Degica's work here is commendable. Not only is this the best of the series, but it's now the ultimate version out there. Castle of Shikigami 2 comes easily recommended to fans of bullet hell shooting games, and while it might not be up there with the very best, it's certainly original, deviously devised, and layered like crazy. With all the characters, their individual assets and stories, as well as all-new modes to toy with, this is how we like to see publishers handling re-releases of arcade titles, rather than slapping out another no-frills port-of a-port.
Considering the overall quality, intriguing historical period settings, and stunning visual splendour throughout, it's disappointing that the emulation quality and certain pivotal features drop the ball. These deficiencies don't make these games unplayable. Quite the contrary, there are still countless hours of enjoyment for enthusiasts of these types of games. But it's a shame that titles like Demon Front haven't received that final lick of polish to make it a collection to be remembered. Yes, you can overlook the suspect slowdown and audio warble if you're not nitpicky, and, for the price, it still offers an incredibly good deal. Nonetheless, with more attention it could have been the best representation of IGS's back catalogue. As it stands, it falls short of that achievement. Fingers crossed for a patch.
Cannon Dancer is an undeniably polished product and has Yotsui's action-cinema aspirations stamped all over it. Speed, dynamism, and full-bodied combat snap will keep bringing you back for more. While visually inspired and boldly artistic, it's a concise affair, as was Strider, buoyed by a refined control scheme and consistently interesting stage developments. While the finale is no Third Moon, and could have been improved with a few adjustments, it still qualifies as the Strider sequel you always wanted but never knew.
For Metroidvania fans and lovers of Inti Creates' works, Grim Guardians certainly does enough to please. Getting to grips with combat negotiations and levelling up your weaponry brings with it a sense of reward and progression, and it's enjoyable to backtrack for secrets. It's not quite on the level of Curse of the Moon, its closest relative, but it's not far off - and the sibling switching idea is at least novel and fun to work with. Gory, spritely, and occasionally creatively inspired, it hits all the right notes, just sometimes in a little too sparse a manner to be considered overwhelmingly compelling.
As irreverent and disruptive as one has come to expect from the mind of Jeff Minter, Akka Arrh is a game that, rather than based around all-out cattle space warfare, requires a certain level of restraint to wring the most from its scoring potential. Learning to dally with its diverse and ever-changing threats is almost mathematical, but still liberating and rewarding to overcome. It may struggle to appeal in the long-term in the same way as Tempest or his recent Polybius, owing to its slightly less absorbing construction; and those uninitiated in Minter's unusual thought processes may find it altogether abstruse. Nevertheless, it certainly earns a rightful place in his catalogue of psychedelic, slightly barmy, and altogether addictive score-based challenges.
Akai Katana is one hell of a game. Black sheep it may be, but in our opinion its thrill factor and scoring satisfaction is superior to the likes of Deathsmiles, making it another shooting game favourite among an already long list. It's soft enough to encourage rookies and deep enough to send the hardcore into a digit mining frenzy. At the same time, it's absolutely beautiful-looking; a stunning panorama that fuses the historical and futuristic into a bombastic theatre of war. Whether soaring over snowy mountain ranges, hillside forests, sunset-bathed railways, or across the ocean floor, it's a feast. With three superb modes, years of depth, and an incredibly satisfying scoring apparatus, Akai Katana is not just Shinobu Yagawa's most accessible shooting game, but also one of Cave's best horizontal efforts.
Team Ladybug is really demonstrating its programming expertise with Drainus. It's both dangerous and brave to attempt a shooting game on the scale of Gradius V or Einhander, yet for the most part, the developer pulls it off in convincing fashion. It's not entirely perfect, arguably overly easy, and various aspects will sit better with some players than others. But, at the very least, it's a spectacular sci-fi action epic that constantly evolves, creates, and showboats. To that end, Drainus will land well with both hardcore and casual players alike.
Based on these circumstances, our appraisal is a difficult task. If we were tallying solely based on the content of the package, it would do well. If price isn’t an issue and you didn’t purchase the previous release already, you can add three digits to the scoreline, as this is certainly the superior of the two collections. But our primary job as reviewers is to provide information that helps you decide on how to spend your disposable income - income you’ve no doubt worked very hard to accrue. Since the entire release structure and its exploitative nature is so distasteful, however, we feel genuinely loathed to award a lofty score that indicates glowing praise.
Breakers Collection feels like a passion project. It delivers a game that still feels incredibly modern and visceral to a new era of players. When mining its combos and developing its dizzyingly broad array of tactical options, new players will no doubt be surprised by the high bar of Visco's work. While its menu presentation is somewhat less explosive than the game itself, the level of thought that's gone into its modernisation through crucial up-to-date features can't be spoken of highly enough. This kind of treatment should be standard when revisiting bygone classics, yet so often it isn't. Breakers Collection, to that end, gets it very right.
Samurai Maiden is mostly hack, slash, dodge, and hack some more. But, while naturally repetitive, it's not much different in that respect from many traditional arcade games. What it does well with is in expanding its combat options in enjoyable but never confusing ways; by giving your aides different skill functions in attack and healing, and in navigating stages. It's a simple but nicely layered adventure that will encourage grinders to unlock its galleries, weaponry and digital trinkets, while appreciating what is an attractive-looking and well-optimised game. Increased challenge is there if you need it, and, discounting the trite elements of its dialogue and story, the character models are exceptionally good, mildly bewitching, and do a great job of selling the product.
This is the kind of package we hope for when a relatively unloved, but largely excellent arcade title is ported for a modern system. There's no slacking here, with all the options and modes a fighting game fan could desire, updated visuals for modern displays, and that all-important rollback netcode for online skirmishes. Superior to its already very enjoyable predecessor, it will be great to see the online fighting game community revive The Rumble Fish 2 in a way that never really happened with its original arcade release. Ideally, both the original game and this sequel should be on a single package - and DLC paywalls be damned - but this is a well-executed port of the best entry in this short-lived series.
Swordship is a clever, original, and interesting concept. It looks good, sounds good, and plays well. There’s just that RNG irritant that means, while you can learn enemy behaviours, you sometimes get lost in the fray. Even the camera shifts and the slow down (which can be disabled) can occasionally disorientate you from your position, resulting in sudden death. At the same time, while imperfect, its evolving and increasingly intense nature has major appeal for score hunters. And, when you do grab that container, trip under a set of lasers, detonate three mines sequentially and blow the screen sky-high, it earns itself an action badge of honour.
Astronite is a throwback game in a modern Metroidvania mould, and, owing to sharp design, map layouts, currency systems and ability upgrades, is an enjoyable experience. Its simple emphasis on platforming pitfalls and cavern negotiations feel more Metroid than 'Vania, and refreshing in a genre that usually follows the Japanese route of grinding for levels and magic. With a little effort, it reveals itself as a well-thought-out and competently-executed action adventure, with a few magic moments in its boss battles and NPC characters. Its black-and-white styling may not appeal to everyone, but it's easily recommended to those intrigued and is a nice companion for Gato Roboto fans looking for a steeper challenge.
Neo Geo Pocket Color Selection Vol.2 is a perfectly able collection, albeit less enticing than the first volume. Several games in the library here - notably Card Fighters Clash, Mega Man Battle & Fighters, and Biomotor Unitron - have already received standalone releases on Switch eShop, which may well dissuade you from a purchase if you already own them. Die-hard fans of everything Neo Geo Pocket Color will likely enjoy getting stuck into what's here, but it's not a must-buy.
There's nothing at all wrong with Cobra Kai 2: Dojos Rising in terms of concept. An arena battler set in the TV show's small world of dojos, shopping malls, schools and parks with a theme of recruiting a team on your way to a mega tournament is all well and good. But the quality is shockingly under par, and far poorer than the Switch hardware is capable of. One could argue being sloppy, confused, and trashy is very much akin to what the show is all about, but when we're transcending mediums into the realm of video gaming, half-assing it doesn't land the right kind of blow.
That it's called 'The Anniversary Celebration' rather than 'collection' is a substitution of phrases that couldn't be more apt. With its smooth, fast, and perfectly-pitched interface, and rich, thoughtfully created content, Atari 50 really is an honouring of the company that founded the industry. It's true that its content is going to have a greater appeal to an older generation of gamers, to today's parents (and grandparents) who grew up in the whirlwind of the '70s and '80s arcade scene. For them, reliving moments and experiences that used to cost a pocketful of coins will be joyful. For others, understanding the appeal of a lot of these games will take work, and few of the titles outside of the Lynx and Jaguar catalogues are easy to pick up and play for the uninitiated. At the same time, Atari 50 is so thorough and engrossing a retro gaming tunnel, akin to exploring a virtual museum, that it transcends its target audience somewhat. For those interested in video gaming's history, the unearthing of the past, and for gamers not afraid of what today is considered rudimentary, there's a great deal of enjoyment to be had in this trip down memory lane.
That said, it's still a competently assembled title: smooth, clean, and enjoyable. What it lacks in gravity and bravado it makes up for in balanced scoring mechanics and an interesting teleportation twist. While its Cadet Mode is its brightest spark, the main campaign shoots for the stars but falls just short of reaching them.
Them's Fightin' Herds isn't entry-level stuff, and it's impressive that an indie developer has created something that professional teams take years to master. Soft and furry in appearance though it is, this is a robust and fleshed-out fighting game, and one that demands practice. It's challenging even on its default difficulty with AI that won't fall prey to simple or repetitive routines. While its story mode is engineered toward a particular fanbase, the wild combo-building demonstrates an excellent multiplayer experience. Thematically, its draw might be limited, but there's no real ceiling in its appeal to fighting game fans. While would have been nice to have had a few more characters out of the box and a little more invention in its world-building backgrounds, if you're here for pure fighting game action, don't look a gift horse in the mouth.
Clarifying Radiant Silvergun's place in the genre is trivial in light of its achievement. It remains, despite its uncompromising nature, deservedly celebrated. The game wears its hardcore credentials on its sleeve, and its depth in both technical and artistic terms is astonishing. As stimulating and rewarding as it is exhausting, it's a labour that has transcended not only the genre but the medium to some degree. Regardless of its difficulty - and in that difficulty, its lack of immediate connection - those who learn to fell the game proper can say they truly lived Radiant Silvergun. That's an experience worth fighting for.
At $12.99, this package could have been slightly cheaper, primarily because Super Space Serpent SE is the main attraction and Perpetuum Mobile feels like a B-side bonus. Neither title is going to redefine your expectations of what an indie game can achieve, but if you enjoy classic score attack arcade games like Robotron, and can’t get enough of Minter-esque trippy audio-visual combinations, you’ll enjoy sinking a couple of hours into climbing the leaderboards — but probably not much more.