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Kirby Air Riders doesn’t just bring back a cult classic; it elevates it to feel essential once more. This is Sora & Bandai at their most confident, blending nostalgia with modern polish and delivering a package that feels both familiar and refreshing.
Anno 117: Pax Romana delivers a deep, rewarding city-building experience that effortlessly pulls you in and keeps you hooked for hours.
Call of Duty: Black Ops 7 is what it has promised, for better and for worse.
I’ve had a lot of fun playing SpongeBob SquarePants: Titans of the Tide. It captures the essence of the show perfectly, and Purple Lamp once again demonstrates their in-depth knowledge of the series with an abundance of references to it in both collectibles and story momen
Hyrule Warriors: Age of Imprisonment is both a farewell and a celebration. It doesn’t rewrite what the genre is; it just perfects how it fits into Zelda’s mythology. The pacing is smoother, the combat smarter, and the story stronger than ever. It’s not for everyone, you’ll still spend most of your time tearing through armies, but it’s done with such flair, such affection for the world it expands, that it’s hard not to get swept up in it. For long-time Zelda fans, this feels like closure. For Musou fans, it’s a technical victory. And for everyone in between, it’s just a great time to lose yourself in chaos one last time.
Once Upon A Katamari is at a standard we have come to expect from the series. The fun, engaging levels and the replayable formula offer hours of fun for those chasing high scores. With a cousin to collect on every level and customisation items to unlock, you are guaranteed to find something new when you replay. The only downside is that the pacing can disrupt the flow of the gameplay, as the King of All Cosmos interrupts it too often with his monologues before and after every level. Once Upon a Katamari is available now for the Nintendo Switch, PlayStation 5, Xbox Series X/S, and PC.
Tales of Xillia Remastered doesn’t beg for attention, and maybe that’s why it feels so timeless. It’s comfortable in its own skin, faster, cleaner, but still true to the spirit that made it special. It remembers that character-driven storytelling and fluid combat are what keep people coming back, not photorealism or open-world checklists.
After dozens of hours working my way through the world of Persona 3 Reload, I realised it had done something few games manage: it made me nostalgic for a story I'd never experienced before. There's a timeless quality to its blend of daily life and existential drama, a rhythm that prompts reflection on one's own choices and relationships.
Dragon Quest I+II HD-2D Remake is a tribute to the two iconic games released forty years ago. It is a museum piece that showcases the origins of the Fantasy JRPG series to modern and returning audiences. The stunning visuals and musical score will sweep you away, while new additions to the gameplay and storyline will ensure this classic formula remains engaging.
Hot Wheels Let’s Race: Ultimate Speed might not reinvent the racing genre, but it doesn’t have to. Its mission is clear: take the spirit of Hot Wheels: creativity, spectacle, and joy, and make it playable. In that, it succeeds with flying colors.
Even with its familiar structure, The Outer Worlds 2 is easy to recommend. The combat is tight, the writing cuts, and the player agency still feels substantial. It’s a smarter, smoother, and more technically reliable sequel that doesn’t lose the soul of the original. If you loved the first game, you’ll feel right at home. If you skipped it, this is the perfect place to jump in. Build your misfit, pick your lies, and see who believes you.
PowerWash Simulator 2 doesn’t reinvent the nozzle, but it polishes it to a pristine gleam (squeaky clean).
Ninja Gaiden 4 is a comeback. It’s fast, it’s furious, and it honours the legacy while turning up the tempo. Yakumo leads the charge with new mechanics, Ryu anchors it with familiar weight, traversal soars, combat slashes, bosses challenge. It isn’t flawless, repetition, some structuring echo past entries, and if you binge it you might feel the edges. But what it does best, it does with conviction. For fans of pure, no-nonsense action games, this hits hard. For those new to the series, it provides an accessible entry point without diluting the punch.
So where does that leave us? For me, Pokémon Legends Z-A is a strong, positive step forward in the “Legends” branch of the series.
So to conclude! Just Dance 2026 is not a radical reinvention of the series, but it doesn’t need to be. What it offers is a refined, confident iteration; one that leans into the franchise’s strengths while smoothing over several rough edges. It's a robust, crowd-pleasing song list full of bangers, filled with improved visuals and more expressive coaches. And due to the alternate coach choices, there is overall better choreography.
Keeper is a game about finding light in ruin. About learning to move again after everything has fallen apart. It’s intimate, strange, and quietly devastating, exactly the kind of game only Double Fine could make. It’s short, yes, but meaningful from the first frame to the last. And when it’s over, it lingers. The kind of game that doesn’t just end, it stays with you.
Ghost of Yotei is a good sequel to Ghost of Tsushima, and if you’re a fan of the series, this game will be right up your alley. The game looks great when it has the chance to let all of the elements come together. The animations are good, which makes the battles enjoyable and challenging at the same time. The way you can grind towards the most powerful version of yourself is totally in your hands, as you can choose what kind of talents you would like to unlock. You don’t have to unlock every aspect of the talent tree. If you want to make the game a bit more challenging, just try to parry all of the attacks, and you’re good to go. The main story is predictable, and the side missions are decent enough to make the grind more enjoyable. If you’ve liked the first game and you would like to play the game just like before, without any new mechanics, you’ll definitely want to buy this game.
Baby Steps made me feel like a clumsy, awkward human being, and that is the biggest compliment I can give it. Despite the lacklustre writing, the gameplay more than makes up for it. Using a simple gameplay mechanic in varied environments allowed me to shape my own experience in a fun way while keeping me on my toes throughout. If you're interested in Baby Steps but don't want to experience the challenge first-hand, I'd recommend looking for someone streaming the game. Either way, I have no doubt you will have fun.
Platypus Reclayed is more than a remake. It’s a respectful resurrection. It doesn’t chase trends or gimmicks; it just asks whether something simple, physical, and handmade can still feel thrilling. It turns out it can. It’s an accessible yet demanding shooter or players who love precision, rhythm, and craft. The repetition is there, but so is the reward. The clay aesthetic gives it soul; the gameplay keeps it grounded.
In all, Little Nightmares 3 is a satisfying successor. It keeps the fragility, the terror, the childlike vantage point, and adds new bits to the puzzle. It doesn’t leap beyond its past, but it steps beside it. For fans, this is a welcome return. For new players, it’s a refined horror-puzzle ride that’s close enough to the familiar to welcome them in, but with room to carve its own shadow.