Double Dragon Gaiden is beholden to some unique ideas, and they're fairly well-applied. You can experiment with mix-ups and tag team advantages, and multiplayer makes things altogether more enjoyable, although it's restricted to local co-op. But, being associated with Double Dragon is arguably to its detriment. It's a game that has secrets to uncover, twists to happen upon, and plenty of cash grinding and unlocking to do. While initially fun to work through, how many times you'll feel encouraged to replay the campaign is questionable, especially with its overall pacing and neutered thrill of brutally knee-slamming someone in the face. Still, it's certainly worthy of attention for beat 'em up fans looking for old things in new forms.
PixelJunk Scrappers Deluxe is a good, fairly unique idea with several interesting challenges to juggle, and, if you enjoyed the original, the expanded worlds and new additions will fulfill your craving for more recycling action. Clever though it is in premise and arrangement, however, it isn't a very thrilling single-player game until around halfway through. If you do decide to give it a spin, you want to be online-ready, because multiplayer is where its engineering comes to the fore.
Switch-bendingly tough though it is, Gimmick is a salient example of what made the 8-bit era so wonderful: a razor-sharp, thoughtfully illustrated action adventure full of creativity and imagination. Just be warned that when people talk about 'old-school difficulty', Gimmick is a cut above what they usually have in mind, and to that end may prove frustrating for those unable to steel themselves to the challenge.
This is the best of it in regards to home ports of the Ray series, spit-polished by M2's dedicated commitment to quality. It offers very accurate arcade ports of three superb, nuanced shoot 'em ups, famous for their fantastic soundtracks, engrossing gameplay mechanics, and visual showboating. Lag is minimal enough to have no impact, and the HD upscaling is wonderful. With no training modes, historical bonuses or rearrangements, however, it falls shy of being the ultimate package. But only just.
Batsugun remains a thrill ride: a barnstorming, explosive affair that holds a pivotal position in the history of the shooting game and its evolution. Its systems are not as in-depth as most Cave titles, and it's also comparatively short if you discount all the looping, but it remains a superbly entertaining and surprisingly accessible piece of gaming history. It's a shame the arcade originals aren't present, but, with all its very welcome bells and whistles, it's certainly the best home release yet.
Even without Takahashi Meijin's association, Star Gagnant would still be a Terarin work that genre fans can rely on. Its simplicity is what makes it so engaging: a clean, enjoyable shooting game with a deep scoring system to mine like crazy, and tons of modes in which to do so. And this, really, is where its creativity is strongest, drawing on games from the late '80s and '90s to build a new, Meijin-flavoured tapper that reworks those elements into something fresh. It's primarily pitched at existing Terarin fans and PC Engine shooting-game aficionados, and ably achieves its goals.
There’s something weirdly wonderful about Pulling No Punches, though. Its four chapters comprise just over an hour end-to-end, but there’s so much to see that one can’t help but be absorbed by it. Whether the awesome character designs, the blazing f-bombs, the untranslated onomatopoeia of its fisticuffs, or the divisive theme itself, Pulling No Punches is not only a competent scrolling beat 'em up, but has a power of intrigue like few others. Frankly, we’re not sure Nintendo’s board of approval paid much attention to it, and in a world littered with a host of sanitised indie retro-themed games, its daring, politicised demeanour is a breath of fresh air.
Nightmare Reaper does, however, achieve most of what it sets out to do, pushing boundaries in terms of weaponry, spectacular abilities, and more trinkets than a fully loaded cargo ship. It’s at its best when it devolves into a spectacular bloodbath at the whims of your creative weapon and ability choices. And, while imperfections exist, its violent, adrenaline-fuelled highs will make it very appealing to fans of the old-school FPS.
On the whole though, while some fun can be had if you really dig in and attempt to learn Shockman with total conviction, it remains the lesser of its series, has aged fairly poorly, and will really only appeal to diehard retro enthusiasts who want to own a piece of gaming history on a modern format.
Despite the bullet-soaking and clunky vehicle sections, we like Wild Dogs. It’s a Contra tribute in an unexpected but genuinely eye-pleasing style that mostly hits all the right notes and will satisfy any die-hard fan of Konami’s series or retro gaming generally.
Degica's work here is commendable. Not only is this the best of the series, but it's now the ultimate version out there. Castle of Shikigami 2 comes easily recommended to fans of bullet hell shooting games, and while it might not be up there with the very best, it's certainly original, deviously devised, and layered like crazy. With all the characters, their individual assets and stories, as well as all-new modes to toy with, this is how we like to see publishers handling re-releases of arcade titles, rather than slapping out another no-frills port-of a-port.
Considering the overall quality, intriguing historical period settings, and stunning visual splendour throughout, it's disappointing that the emulation quality and certain pivotal features drop the ball. These deficiencies don't make these games unplayable. Quite the contrary, there are still countless hours of enjoyment for enthusiasts of these types of games. But it's a shame that titles like Demon Front haven't received that final lick of polish to make it a collection to be remembered. Yes, you can overlook the suspect slowdown and audio warble if you're not nitpicky, and, for the price, it still offers an incredibly good deal. Nonetheless, with more attention it could have been the best representation of IGS's back catalogue. As it stands, it falls short of that achievement. Fingers crossed for a patch.
Cannon Dancer is an undeniably polished product and has Yotsui's action-cinema aspirations stamped all over it. Speed, dynamism, and full-bodied combat snap will keep bringing you back for more. While visually inspired and boldly artistic, it's a concise affair, as was Strider, buoyed by a refined control scheme and consistently interesting stage developments. While the finale is no Third Moon, and could have been improved with a few adjustments, it still qualifies as the Strider sequel you always wanted but never knew.
For Metroidvania fans and lovers of Inti Creates' works, Grim Guardians certainly does enough to please. Getting to grips with combat negotiations and levelling up your weaponry brings with it a sense of reward and progression, and it's enjoyable to backtrack for secrets. It's not quite on the level of Curse of the Moon, its closest relative, but it's not far off - and the sibling switching idea is at least novel and fun to work with. Gory, spritely, and occasionally creatively inspired, it hits all the right notes, just sometimes in a little too sparse a manner to be considered overwhelmingly compelling.
As irreverent and disruptive as one has come to expect from the mind of Jeff Minter, Akka Arrh is a game that, rather than based around all-out cattle space warfare, requires a certain level of restraint to wring the most from its scoring potential. Learning to dally with its diverse and ever-changing threats is almost mathematical, but still liberating and rewarding to overcome. It may struggle to appeal in the long-term in the same way as Tempest or his recent Polybius, owing to its slightly less absorbing construction; and those uninitiated in Minter's unusual thought processes may find it altogether abstruse. Nevertheless, it certainly earns a rightful place in his catalogue of psychedelic, slightly barmy, and altogether addictive score-based challenges.
Akai Katana is one hell of a game. Black sheep it may be, but in our opinion its thrill factor and scoring satisfaction is superior to the likes of Deathsmiles, making it another shooting game favourite among an already long list. It's soft enough to encourage rookies and deep enough to send the hardcore into a digit mining frenzy. At the same time, it's absolutely beautiful-looking; a stunning panorama that fuses the historical and futuristic into a bombastic theatre of war. Whether soaring over snowy mountain ranges, hillside forests, sunset-bathed railways, or across the ocean floor, it's a feast. With three superb modes, years of depth, and an incredibly satisfying scoring apparatus, Akai Katana is not just Shinobu Yagawa's most accessible shooting game, but also one of Cave's best horizontal efforts.
Team Ladybug is really demonstrating its programming expertise with Drainus. It's both dangerous and brave to attempt a shooting game on the scale of Gradius V or Einhander, yet for the most part, the developer pulls it off in convincing fashion. It's not entirely perfect, arguably overly easy, and various aspects will sit better with some players than others. But, at the very least, it's a spectacular sci-fi action epic that constantly evolves, creates, and showboats. To that end, Drainus will land well with both hardcore and casual players alike.
Based on these circumstances, our appraisal is a difficult task. If we were tallying solely based on the content of the package, it would do well. If price isn’t an issue and you didn’t purchase the previous release already, you can add three digits to the scoreline, as this is certainly the superior of the two collections. But our primary job as reviewers is to provide information that helps you decide on how to spend your disposable income - income you’ve no doubt worked very hard to accrue. Since the entire release structure and its exploitative nature is so distasteful, however, we feel genuinely loathed to award a lofty score that indicates glowing praise.
Breakers Collection feels like a passion project. It delivers a game that still feels incredibly modern and visceral to a new era of players. When mining its combos and developing its dizzyingly broad array of tactical options, new players will no doubt be surprised by the high bar of Visco's work. While its menu presentation is somewhat less explosive than the game itself, the level of thought that's gone into its modernisation through crucial up-to-date features can't be spoken of highly enough. This kind of treatment should be standard when revisiting bygone classics, yet so often it isn't. Breakers Collection, to that end, gets it very right.
Samurai Maiden is mostly hack, slash, dodge, and hack some more. But, while naturally repetitive, it's not much different in that respect from many traditional arcade games. What it does well with is in expanding its combat options in enjoyable but never confusing ways; by giving your aides different skill functions in attack and healing, and in navigating stages. It's a simple but nicely layered adventure that will encourage grinders to unlock its galleries, weaponry and digital trinkets, while appreciating what is an attractive-looking and well-optimised game. Increased challenge is there if you need it, and, discounting the trite elements of its dialogue and story, the character models are exceptionally good, mildly bewitching, and do a great job of selling the product.