IGN's Reviews
If you’ve never experienced Skyrim, the Special Edition is certainly an adventure you can’t afford to miss.
It’s rare that a sequel evolves on every part of the original concept so consistently for the better, but Titanfall 2 is that exception. Its feelgood movement is the foundation for both the engaging action and platforming gameplay of its strong campaign and its over-the-top competitive multiplayer. With bolstered progression, customization, variety, and a fleshed-out story, Respawn has made good on its original vision with Titanfall 2. And bottom line, it’s just damn fun to play.
Dragon Ball Xenoverse 2’s ambition is admirable, and though it’s riddled with a lot of silly little inconveniences, it mostly succeeds in giving DBZ fans an authentic-feeling world to dive into for the long haul. Though no individual element of its roleplaying or brawling gameplay is overly complex, taken as a whole there’s a surprising amount to consider while progressing your character, and enough to do to keep it from getting stale to soon.
Civilization VI will go down in history as the most fully-featured launch version in the series. Many of those are smartly revamped versions of Civ classics, buy it finds its own identity with great new ideas like spread-out cities, customizeable governments, research boosts, and leader agendas. And even though the AI has some improving to do, it can put up enough of a fight to make world domination a challenge.
Rigs: Mechanized Combat League brings fast, intense multiplayer action to the PlayStation VR, but with a few notable caveats. While there was enough variety in the mechs to keep me playing through a full season of matches, the sub-par visuals distract, and big matchmaking issues made online wait times unbearable. It’s fun to play with friends, but try to take it for a spin before committing, if only to make sure your stomach can actually handle it.
It’s a tribute to Telltale that the intricate, multi-layered plot and diverse cast of intertwined villains and madmen makes episode three’s lack of consequence and gameplay shortcomings excusable. I did encounter some brutal performance issues, but the writing has significantly improved from episode one, the voice acting is at its highest quality yet, and Gotham feels dense, detailed, and alive. The detective missions are starting to feel a little redundant, but the combat direction and animations that follow are so swift that it’s like watching a well-choreographed dance. Above all else, the elaborate plot has me utterly hooked.
There's a lot to love in the way Clockwork Empires attempts to break up the construction sim framework with Lovecraftian creatures and almost assured destruction, but it often takes too long to get to the best parts and fills that time with dull busywork. For most of the hours spent, it's largely a standard colonization simulator that's hampered with an unwieldy user interface and weak AI.
World of Final Fantasy is a humorous adventure that is just too cute for words, but its combat and exploration aren’t diverse enough to support a campaign nearly as long as this one. However, I did enjoy it for a long time - more than 30 hours - before it wore out its welcome.
Battlefield 1 does an amazing job of transplanting the fantastic chemistry of the series’ traditional multiplayer action into the weaponry and vehicles of World War I. The era brings with it not only a visually striking backdrop for classic game modes like Conquest and the compelling new Operations, but a distinct personality that touches everything from its rich lineup of archaic and distinctively designed weapons to the somber anthology of character-driven stories in its brief but surprisingly poignant single-player scenarios. While maps are not its strong point, Battlefield 1’s dynamically destructible environments and the minutely balanced mechanics of its classes and gadgets keep the moment-to-moment first-person shooting varied and engaging.
The Painted World of Ariandel presents a land that’s both enticing and dangerous, and there’s plenty of challenges to face even if you won’t have to face them too many times. However, unless you really love dueling in PvP arenas and can find sustained interest there, this adventure may serve as more of an appetizer than a full course meal.
Driveclub VR is Sony’s VR racing welcome wagon and, in small doses, I think it does its job of demonstrating the potential of VR racing. The racing genre is perfect for seated VR, and Driveclub VR delivers a functional example of that experience. Unfortunately, that’s really about all it delivers. Beyond that it’s just a pre-existing game with fewer features and graphics that make me feel like I have the vision of a 95-year-old man.
WWE 2K17 doesn’t make any big, drastic changes, but its smart gameplay tweaks have revitalized match types I’d ignored the past few years. I really miss 2K Showcase, and 2K17 is still weak in areas that I feel should have been shored up by now, but its excellent combat, and generous amounts of customization help it retain its title.
There is some single-player content, but other than the challenging wave-based survival mode, which is a great way to learn the abilities and limitations of a newly unlocked ship, the appeal wears off quickly. What passes for campaign missions are so quick and easy they’re barely there at all, and the enemy ships are so weak they might be made of tinfoil. There’s also a “scout” mode where you search uninhabited maps for hidden items to reveal extra bits of lore, which couldn’t be less exciting. Not knowing anything about EVE Online’s lore the story of cloned pilots signing up as mercenaries didn’t do much for me, though the voice acting isn’t bad.
Though it has a few unsettling, adrenaline-pumping moments, Here They Lie fails to deliver believable psychological horror. It definitely tries — it’s filled with the requisite creepy, gargling monster sounds and reality-bending that can contribute tension to scares — but it doesn’t blend its horror elements well enough to be consistently terrifying. Relying so heavily on overwrought surrealism and a few haunted house-style jumps to create tension rather than fostering any true discomfort (besides nausea) leaves it feeling flat.
Wang's stupid wisecracks kept me smiling from start to finish, and the variety of melee and ranged combat and the loot that dropped from it was satisfying enough that I came back with friends for more. It's great fun in solo or in co-op, and its small degree of randomization is enough to keep the action fresh for at least a few runs.
WRC 6 reminds me a lot of the PlayStation 2-era Evolution-developed WRC games; it’s an earnest attempt to capture the spirit of a niche motorsport series and, most importantly, it feels good to play thanks to a wide selection of tight-quarters race tracks, and decent handling. It might not hold a candle to Dirt Rally in its car selection or look and feel, but it’s not bad for developer Kylotonn’s sophomore effort on the series. If Milestone’s stint turned you off, as it did me, now could be a good time to get reacquainted.
At the end of the day, we’re mostly just stacking blocks in Tumble VR, and that’s rarely going to be exciting. Even when it challenged me with head-scratching feats of structural engineering it bored me with the mundanity of its theme. Adding onto that some of the PlayStation VR’s inherent limitations with tracking, and it was as often frustrating as rewarding.
Even if you don’t have a PSVR, Rez Infinite is still the most complete version of an imaginative cult classic with deceptively nuanced gameplay, but if you do, it’s also an impressive glimpse into the transportive power of virtual reality.
Mafia 3's strong characters and confident storytelling kept me engaged, even if the gameplay rarely delivered anything but bog-standard and repetitive open-world action. That's a bummer, because Lincoln is an incredible protagonist and New Bordeaux is a fantastic setting thematically, and it would've been great to see them put to better use.
I never expected to compare Gears of War 4 to The Force Awakens, but I couldn’t be happier to do so. Like the latest chapter in the story from a time long ago in a galaxy far, far away, Gears of War 4 is directed by a new generation of creators, shares a lot of similar narrative structures to the beloved first piece of the trilogy it succeeds, and is an experience you’ll walk away from with a big smile on your face – in campaign, Versus, and Horde modes alike. It’s about as good of a franchise reawakening as I could’ve hoped for. J.J. Abrams would no doubt appreciate what Gears 4 accomplishes.