While Dread Hunger aims to freshen up a rather burnt-out genre due to the likes of TTT and Among us, there isn't enough reason to keep playing over and over again. Roleplaying is moreso encouraged than required, causing games to get repetitive quickly. Not only that, but the lack of story leaves this game ending on a disappointing note, especially since it immediately promises that it will play a key role throughout the experience.
Abermore is an immense disappointment. The bugs and glitches can be cataloged so extremely clearly that it's incredible that this game even got released, let alone past playtesting. Hell, was it playtested? Why did this game get released even if it wasn't finished? These questions stuck in my mind as I played through this dumpster fire. Maybe this game will see all its bugs patched? Sure, but that doesn't mean that there's nearly enough interesting, let alone unique, content throughout the levels to warrant any recommendation from me.
Teardown tears down the fabric of what a demolition physics game can be, yet replaces that with too many restrictions. All your fun will come from the creativity of your imagination, but that satisfaction falls apart when you're limited by the tools the game has to offer. It's such a shame when this game can offer so much more.
Winter Ember is good, but could be better. The voice acting and script made me extremely disinteresting in the story, and combat is just so extremely dull. It doesn't help either when the soundtrack overheard in all areas of the game is equally as basic. These three things made the game lose a bit of its charm, but that's all mended together thankfully by the enjoyable stealth mechanics and moment-to-moment gameplay. As a pure stealth experience, this game fast became a highly enjoyable experience overall, and one that I'd recommend if you can get past its big issues.
Metal: Hellsinger has absolutely kickstarted the boomer-shooter, rhythm FPS genre. Of the handful of issues the game possesses, they're all overshadowed by its insane amount of entertainment value. There's no doubt that The Outsiders have created something extraordinary, something that absolutely needs a sequel. Although very challenging and not without its critiques, its an extremely satisfying experience through and through.
Soulstice does an exceptional job of keeping the player engaged throughout its entirety. The amount of content just within the combat is jaw-dropping, so much so that it feels like Reply Game Studios aren't saving anything for a sequel. There's a lot to discover (and a lot to master) as you slowly trek through its massive world and uncover one of the most enjoyable detective-style stories that I've come to experience.
Overwatch 2 is so damn good. 5v5 has breathed life into the game, Junkerqueen, Sojourn, and Kiriko are a breath of fresh air, and the game's new high pace suits its competitive nature perfectly. The new maps are insanely fun to play, albeit with some needing tweaking, and the new Push gamemode only enhances Overwatch 2's core experience. The only downside comes from its cosmetic-locked, 9-week battle pass system, which will be costly to continually purchase.
Warhammer 40,000: Darktide is one of those games that oozes fun, no matter how you play it. It lends itself perfectly to all playstyles, and has this natural way of immersing the player in its world. That might be from the unique RPG system, the insanely detailed environments that make you feel like you're really walking through this huge hellscape, or maybe it's just the gratuitous violence. Whatever the cause, it's doing a great job of keeping me hooked. Of course, the game isn't without its cons, and these do detract from an otherwise solid experience. Regardless, it's a game that I will absolutely be coming back to time and time again.
Need for Speed Unbound is an arduous experience, and not one I'd recommend if you're looking for an arcade racer. The only good aspects are the refined handling system and the aesthetic customization of your cars, which is really brought to light via community creations. However, this experience is quickly overshadowed by the boring open-world, a meaningless collect-a-thon, unbalanced AI, and some of the cringiest story and dialogue I've experienced. It's The Room of racing games.
We Were Here Forever is a step back from the rest of the series. It's hard to find the motivation to keep playing when you're completing the same puzzle three, sometimes four times. Quantity doesn't mean quality, and when you're in control of a unique genre like coop puzzlers you don't want to step on the quality of what made this series great. Plus, the lack of a compelling story is disappointing when it's the only thing that's meant to encourage you to keep playing.
Homebody is unnerving. The puzzles are difficult, and it's extremely rewarding when you slowly chip away at them as you uncover the secrets of the house. Equally, it's immersive - you'll slowly morph into the player character's shoes and feel her fear of isolation. The only trouble with Homebody is it eventually feels less and less like a horror game, as you'll eventually realize that it's not all that scary - and quite forgiving.
Once again, One More Level has created a speedrunner's dream. For new players it might be somewhat hard to master, but once you get the gameplay down pat you'll experience one of the most rewarding and unique titles of 2023. It's so much fun to play, and the new abilities and changes are a welcome addition. The inclusion of the motorcycle, whilst somewhat janky, is a breath of fresh air to the core gameplay loop. One More Level has once again put their heart and soul into producing a fantastic game.