GameCrate's Reviews
Live A Live delivers where a remaster should. The visuals feel like a modern but faithful reinterpretation of classic pixel art, the music is as essential as ever, and the combat still holds weight. Elements of the storytelling and presentation are dated, and I would have liked to have seen some new content or bonus behind-the-scenes features, but despite all that, Live A Live remains a fun JRPG that is essential for fans of the old classics and their retro trappings.
There are so many things wrong with Redfall; every element feels plagued by poor decision-making. The visuals are dated and buggy, the story is paper-thin and filled with annoying archetypes, and the gameplay is floaty, unsatisfying, and generic. Don’t even get me started on the atrocious AI, which can’t even make its way around basic objects. If Redfall was truly developed by the Arkane Studios I love so much; it must have been under difficult circumstances. Rarely do games like this exist without low budgets, tons of studio interference, and short development cycles. I don’t blame Arkane, and nobody should, but Microsoft needs to rethink their entire strategy if this is what we can expect from their AAA exclusives going forward. Keep the casket closed for this one.
Wartales surprised me. It is a rare game that lets you play without getting in the way. Within minutes you will be out in the world, building your party and writing your story. That is something to be cherished in a world full of games that hold your hand to a painful degree or RPGs that take ten to twenty hours just to get to the meat of things. Wartales knows how to let players explore and have fun and doesn’t actively try to stop you from doing so, which is, unfortunately, all too rare these days. If you want a game that respects your time, look no further than Wartales.
Outside of technical issues, Jedi: Survivor is an astounding accomplishment. A tour de force of game design and passion for Star Wars with phenomenal combat, superb sound, a memorable and loveable cast of characters, all topped off with great visuals. Every element feels lovingly crafted, and every corner is stuffed with detail, from the animations to the world-building.
While overpriced and a bit content-light, Forge of the Chaos Dwarfs is still an essential addition, adding one of the most diverse and fun factions Total War has seen in a long time. The new economy mechanics are something I would love to see translated to more factions, as it makes the campaign gameplay far more engaging, something Creative Assembly has seemingly struggled with throughout the franchise. This DLC is a step in the right direction; I just wish it didn’t have to be such a costly one.
The Final Fantasy Pixel Remaster is a wonderful piece of archival gaming, and an example of how older titles should be ported and collected for future generations. Games are an art form like any other, and while they grow increasingly nebulous and online, a push for archiving games, old and new, must be made for the medium’s sake. This collection is a small but significant step on that road, and I hope other publishers take note.
The Final Fantasy Pixel Remaster is a wonderful piece of archival gaming, and an example of how older titles should be ported and collected for future generations. Games are an art form like any other, and while they grow increasingly nebulous and online, a push for archiving games, old and new, must be made for the medium’s sake. This collection is a small but significant step on that road, and I hope other publishers take note.
The Final Fantasy Pixel Remaster is a wonderful piece of archival gaming, and an example of how older titles should be ported and collected for future generations. Games are an art form like any other, and while they grow increasingly nebulous and online, a push for archiving games, old and new, must be made for the medium’s sake. This collection is a small but significant step on that road, and I hope other publishers take note.
The Final Fantasy Pixel Remaster is a wonderful piece of archival gaming, and an example of how older titles should be ported and collected for future generations. Games are an art form like any other, and while they grow increasingly nebulous and online, a push for archiving games, old and new, must be made for the medium’s sake. This collection is a small but significant step on that road, and I hope other publishers take note.
The Final Fantasy Pixel Remaster is a wonderful piece of archival gaming, and an example of how older titles should be ported and collected for future generations. Games are an art form like any other, and while they grow increasingly nebulous and online, a push for archiving games, old and new, must be made for the medium’s sake. This collection is a small but significant step on that road, and I hope other publishers take note.
The Final Fantasy Pixel Remaster is a wonderful piece of archival gaming, and an example of how older titles should be ported and collected for future generations. Games are an art form like any other, and while they grow increasingly nebulous and online, a push for archiving games, old and new, must be made for the medium’s sake. This collection is a small but significant step on that road, and I hope other publishers take note.
NotGames has managed to create a propaganda simulator that touches on some incredibly dark and distressing content in a way that can still be enjoyable to interact with. The world can be cruel, and the road to hell is often paved in good intentions. There are still bright moments, however, and we can find distractions and humor in those bright spots that help make the bitter bits go down a little better. You can have high risk, intense narratives while still having a game that is fun to play.
Unwording only has an approximate run time of about 2 hours, and while the game does offer both an easy and normal difficulty there’s really very little difference with the exception of the availability of hints. The solutions to the puzzles are often pretty transparent and straightforward. It’s easily a one and done type of experience, unless you unintentionally miss a few of the interactions and want to see them on a subsequent playthrough or are trying to mop up missed achievement.
Dredge is an unmissable game for fans of Lovecraftian stories and procedural horror experiences. The open world is unique and memorable, the fishing and exploration are fun and intuitive, and the gameplay loop of risking your life and limb for another great catch is surprisingly addicting. Dredge is a light in the fog amongst a saturated genre; we need more dedicated horror fishing sims.
Company of Heroes 3 is a fantastic strategy game regarding the basics. Playing with friends and mining the mechanics will be where most will spend their time, but it is a huge disappointment to see the campaigns fall so flat. The Italian campaign was the place where I expected huge innovations from Relic, but it feels like a paper tiger.
Dead Cells: Return to Castlevania may not break new ground, but it is a lovingly made ode to an iconic series that has long remained dormant. The new biomes, bosses, weapons, enemies, and story content are all the highest quality, and Dead Cells remains an essential roguelike that still stands among its peers at the top of the genre.
On the most basic level, there is an appeal to Bleak Faith. The enemies have creepy, science-fiction-inspired designs, the world is intriguing, and some truly inspired ideas from Archangel Studios support the whole thing. But every element feels half-baked or borderline broken. Movement and combat are floaty and clunky, exploration is unsatisfying, the visuals are hit or miss, music tracks repeat too often, and the story is indecipherable.
Clash pulls much inspiration from the 2018 God of War. The basic premise of protecting The Boy as Pseudo and some of the significant beats mirror Sony’s Epic, so some character progression and twists felt predictable. To Clash’s credit, I was still invested, and the world is so weird and the characters are so much fun that I quickly forgot the world of Kratos and got lost in Zenozoik all over again.
I don’t regret a single moment I spent with Romancelvania. Don’t get me wrong, I’m hopeful for future improvements to the gameplay and I certainly acknowledge that it has its shortcomings, but for every misstep in 3D modeling or janky boss battle there’s 10 brilliant lines of dialogue that will no doubt put a smile on your face. The characters, their backstories, the ridiculous nature of everything going on will have you coming back for more. Every rose ceremony will leave you in strife as you must decide which monster you’re going to miss out on for the rest of your run. You’ll 100% want to replay again just to have more time with those you cut off the first go around. You can not help but have fun with Romancelvania.
Wo Long is fun, fast, and fluid, with satisfying combat that empowers and challenges you equally. There is style in spades, and while the story is nothing to write home about, you’ll remember the flashy moves and monstrous bosses long after the credits roll. This is a great starting point for many looking to get into the impenetrable genre that is souls-likes, and if the pitch-perfect timing of Sekiro turned you off, Wo Long is here to offer something more approachable.