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Blasphemous 2 doesn’t break any new ground for the Metroidvania genre, but it delivers a holy trinity of important genre staples: rewarding exploration, top-notch boss design, and deep secrets. Those strengths are balanced out by a slew of sins, as tedious backtracking and some eye-rolling sacrilege make for a tough trial that’ll sift out the non-believers from the devotees.
Atlas Fallen has some ambitious ideas for a game of its scale, but its poor presentation holds back a promising combat system.
Venba delivers an elegantly nuanced story about cultural identity through sharply written dialogue and meaningful cooking interludes.
Disney Illusion Island is a charming all-ages platformer that acts as a breezy introduction to the Metroidvania genre.
It may have the brains of a dodo, but that’s what I find so endearing about it. It’s a flightless bird that carries itself with the confidence of a swan.
Though faithful fans might be put off by a more laid-back sequel that’s over-eager to hold players’ hands, Pikmin 4 is a purposeful reconstruction of Nintendo’s most niche series. A stressful comedy of errors becomes a digestible puzzle-strategy hybrid that gives players valuable organization strategies that are just as useful in real life as they are on their Nintendo Switch adventure.
Viewfinder is an ingenious puzzle game that wows at every turn, even if its sci-fi story stretches to find deeper meaning in its mind-bending photo hook.
Oxenfree II: Lost Signals is another narrative hit for Night School, delivering a slow-burn story that expertly weaves together supernatural horror with an introspective story of self-discovery. The sequel does find itself struggling with its own identity crisis though, as tedious interactivity leaves me wondering if the studio’s heart is more in movies or TV than video games.
Everybody 1-2-Switch! is a perfectly enjoyable minigame collection dragged down by what feel like obvious oversights.
Synapse is a flashy PlayStation VR2 exclusive roguelite that gets too repetitive for its own good.
AEW: Fight Forever will win over N64 nostalgists, but anyone looking for a modern wrestling experience may be let down by an unpolished, bare-bones package.
Final Fantasy XVI delivers on the “action” side of its action-RPG formula. A fierce and fast-paced combat system makes for the series’ most exciting stab at real-time swordplay yet, while its blockbuster Eikon fights rank among some of gaming’s most awe-inspiring battles. But there’s a general flatness surrounding those exhilarating highs, as shallow RPG hooks and dated design leave a promising evolution for the series stuck in the past.
Pixel Ripped 1978 brings Atari nostalgia to VR in a charming adventure that feels a little too removed from reality at times.
Street Fighter 6 is perfect for both seasoned pros and those who have never picked up a fighting game.
Diablo 4's wealth of loot and meaningful customization systems make up for most of its frustrating MMO concessions.
Perhaps it’s thematically fitting that the game itself is such an oddball outlier that’s been met with cruelty and misunderstanding since its announcement. There’s poetry to that, but it didn’t make my 11-hour playthrough any more enjoyable.
Planet of Lana makes up for some repetitive 2D puzzling with a gorgeous art style and a good-natured tone.
Lego 2K Drive's chaotic racing and inventive story mode are let down by irresponsible microtransactions.
So long as you’re willing to meticulously survey Hyrule like an archaeologist digging for fossils, The Legend of Zelda: Tears of the Kingdom is an engrossing sequel full of mysteries to solve and experiments to conduct. It’s a digital laboratory that I imagine will still be producing unbelievable discoveries 10 years from now.
Redfall makes concessions to work as a middling multiplayer game at the expense of a promising single-player experience.