crafted, carefully designed and fantastic-looking game. It's just such a damn shame that the central shadow-casting mechanic is so fussy, so irritating and so downright broken that we can't recommend it without the strongest of caveats. It's very clear that the developers put their heart and soul into Projection: First Light, and that effort deserves to be recognised. Unfortunately, we suggest you recognise it from afar. We don't think that a patch alone could solve this game's problems, and if there's ever a Projection: Second Light, we'd be surprised.
It's a clichéd summary, but Avicii: Invector is better than it has any right to be, and a fitting tribute to an artist who died tragically young. It's a huge boost if you already enjoy his music, but even haters will have to respect the work that's gone into this fast-paced, well-designed rhythm action title. It's just a shame that Tim Bergling never had a chance to see it come together so nicely. Still, until we get Pet Shop Boys: Invector, it's the best single-artist music game we've had the pleasure of playing.
Warsaw's a disheartening experience through and through, and normally that would be enough for a low score and some harsh words. But we think that, here, the futility is rather the point of the exercise. It's not going to be for everyone by any means, but fans of Valiant Hearts or This War of Mine will get a kick out of its stark, unforgiving world. War is hell. Warsaw is hell. But it's a pretty good hell, which makes it at least a seven.
A greedy price tag, poor performance and an incredibly short campaign make Goosebumps: Dead of Night more likely to be dead on arrival. It's a shame, because it's a well-constructed and entertaining lite survival horror adventure that's probably perfect for kids. Even then, we'd recommend either waiting for a deep, deep sale, or simply renting the excellent 2015 movie. There's a lot to like here, but unfortunately, it's buried under a lot of ugliness. Much like, say... a scary ghoul! Wooooo! Or something.
The Long Dark is an onerous experience, but a memorably and powerfully atmospheric one. Its Survival mode stands out as something of a singular achievement on the Switch – and one we'd urge you to try if you don't mind freezing to death more than a few times before you've got a grip on how to last a couple of nights. It's difficult to call it outright fun given its sheer hostility, but it's certainly absorbing and at times downright terrifying game. Just like real life, nature is the real enemy.
A mature visual novel that isn't afraid to be fun, Vampire: The Masquerade - Shadows of New York is a quick plunge into the freezing waters of a bloodsucker-filled Big Apple. It won't last you forever, but you'll be hooked for its short runtime. It does a lot with a little and is breezy enough to fly by. Just don't expect to actually, you know, do that much. Great art and good writing, but not enough of it.
It's a little ramshackle, but care and craft has gone into the making of Giraffe and Annika. There's nothing new here to speak of, but its disparate genres work well together and we had a good time unravelling the mysteries of Spica Island. A great game for kids and the young at heart, we're excited to see what developers Atelier Mimina do next.
Super Punch Patrol feels like a greatest hits package, but that's the thing about the greatest hits – they're great. And so is Super Punch Patrol, in the end. For the price you'll pay, it's nothing short of spectacularly generous; there are only five stages, but they're tough as old boots and it'll take time to master the challenge and see those credits roll. With costumes and characters to unlock there's reason to keep playing even after you surmount this beastly little brawler, and at £4.99 it's a bit of a no-brainer.
Road to Guangdong is a tough one to score, because what it does right – the character interaction and small-scale personal dramas – are engaging enough to be worth praise. It's just that the mechanical glue holding it all together is close to disastrous at times. As a result, we can't give it a recommendation without enough caveats to make it sound like a warning. You might like Road to Guangdong, but even if you do, you'll like it despite it doing its level best to push you away.