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The House of the Dead: Remake is a lovingly crafted remake of an arcade classic that unfortunately fails on a fundamental level with its subpar control scheme. Without true lightgun support, it’s a difficult recommendation.
Outriders is a looter-shooter built upon solid enough foundations, and its blend of gunplay and powers can prove intermittently enjoyable. But it's also a game lacking an engaging narrative heart, characters that you'll care about, and any sort of exciting long-term content. The quest for loot will only sustain you for so long.
There is fun to be had here, especially in some of the more ridiculous endings, but even those are examples of tonal whiplash in a title that plays it straight for the most part. More film than game, The Complex doesn't gain enough from the premise of being interactive - instead, it ends up as a strangely paced movie with a lack of focus and not enough tension to draw players in.
Fans of Monkey D. Luffy and the rest of the Straw Hat Crew will undoubtedly find something to like in World Seeker, but that doesn't hide the game's poor mission structure, the lack of variety and overall dullness. This ship's sunk.
Boasting a roster of great Shonen Jump characters and a decent fighting game at its core, Jump Force forgets all of the other elements that you'd ordinarily take for granted. Fans might find something here to enjoy, but anyone who doesn't know their Frieza from their Vegeta might do well to steer clear.
A fine idea at its heart, Extinction ultimately falls flat on its arse thanks to a dearth of interesting objectives and gameplay sorely lacking in variety. Chucking in loads of content clearly isn't the answer when you're doing the same damn thing over and over again.
Despite creating a macabre atmosphere and delivering some decent puzzles early on, Black Mirror is a somewhat insipid and uninspired adventure game exacerbated by frequent loading screens and shoddy presentation throughout. It belongs at the bottom of a deep loch.
Successfully preserving the spirit of Carmageddon, Max Damage is addictive and good fun. Unfortunately, it's also a hideous looking game, with a dodgy handling model and repetitive race types that add up to a frustrating, and ultimately disappointing whole. Carmageddon: Max Damage has a certain appeal, but if you don't get the game's uniquely sick sense of humour, you're going to hate it. Otherwise, you'll love it regardless, like an ugly dog with three legs or something.
An uncompromisingly bleak look back at a time when mental illness was completely, horribly misunderstood, The Town of Light is an interesting psychological horror, of sorts. However, technical shortcomings and repetitious, often dull gameplay makes for an experience that's severely lacking.
Kingdom Come: Deliverance is not completely awful. It's just not very good. Sure, it does have some good ideas and some interesting mechanics, but for every good idea, there are ten that are just bloody bewildering. Warhorse seems to have valued realism over fun and enjoyment with Deliverance, but to be honest, it's not even that realistic. It's just a bloody boring buggy mess of a game, but one that isn't completely terrible. Every cloud and all that.
There's some good ideas and nice execution beneath Homefront: The Revolution's terrible performance and dodgy design. Very occasionally, everything lines up to make for a unique experience. However, the fact that the game was even released in this poor state is terrible.
Limited core gameplay, broken systems, poor controls, a terribly told story and underwhelming visuals make Crimson Dragon Xbox One's worst launch game by far.
Never Alone isn't without its merits. Telling an interesting story of a dying culture, it's a hugely flawed game that manages to conjure warmth in the icy cold.
Fans of the show will no doubt get something out of this, but on a fundamental level, South Park: Snow Day! emerges as a somewhat shallow and unsatisfying experience, despite its best efforts to provide depth through cards and other light RPG elements. After Stick of Truth and The Fractured But Whole, this feels like a backwards step.
A disappointing campaign and a Zombies mode lacking in focus makes this a hackneyed Call of Duty entry that those thirsting for more multiplayer action will still enjoy. For anyone who plays for the campaign or loves to blast hordes of undead, however, Modern Warfare 3 is hard to recommend.
If you're expecting a Martian mission like Total Recall, then recalibrate those expectations. Deliver Us Mars is a rather slow affair with little variation in its puzzles and a languidly delivered narrative. In spite of its issues, however, this is a journey just about worth sticking with.
Fighting game nerds will no doubt be all over this in a heartbeat, but everyone else might wonder what all the fuss is about. Nonetheless, it's nice to have The Rumble Fish 2 out of the arcades and ported to modern consoles, even if it might be one to file away as 'strange forgotten curio' that should have perhaps stayed in the arcade.
A bizarre supernatural horror, The Chant's setup is a promising one, but developer Bass Token's execution is unfortunately lacking; reminiscent of something you might have played during the early 2000s. Nonetheless, this is a perfectly solid, albeit incredibly weird, third-person experience, and there are far worse ways to kill seven or eight hours. If you're desperate to play a curiously odd survival horror with a cosmic, psychedelic leaning, then The Chant fits the bill.
Chinatown Detective Agency is a disappointing miss, that, with just a little more time in the oven, could so easily have been a compelling hit.
While it has a few nice ideas, Rainbow Six Extraction is nonetheless a generic first-person shooter that feels more like an expansion, rather than a full-blooded game. I’m not entirely sure Tom Clancy would approve.