Sunday Gold is a successful mix of a point and click adventure and a turn-based combat game, with a bit of role-playing. Taken individually, these three components would not be that memorable: puzzles can be solved by trial and error, shooting is not very varied, and character builds are quite simple. Combined, however, they represent a successful alchemy capable of transmuting not so precious metals into gold. Flaws become less visible, limitations appear more distant, and one of the most difficult gameplay genres to innovate could find a new youth.
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Midnight Fight Express is a brutal beat 'em up whose only goal, despite a story with a weird plot, is to slaughter enemy after enemy. Really enjoyable in the early levels when each new skill learned improves the way you fight, it becomes repetitive when you try to complete the secondary challeng-es, which require players to retry a lof of times the same game sequences. Those seeking for perfect completion of the game, however, will find a tough challenge, as the unlockable techniques are quite a lot and all beautifully animated. To be played at a very loud volume to get even more exalt-ed.
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he Chant is a well-made third-person survival horror action adventure, which despite not departing from the formula in which you have to recover a series of objects to unlock a new area and progress in the story, manages to excite thanks above all to the human and fragile nature of the protagonist, involuntarily chosen in a situation bigger than her.
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Ghost Song is a love letter to metroidvania genre with a huge map, so big that even the portion that can be immediately visited could almost represent a complete game. The game features an excellent graphic design, albeit with improvable animations, and an interesting story to follow despite starting with a little delay. The soulslike component makes things as hard as expected, and while it might annoy players who don't like repeating the same section again and again, it's part of the game. Definitely recommended for those who love exploration, too bad for the limited support for keyboard / mouse combo.
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Lords and Villeins is a city builder which tries a different approach to the genre introducing families and dynasties, and although it does not revolutionize the gameplay, it gives it some spice of originality. Under the hood, however, it's a solid strategy game for players who love meticulous resource management, supported by excellent visuals that will make happy those who want to spend time in the creation of detailed cities and houses. An above average learning curve could lead to no that satisfying results in the first couple of runs, but nothing that will discourage players who love this kind of games.
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Hell is Others is a mix of genres among which survival horror looter shooter stands out, but once you have acquired the right equipment, the Free for All mode also comes into play. Inventory slots reduced to the bone, permanent loss of loot and a rather high difficulty especially at the beginning make us move with circumspection, becoming more and more bold as our character grows. But it is a moment to find yourself back at the beginning, and the feeling of perpetual vulnerability guarantees a constant tension. As in all PvP the future will also be decided by the amount of updates and events entered by the developers, but for the first dozen hours fun is guaranteed.
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Potion Craft: Alchemist Simulator simulates the life of a novice alchemist trying to pave his way to fame and glory discovery after discovery. As in real life, it requires dedication and perseverance, which do not always go hand in hand with casual game philosophy. The system of moving along the alchemical map will entice you to experiment for a few hours in search of the ultimate formula, but an uninspired endgame relying on grinding might turn away even the most ambitious alchemists. If you're looking for an original sandbox puzzler and aren't afraid of repetitive gameplay, it's definite-ly an interesting game.
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Warlander is a high-quality MOBA with a hack 'n' slash combat system that works well even in the most chaotic online situations. Regardless of the task at hand in battle, there is never a shortage of action, whether you seek for a fight to break through enemy lines or stay in the rear building defen-sive machines. Character growth and equipment provide satisfaction, and even without the Battle Pass, a lot of rewards can be unlocked. I am a bit afraid about the importance of in-game purchases, however, since the upgrades are not all merely cosmetic but directly affect player stats.
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Everything is very simple and fun in SpellForce: Conquest of Eo due to the bare-bones 4X gameplay, where the important thing is almost exclusively to come out victorious in battles in order to advance in the main story and side quests. Turn-based combat is the game's highlight, tactical but fast-paced. The offering probably won't please all SpellForce fans, but it will certainly enlist new ones.
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Wanted: Dead features a very fun combat system mainly based on the use of a blades, full of ultraviolence, combos and devastating final techniques, but it lacks a bit in everything else: the AI is inefficient, the mini-games are sometimes a pointless break between missions and the plot though interesting to follow constantly breaks up the action. Can this blade galore be enough to justify its purchase? Definitely yes, if you loved slashers of the very early 2000s, otherwise you may find the offering a bit sparse.
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void* tRrLM2(); ///Void Terrarium 2 with a well-designed dungeon crawler section could have been a great game. Unfortunately, the roguelike is far too simple and the new features added to the first chapter are really few, and mostly concentrated in crafting, making the gap with the rest of the game even clearer: you will really have to love Toriko like a daughter in order not to give too much weight to the shortcomings of everything that is not found inside the Terrarium.
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Scars Above is an excellent TPS with a plot that plays a leading role without stealing the show to the action. Due to a wave of alien monsters or some environmental trap and the above-average difficult, Kate Ward's every step is likely to be her last. Character growth is not as important, but anyway it remains a game that entices us to progress just to find out what new surprises are awaiting.
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Elderand is a successful metroidvania take which adds nothing to the genre, but enhances what we are used to see in these games. The only drawback is a lack of action in the first minutes, but then the game starts to get interesting.
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The Last Spell combines RPG, Tower Defense, and City Builder genres, with the extermination of numerous hordes as seen in They Are Billions, managing combat with the beloved turn-based system. The problem is precisly here: each run is a complex and slow chess match that can last a very long time, so those expecting quick sessions may be disappointed.
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Tchia is an open world with many scenic settings to discover and just as many activities in which to engage while interacting with the Caledonian culture. The Soul Jump is one of the best features of the game, which, however, despite a well-told story risks to slip into boredom due to an almost complete absence of combat.
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The Last of Us Part I is a masterpiece of gameplay with a story worthy of Hollywood. Definitely the best transposition of Joel and Ellie's adventures, with some technical inconveniences on day one that are being quickly resolved.
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Deceive Inc. strives to distinguish itself from the mass of competitive multiplayer with a more stealth approach. The formula is successful and the matches are a lot of fun, however more content and a premium season need to be added to offer the same variety as the kings of this genre do: the premise is great, but only time and players interest will determine the game's success.
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Dead Island 2 is a first person slasher that goes all-in for gore, and it wins. The FLESH engine takes fighting fun to a level never seen before, with an extremely realistic aesthetic that also impacts the zombies' ability to move. Maps are not particularly large and the story flows along rigid tracks, but everything is functional and works well for a classic action adventure offering. A B-Movie that will delight those who love to kill (again) zombies in smashing ways, with old school gameplay enhanced by new technologies.
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Showgunner blends real-time action and turn-based combat very carefully, adding nothing to either genre but placing them within a brutal reality show in which surviving is everything that matters. The result is fun and the game is recommended for loyal fans of the genre, but those hoping for some new features may be disappointed.
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Lone Fungus, although produced by a single developer, is a huge metroidvania. Hardcore gamers will have to work hard to earn all the trophies, while those who prefer a more casual approach can configure the difficulty to their liking and enjoy the game without the slightest frustration.
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