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If Crime Boss: Rockay City pulled off even one part of its package, it'd be passable. In reality, it doesn't do a whole lot of anything right. So we're left with a lot of wasted potential and a game that is about as pleasant and exciting of an experience as being stuck in a lift with Kevin Sorbo.
The addition of 12 underplayed Game Gear Sonic titles and a playable Amy Rose are more than welcome in this beefed up version of Sonic Origins.
Greyhill incident is an unpleasant and downright laughable attempt at a sci-fi survival horror game. Rancid dialogue, shonky game design, wafer-thin substance, and a complete lack of cohesive storytelling are just the tip of a very large iceberg of problems.
There's no better way to play this series than the PS5 release of Layers of Fear, combining both stories under one cohesive umbrella. It also shows fantastic early potential in Unreal Engine 5, showcasing exactly what it can offer the rest of the gaming industry.
We Love Katamari ReRoll continues to spread the word of this wonderful series to a fresh audience. Tongue-in-cheek meta jabs at itself and a greater focus on what makes the King of All Cosmos tick just adds extra flavor.
An underwhelming PSVR 2 port of a PSVR gem, Budget Cuts Ultimate manages to scrape by on its fun factor and tense stealth.
This may not be the horror romp you're itching for, but Amnesia: The Bunker provides a fantastic map to explore with engaging gameplay to make it that much more enjoyable. It's too bad the game's stalker creature lacks the necessary delivery to generate authentic scares.
Loop8: Summer of Gods tries many ideas but doesn't execute any of them well. Most of the game involves you building your relationship with people who don't even want to help you save the world. Its combat is unrewarding and doesn't even feel like its necessary. Its only saving grace is its great art design and, on most occasions, its voice acting.
Convergence: A League of Legends Story doesn't just manage to stand on its own two feet as a gripping spin-off to the League of Legends property at large, but so too does it also craft an astoundingly accomplished Metroidvania that stands on its own two feet, tying together innovation and heart in one of the most welcome surprises of the year so far.
No One Lives Under The Lighthouse is an interesting take on Lovecraftian lore, with the focus more on letting you feel and discover the effects rather than showing them to you. Not everything pieces together conveniently, the gameplay can feel mundane if you're not into it, and some of the events leave room for improvement. Still, there's something compelling here, juxtaposing the complexity of the mythos that inspired the game with the simplicity of its overall presentation.
I had a great time with Miasma Chronicles, and I legitimately didn't want it to end. The accessible tactical combat had me coming back for more, and I loved the environments and the visually pleasing destruction the Miasma has wrought. Though its story is pretty wonky, I still enjoyed what I experienced and hope that a sequel will fully flesh out what is happening in this world.
Killer Frequency is a refreshing puzzle adventure under the guise of an 80s slasher flick. Its flirtation with real-time life-or-death decision-making serves to keep it an interesting and varied horror experience.
The Tartarus Key combines thoughtful puzzles, engaging writing, and a compelling setting and melds them together inside a PS1 package. It may not create a great deal of horror, but the writing and suspense keep you moving forward.
Chances are I'm not going to improve my take on "Euphoria" anytime soon, but Let's Sing 2023 makes it effortless to keep on trying and embarrass myself in front of my friends and family. And this is the central issue - if you're new to the Let's Sing then feel free to add a point or so to the final score as it remains a whole heap of fun and is both handsomely made and presented. However if you're a tenured veteran of the series, then the lack of innovation and the pay-walling of songs that you've already paid for before will likely grate more than the worst sonic assaults the Eurovision Song Contest has conjured thus far.
Street Fighter 6 comes out of its corner swinging and delivers a three-hit combo of modes that will leave fight fans floored.
Diablo IV takes the series to new heights, but also spends plenty of time covering familar ground. The compelling rush for loot is as strong as it has ever been, and visually, the game is spectacular. It doesn't exactly feel like a massive leap from Diablo III yet its focus on the series' core strengths ensures that's likely more than enough for long-time fans.
Though Company of Heroes 3 might lack some polish and its implementation of a console-friendly control system takes a good while to get used to, Relic Entertainment has nonetheless crafted a layered World War II RTS that combines meaningful tactical choices and consequences with compelling street-level strategy that just begs to be revisited time and again. Armchair generals should rejoice.
Much like the namesake character himself, The Lord of The Rings: Gollum couldn't be saved from what it became. Frustrating platforming coupled with boring gameplay and cheap ways to die make any experience hard to play. Unfortunately, the intriguing setting and lore exploration can't come close to overshadowing the game's fundamental issues.
Piccolo Studios has once again managed to take something dark, desolate, and painful and find the beauty in it. After Us is a haunting tale of humanity's atrocities against the planet that hits closer to home than most people would want to accept. The game's mesmerising imagery haunted me at times and at other times had me in awe with its gorgeous vistas and art direction. It may be a simply platformer but it has a power message that everyone should pay attention to.
The best boomer shooter I've played in a long time, Warhammer 40,000: Boltgun is weapons-grade catnip for genre fans and Warhammer 40,000 fans alike. Indeed in retrospect, crafting a retro style FPS in the Warhammer 40,000 universe feels like something we should have had long before now - so perfect is the fit of form and function. In the Warhammer 40,000 universe there is only war. Apparently there are also supremely great shooters too. Warhammer 40,000: Boltgun is a riotously violent and thoroughly entertaining shooter that everybody needs to play.