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Taiko no Tatsujin: The Drum Master! Hits all the right notes in its jump to the PC. With a healthy amount of songs and a system that’s every bit as challenging as you want it to be, Don-chan and Ka-chan’s rhythm game is the place to be.
Tiny Tina’s Wonderlands might as well be an expansion for Borderlands 3. Only fans of Borderlands who can tolerate Tiny Tina should consider this game.
THE HOUSE OF THE DEAD: Remake is an absolute disservice to the light gun classic. From the pop in to the loading times to the broken control scheme, this re-release would make even Dr. Curien cower in fear.
Cyber Pool bends the rules of pool a little too much to make it worthwhile. Diehard pool sharks will want something more realistic, while those looking for a more casual experience will feel like things are a little off.
I didn't dive into LEGO Star Wars: The Skywalker Saga expecting to have a lot of fun, but that's exactly what I had: a lot of fun. The witty writing is well timed and expertly delivered, reliving the events of the Star Wars franchise was a welcomed nostalgia trip. Even after completing the game, I woke up excited to dive in and explore more worlds, solve more puzzles, and unlock more characters.
Wave 1 of the Mario Kart 8 Deluxe Booster Course Pass breathes new life into the multiplayer favorite, adding some of the series’ best hits. While there are some noticeably cut corners in this inaugural launch, we’re eager to hit these streets at our next shindig.
One Gun Guy blatantly copies Mega Man’s homework and yet still manages to fail the assignment. The idea of the entire game being one screen has some merit to it, but that’s all it has going for it.
Ghostwire: Tokyo is set up to be one of the most unique and interesting titles of the year, and it doesn't disappoint. Darken the room, turn the volume up loud, and keep out any distractions; Ghostwire: Tokyo is one hell of a spooky ride.
Although it's missing the go-karts and arcade machines, MiniGolf Maker perfectly captures the minigolf experience. The staggering amount of options (almost to an extreme) means that no two courses will ever play out the same - just the thing for those looking for an ace in the hole.
Persona 4 Arena Ultimax has remained an arcade staple for good reason - it’s got a perfect learning curve, fantastic sprite work, and oodles of fanservice. However, this lackluster port job is a disservice to the title. If you’ve never checked out the Midnight Channel, it’s a must play; however, those who have years of experience might feel like this is a rerun.
Assassin's Creed Valhalla: Dawn of Ragnarok continues to showcase Ubisoft's greatest works. It's a rewarding addition to an already impressive list of DLC, designed for one of the best RPGs they've ever made.
The pint-sized action of Moto Roader MC is too small for its own good. The almighty Micro Machines have cornered the market on pint-sized thrills, and this single screen racer doesn’t do enough to dethrone the king.
While no one wants to call Game of the Year in March, Elden Ring stands at the top of a very tall hill. If you play one game this year, make it Elden Ring.
My time with Babylon's Fall was a strange one. I don't recall ever disliking a game so heavily, only to fall in love with it moments later. The satisfaction driven nature of the experience is a road worth taking, but the slow burn isn't for everyone.
Dynasty Warriors 9 Empires does not give us faith that the series can be saved. Put simply, it might be best to put this series out to pasture and focus on other Warriors entries.
Drift King fixates on the things that don’t matter, pouring all of its energy into minutiae instead of what makes a racing game truly thrive. Its bland tracks and broken drifting mechanics are not conducive to a good game, and the grind to unlock content will turn people off sooner rather than later.
Robot Daycare lacks any sort of focus, trying to tell two different tales at the same time. While the idea of a robot AI companion is a novel one, the execution here is far too disjointed to make it stand out.
Dinoland’s billiards concept is squandered with its broken physics engine. The title is borderline unplayable, making even the simplest shots a major struggle.
PEOPLEDOWN wears its inspiration on its sleeve, blatantly copying Hotline Miami’s homework down to the letter. It’s just a shame they didn’t do a good job at it; the overall sloppiness of the presentation makes this a faded photocopy of the classic gamers have come to love.
Land of Screens is far too one-note for its own good, repeatedly hammering the message that screens are pure evil. Its heart is in the right place, but its execution leaves something to be desired.