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When compared to the original, Octopath Traveler II is largely more of the same but better.
Exactly what fans of the series have come to expect, whilst still providing one or two interesting deviations in gameplay along the way, Like A Dragon: Ishin! fuses familiar traits with a delightfully-versatile combat system to great effect.
Dust & Neon has all of the tools and gunslinging gameplay needed to offer up a good time, but it's hindered by a lack of story or characters to be invested in, bad AI on occasions and a structure that just ends up dragging things out for too long.
Wild Hearts offers a fresh take on the monster hunting formula.
Tales of Symphonia is still one of the biggest highlights in the series with a fantastic assortment of characters, some simple but enjoyable combat and great story to keep players invested throughout.
The Theatrhythm series has always been a celebration of Final Fantasy and the iconic music associated with each title.
Wanted: Dead is a punishingly-difficult bloodbath that's a joy to play.
Already a masterstroke of design and execution on original release, Metroid Prime Remastered goes one better in cementing Retro's debut Metroid outing as one of gaming's greatest evolutions of a series.
Avalanche Software had a mighty challenge when it came to adapting the Wizarding World into a game.
Deliver Us Mars is a small studio's notable attempt at bringing something new to their fledgling franchise.
Tails: The Backbones Preludes is the prequel that fans likely weren't expecting and didn't know that they wanted, and due to a lack of variety mixed with brevity, they may also walk away still expecting and wanting more.
Though the short run-time, on top of its overused hit-and-miss humor, may work against it, what Rhythm Sprout lacks in unique aesthetic or visual identity, it more than makes up for with a soundtrack as much a gameplay loop that's both enjoyable and easy to make repeat trips back to.
What likely started out as an Xbox and/or Bethesda executive thinking "Hey, wouldn't it be neat if we kept this game a secret and launched it during a special event?" has led to what could easily wind up as one of this year's GOTY contenders exploding onto the scene in spectacular fashion.
Motive Studio has done the unthinkable with Dead Space. It has turned this iconic, incredibly memorable survival horror game from fifteen years ago into an even more immersive and engaging experience.
If you can get past its more grind-y elements, Power Chord can still be a fun deckbuilding roguelike game thanks to its impressive blend of influence that makes great use of its "Battle of the Bands" setup. It's something for every headbanger to check out, as well as fans of the genre who don't minds banging their heads against walls as they gradually chip down each tough demon in their path. Not exactly worthy of a Platinum record, but it can still be an enjoyable listen.
Where Forspoken should've been a striking and appealing fresh start for Luminous Productions, the end result sadly is a game not only bland and unpolished, but deprived of a reason to care for its unfolding mystery.
As far as the two mainline Fire Emblem titles go on Switch, Engage knocks it out of the park when it comes to general flow of gameplay and combat itself.
One Piece Odyssey delivers a great One Piece adventure, but without regard to the source material, is simply a good but unremarkable RPG. Hardcore One Piece fans will eat this up like a smorgasbord of Sanji's cooking, but even with the Memoria sections, it's a lot for newcomers to take in.
It's hard to believe that it has taken Persona 4 over a decade to branch outside of its PlayStation shackles.
Persona 3 Portable was a gem when it came to the PlayStation Portable nearly thirteen years ago, but it was very much meant for the hardware of its time.